SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C V Theatricus"/1) | (@(roleclean,performerclean) "C V Theatricus")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1646 matches on Performance Title, 1453 matches on Event Comments, 1185 matches on Performance Comments, 13 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on the violoncello-C. Ashley; End II: concerto= on the Piano Forte-Dussek

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: sonata on the Grand Piano Forte-Miss Reinagle (1st appearance in public); with accompaniment for flute and violoncello obligata-Woidner, C. Ashley; End II: concerto on violin-G. Ashley

Performances

Mainpiece Title: The Creation Grand Selection 0

Music: End I: concerto on the clarionet-John Mahon; End II: concerto on the violin-C. Ashley

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Colombine Courtezan

Dance: I: Minuet in Modern Habits by Rector and Mrs Anderson. II: Tambourine by Mlle Roland. III: Grand Ballet by Essex, Mrs Walter, &c. IV: The Amorous Clowns; or, The Courtezan: Clowns-Pelling, Davenport; Wives-Miss Mann, Miss Brett; Courtezan-Mrs Pelling. V: Rover by Essex, Mrs Walter, Mrs Pelling, Miss Mann, &c

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Contr1vances

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Dutchman and Frow by Le Brun and Miss Brett. IV: A Grand Ballet (revived): The Fat Farmer and his Family, with Fat Farmer-Harper; Sons-Thurmond, Pelling, Davenport; Daughters-Mrs Walter, Mrs Pelling, Miss Brett. V: Revellers by Essex, Mrs Walter, &c. End Afterpiece: Harper's Drunken Man

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Afterpiece Title: The Hodge Podge or A Receipt to make a Benefit

Afterpiece Title: The Son in Law

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

Event Comment: Last till after the holidays. Led by Mr Holland's excellence I went to see him in Romeo, and assure you I never saw Garrick himself in that part with more pleasure. He was admirable through-out the whole play, but moreso in the last Act, where he receives the news of Juliet's death. The sudden surprise and strong passions of grief were worked up with the utmost propriety in his face--Mr Palmer and Mrs Palmer too did justice to their characters (G. F. Theatricus to the Public Advertiser, 6 Jan. 1766)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequins Invasion

Event Comment: [T+The Cobler prints a Card in the Public Advertiser commending G. F. Theatricus for his bold statement (6 Jan.) about the excellencies of seven dl actors. He takes issue with G. F. that Bensley will surpass Powell, but adds a "puff" for another new actress, Mrs Abington.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Hermit

Event Comment: [The Public Advertiser this day contains a long letter from G. F. Theatricus extolling the virtues of Powell, Holland, Yates and Mrs Yates as actors capable of filling the shoes of Garrick and Mrs Cibber, especially with reference to their performance in the Clandestine Marriage, but calling attention also to their excellencies in other parts.

Performances

Mainpiece Title: The Clandestine Marriage

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Don Calascione

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: A Fete

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Performances

Mainpiece Title: An Evenings Love Or The Mock Astrologer

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Le Mar1age Force ou Les Fourberies dArlequin de Scaramouch

Dance: I: Louvre and Tambourine by Mlle D'Hervigni. II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Conspiracy Discovered or French Policy Defeated

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: A Fete

Afterpiece Title: The Touchstone

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Henry Viii

Performances

Mainpiece Title: Herod And Mariamne

Performances

Mainpiece Title: The Chances