SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Lowndes"/1) | (@(roleclean,performerclean) "C Lowndes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1329 matches on Event Comments, 808 matches on Performance Comments, 110 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Performances

Mainpiece Title: The Siege Of Meaux

Afterpiece Title: NETLEY ABBEY

Afterpiece Title: THE SICILIAN ROMANCE

Dance: End of 1st piece The Wapping Landlady by Blurton, Mrs Ratchford, &c

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: 6th concerto of Giordani on the violin-C. Ashley

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on the violoncello-C. Ashley; End II: concerto= on the Piano Forte-Dussek

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: sonata on the Grand Piano Forte-Miss Reinagle (1st appearance in public); with accompaniment for flute and violoncello obligata-Woidner, C. Ashley; End II: concerto on violin-G. Ashley

Performances

Mainpiece Title: The Creation; Grand Selection 0

Music: End I: concerto on the clarionet-John Mahon; End II: concerto on the violin-C. Ashley

Event Comment: With proper scenes, Machines, &c. [This is the Dryden-Davenant version.] Paid G. Garrick balance of his bill #6 13s.; Christmas Box to ye Beadle 3s. 6d.; Mr Norton 5 chorus #1 5s.; Xmas Jury #1 1s.; Mr Madden for an Embroidered Coat and a velvet suit of Cloaths #12 (Treasurer's Book). [This month was published A Dissertation on Comedy (by John Hippisley, Jr) in which the Rise and Progress of that Species of the Drama is particularly considered and deduced from the earliest to the present age. By a Student of Oxford. Printed for T. Lowndes (Gentleman's Magazine, Register of Books). The "Student of Oxford" seems to have been a Garrick apologist in the extreme: "But whatever reason there may have been formerly for this complaint [the immorality of the stage] since Mr Garrick's management the Stage is become the school of manners and morality: Ribaldry and Profaneness are no longer tolerated, Sense and Nature exert their influence; Pantomime daily declines, Dancers are but little encouraged; the Burletta performs to empty benches, and the British can now vie with the Athenian Drama when in its severest state of purity" (p. 15). Also, from the same source, Reflections on that Species of Dramatic Writing which it improperly call'd Serious Comedy: from the French of M Maillet du Boulley.] Receipts: #120 (Cross); #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Afterpiece Title: The Anatomist

Event Comment: [The BM Burney Collection (937. c. 10) contains a receipted bill from T. Lowndes for printing throughout this week: playbills nightly #1 12s. 6d.; 100 half price cards 2s.; 200 half-sheet office accts. 8s., totalling #10 5d.] Receipts: #272 4s. (226.8; 44.12; 1.4)

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The She Gallant

Performance Comment: Principal Characters-Massey, Munden, Howard, Whitby, Middleton, Fildew, Lucas, Barrett, Mrs Winchelsea, Mrs Lefevre, A Gentlewoman (1st appearance [unidentified]). [Edition of 1767 (T. Lowndes and J. Williams) lists the parts: Sir Anthony Woodville, Sir Geofry Gingle, Delamour, Young Woodville, Thady MacBrogue Constable, Watchman, Florimel, Emily, Betty].unidentified]). [Edition of 1767 (T. Lowndes and J. Williams) lists the parts: Sir Anthony Woodville, Sir Geofry Gingle, Delamour, Young Woodville, Thady MacBrogue Constable, Watchman, Florimel, Emily, Betty].

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Lewis (1st appearance in that character); Manly-Clarke; Squire Richard-Quick; John Moody-Dunstall; Count Basset-Lee Lewes; Sir Francis Wronghead-Macklin; Lady Grace-Mrs Lessingham; Lady Wronghead-Miss Macklin (1st appearance in that character); Miss Jenny-Mrs Mattocks; Lady Townly-Mrs Barry; Edition of 1776 (T. Lowndes) adds: Mrs Motherly-Mrs Poussin; Myrtilla-Mrs Whitefield; Mrs Trusty-Mrs Willems.

Afterpiece Title: The Padlock

Dance: End: The Merry Sailors, as17761106

Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Camp

Performances

Mainpiece Title: The Election

Performance Comment: Principal Characters by Vernon, Gaudry, Bannister, Mrs Love, Miss Collett. Cast from text (T. Lowndes, 1780: Richard-Vernon; Trusty-Gaudry; John-Bannister; Wife-Mrs Love; Sally-Miss Collett.

Afterpiece Title: Hamlet

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: a Mock@minuet-Palmer, Miss Pope. [This was included, as here assigned, in both subsequent performances.

Event Comment: Benefit for Jewell, treasurer. 3rd piece [1st time; F 1, by Richard Paul Jodrell. Text 1st published (with cast for later season) by W. Lowndes and J. Barker, 1786]

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Summer Amusement

Afterpiece Title: Seeing is Believing: A Dramatic Proverb

Dance: As17830610

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Rival Knights

Afterpiece Title: Cross Purposes

Performance Comment: Cast not listed. [Cast from edition of 1783 (T. and W. Lowndes [et al]): Grub-Wilson; Chapeau-Bonnor; G. Bevil-Whitfield; Consol-Jones; Robin-Stevens; H. Bevil-Booth; F. Bevil-Thompson; Emily-Mrs Lewis; Mrs Grub-Mrs Webb; House-maid-Mrs Poussin.] hathi. hathi.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Performance Comment: Principal Characters by Dodd, Barrymore, Fawcett, Suett; Miss Stageldoir, Miss Barnes, Mrs Jordan. [Cast from text (W. Lowndes and J. Barker, 1786): Young Cockney-Dodd; Captain Sightly-Barrymore; Old Cockney-Fawcett; Barnacle-Suctt; Penelope-Miss Stageldoir; Miss La Blond-Miss Barnes; Priscilla Tomboy-Mrs Jordan.] dancing and. dancing and.

Song: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss Stageldoir, and Singing by Miss Field; End of Act III The Market-Day, as17851024

Performances

Mainpiece Title: Seeing Is Believing: A Dramatic Proverb

Performance Comment: Principal Characters by Parsons, Baddeley, R. Palmer, Bannister Jun.; Miss Burnett, Mrs Cuyler. [Cast from text (W. Lowndes and J. Barker, 1786): Sir Credule-Parsons; Sceptic-Baddeley; Capt. Nightshade-R. Palmer; Simon-Bannister Jun.; Porter-Painter; Miss Di-Miss Burnett; Kitty-Mrs Cuyler.] hathi. hathi.

Afterpiece Title: The Spanish Barber

Afterpiece Title: Rosin a

Performances

Mainpiece Title: Ways And Means

Afterpiece Title: A Quarter of an Hour before Dinner; or, Quality Binding

Performance Comment: Principal Characters by Aickin, R. Palmer, Kemble, Davies, Phillimore, Abbot, Williamson, Mrs Brooks. Cast from text (W. Lowndes, 1788): Mr Plainwell-Aickin; Lord Simper-R. Palmer; Sir William Wealthy-Kemble; Col. Modish-Davies; John-Phillimore; William-Abbot; Mr Level-Williamson; Mrs Level-Mrs Brooks.

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Romp

Afterpiece Title: Ut Pictura Poesis

Afterpiece Title: As It Should Be

Performance Comment: Principal Characters by Iliff, Powell, Barrett, Williamson, Mrs Powell, Miss Heard. Cast from text (W. Lowndes, 1789): Lord Megrim-Iliff; Fidget-Powell; Sparkle-Barrett; Winworth-Williamson; Lucy-Mrs Powell; Celia-Miss Heard.

Dance: As17890525

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplished Fools

Afterpiece Title: Barataria; or, Sancho Turned Governor

Performance Comment: Sancho Pancha-Quick; Duke-Cubitt; Manuel-Davies; Pedro-Thompson; Recorder-Powel; Alonzo-Evatt; Don Quixotte-Marshall; Lady Tereza Pancha-Mrs Webb; Spanish Lady-Mrs Powell; Duchess-Mrs Platt; Mary the Buxom-Mrs Rock; Edition of 1793 (W. Lowndes) adds: Taylor-Rees; Gardener-Rock; Thin Man-Simmons; Smuggler-Rowson; Custom@House Officer-Farley; Cryer-Cross; Big Woman-Miss Leserve.
Event Comment: [Miss Brown is identified by MS annotation on Kemble playbill. "Notwithstanding the bills...[she acted] the summer before last, on the boards of the Richmond theatre" (Monthly Mirror, Nov. 1798, p. 308). In afterpiece the playbill retains Mrs Roffey as Nelly, but she "who usually performed the part of the Servant Maid, [was] suddenly taken ill; her substitute [was] Miss Tidswell" (Morning Herald, 12 Nov.).] Account-Book: Received of Hammersley & Co., lent to pay the Company #500; paid Lowndes, printer, #10; Chorus #6; Rablus, tallow candles, #10. Receipts: #203 12s. (126.3.6; 76.7.6; 1.1.0)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

Performances

Mainpiece Title: The Pirates

Afterpiece Title: THE ENGLISHMAN IN PARIS

Dance: In mainpiece Dances (composed by D'Egville) by Hamoir, G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp