SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "C Dibdin Jun"/1) | (@(roleclean,performerclean) "C Dibdin Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2329 matches on Performance Comments, 1571 matches on Event Comments, 1432 matches on Author, 229 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Commissary

Monologue: Between Main and Afterpiece: an Entertainment True Blue; or, The Press Gang. Principal Parts-Mattocks, Reinhold, Baker, Mrs Mattocks; Dance-Aldridge

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Hob in the Well

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Devil to Pay

Dance: V: The Sailors Revels, as17711008

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Institution of the Garter

Related Works
Related Work: The Institution of the Garter; or, Arthur's Round Table Restored Author(s): Charles Dibdin
Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexanders Feast With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Performances

Mainpiece Title: Concerto Spirituale

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Intriguing Chambermaid

Song: I: The Favourite Irish Song call'd Ailen Aroon will be sung-Mrs Woodman

Dance: II: The Old ground Young, as17711030

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Monologue: V: Linco's Travels. As 24 March

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Witches

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Country Madcap

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Upholsterer

Dance: After: The Tartars-Fishar, Sga Manesiere

Performances

Mainpiece Title: The Duel

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Monologue: Before: New Occasional Prelude. As 27 Oct. 1772

Performances

Mainpiece Title: Merope

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Old Maid

Dance: IV: New Dance, as17730114

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Deuce Is in Him

Dance: V: Comic Dance, as17720922

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Intriguing Chambermaid

Entertainment: After: (For that Night only) An Apology for Apologies-King

Dance: The Sailors Revels, as17720919

Performances

Mainpiece Title: The Albion Queens Or The Death Of Mary Queen Of Scots

Afterpiece Title: A Trip to Scotland

Entertainment: Epilogue End: (By Particular Desire) New Occasional Epilogue-Mrs Bulkley

Dance: Minuet-Aldridge, Mrs Bulkley (playbill) Fisher, Mrs Bulkley (Public Advertiser)