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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C S Favart"/1) | (@(roleclean,performerclean) "C S Favart")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2112 results for: Keyword - C. S. Favart

We found 1330 matches on Event Comments, 797 matches on Performance Comments, 111 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

1926
10 November 1788 @ Covent Garden

Performances

Mainpiece Title: The Highland Reel

Afterpiece Title: The Miser

Dance: As17881107

Music: Mainpiece: new Scotch Overture by Shield-

1927
28 November 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Pannel

1928
10 January 1789 @ King's Theatre

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

1929
24 January 1789 @ King's Theatre

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: As17890110

1930
03 February 1789 @ Covent Garden

Performances

Mainpiece Title: The Toy

Afterpiece Title: Aladin

1931
09 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Devil to Pay

1932
31 March 1789 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

1933
04 April 1789 @ Covent Garden

Performances

Mainpiece Title: Marian

Afterpiece Title: The Pharo Table

Afterpiece Title: The Highland Reel

Song: In 1st piece: Sweet Bird, as17890126

1934
20 April 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: False Appearances

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

1935
01 May 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: False Appearances

Afterpiece Title: The Farm House

1936
07 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Death of Captain Cook

Dance: End IV: Fortune's Favor-Byrn, Mrs Goodwin, Mrs Ratchford

1937
15 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells

1938
15 July 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Married Man

Afterpiece Title: The Romp

Dance: As17890708

1939
10 August 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: The Comet; or, How to Come at Her

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Benevolent Planters

Dance: As17890805

Entertainment: Monologue As17890617

1940
11 August 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Afterpiece Title: A Quarter of an Hour before Dinner

1941
23 September 1789 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Death of Captain Cook

1942
28 September 1789 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Highland Reel

1943
11 November 1789 @ White Horse Inn, Parsons Green, Fulham

Performances

Mainpiece Title: The Foundling; Or, Virtue Rewarded

Afterpiece Title: The Deuce is in Him

Afterpiece Title: The Shipwreck; or, Walking Statue

Dance: End: a comic dance, The Affrighted Dwarf; or, Whimsical Transformation into Mad Moll-Blandford

Entertainment: Monologues. End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall

1944
24 November 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Miller of Mansfield

1945
26 December 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin's Frolicks; or, The Power of Witchcraft

Dance: In II: As17891209; Afterpiece conclude: Grand Ballet-the young D'Egvilles, Miss Blanchet, Miss DeCamp [which was included, as here assigned, in all subsequent performances]

Song: As17891209

1946
09 January 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Harlequin's Frolicks

Dance: As17891204

1947
08 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In Many Masks

Afterpiece Title: The Deaf Lover

Dance: End: a new Comic Dance, The Elopement; or, Marriage-a-la-Mode-the young D'Egvilles, Miss Blanchet, Miss DeCamp

1948
18 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Adventurers

Dance: As17891204

1949
16 April 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: No Song No Supper

Dance: III: Hornpipe-Bourk

1950
29 April 1790 @ Covent Garden

Performances

Mainpiece Title: The Female Adventure; Or, Stop Her Who Can

Afterpiece Title: Cymon

Dance: Following Imitations at end: As17891021; In afterpiece: Dances, as17900409

Entertainment: End II: Tragic Imitations [of Mrs Siddons in Belvidera's 1st scene in Venice Preserved, I.i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells