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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "C E Jones"/1) | (@(roleclean,performerclean) "C E Jones")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5121 results for: Keyword - C. E. Jones

We found 1822 matches on Performance Comments, 1500 matches on Event Comments, 534 matches on Performance Title, 132 matches on Author, and 0 matches on Roles/Actors.

1851
31 August 1795 @ Haymarket Theatre

Performances

Mainpiece Title: Zorinski

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: The Prisoner at Large

1852
06 February 1796 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: As17960202 [One of these dances was a Hornpipe by Mlle DelCaro, now Mme Bossi (Morning Chronicle, 8 Feb.).

1853
02 April 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Vortigern

Afterpiece Title: My Grandmother

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

1854
02 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Julia Or Such Things Were

Afterpiece Title: The Devil to Pay

1855
23 July 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

1856
29 August 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Iron Chest

1857
01 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Wedding Day

Afterpiece Title: The Deuce is in Him

Entertainment: Monologue. To conclude with: a Short Notice of Farewells, including her own Farewell for the Present Season-Mrs Siddons

1858
28 November 1797 @ King's Theatre

Performances

Mainpiece Title: Ipermestra

Dance: End I: Divertisement, composed by Gallet [with music by Bossi] L'Offrande a Terpsichore-Didelot, Mme Rose, Laborie (1st appearance in this country since 1790 [recte 1792]), Mme Hilligsberg, Mlle J. Hilligsberg, Mme Laborie

Ballet: End Opera: a new Grand, Heroic, Pastoral Ballet, composed by Gallet [with music by Bossi] Ariadne et Bacchus. Bacchus-Laborie; Ariadne-Mme Laborie; Silenus-Blake; Cupid-Master Menage; Followers of Bacchus-Mme Hilligsberg, Mlle J. Hilligsberg, Didelot, Mme Rose. [And see dl, 9 May 1798.

1859
26 December 1797 @ Covent Garden

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin and Quixotte or The Magic Arm

1860
23 January 1798 @ King's Theatre

Performances

Mainpiece Title: La Scola Dei Maritati

Dance: As17980116

1861
20 February 1798 @ King's Theatre

Performances

Mainpiece Title: Cinna

Dance: As17980210

1862
10 March 1798 @ King's Theatre

Performances

Mainpiece Title: La Cifra

Dance: As17980306

1863
21 April 1798 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: A New Divertisement, as17980419; End Opera: La Vengeance de l'Amour-; Pas de Quatre de Panurge-

1864
26 April 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: End I: Peggy's Love composed by Didelot [with music by Bossi]-; Pas de Trois-Laborie, Mme Laborie, Mme Hilligsberg; End Opera: La Vengeance de l'Amour, as17980421

1865
16 October 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Outlaws

1866
12 November 1798 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog Or Wine Does Wonders

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

1867
29 December 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Aurelio And Miranda

Afterpiece Title: The Children in the Wood

Song: Mainpiece: Chorusses-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

1868
29 December 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: As17981226

1869
09 April 1799 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: As17990330

1870
23 April 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle Of Montval

Afterpiece Title: Blue Beard

1871
21 August 1799 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Red Cross Knights

Afterpiece Title: The Purse

1872
16 September 1799 @ Covent Garden

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Rosina

Entertainment: Monologue Preceding: New Occasional Address-Pope

1873
21 October 1799 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Naval Pillar

Afterpiece Title: The Death of Captain Cook

Dance: In 2nd piece: As17991007

Song: In 2nd piece: As17991011

1874
11 March 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Liar

1875
01 April 1800 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: St