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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Corbett"/1) | (@(roleclean,performerclean) "C Corbett")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2137 results for: Keyword - C. Corbett
We found 1335 matches on Event Comments, 803 matches on Performance Comments, 117 matches on Performance Title, 27 matches on Author, and 0 matches on Roles/Actors.

126
28 July 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Enchanted Wood

Afterpiece Title: The Liar

Dance: As17920725

127
01 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Enchanted Wood

Afterpiece Title: The Son-in-Law

Dance: As17920725

128
04 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Enchanted Wood

Afterpiece Title: The Agreeable Surprise

Dance: As17920725

129
07 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The Enchanted Wood

Afterpiece Title: The Son-in-Law

Dance: As17920725

130
22 May 1793 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's A Trip To Scarborough

Afterpiece Title: The Female Duellist

Song: End: As on the pleasant banks of Tweed-Master Welsh

131
16 March 1737 @ Devil Tavern

Performances

Mainpiece Title: Concert

Music: Solo on the Violin-M. C. Festing; a Solo on the German Flute-Weideman

132
24 April 1711 @ Home's Dancing School

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; a new Cantata with a Solo on the Harpsicord-Mr Babell Jun; with Variety of Concertos and other Pieces by Mr Corbett-Mr Corbett, other of the best Masters

133
18 May 1704 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; the Vocal Part,several Italian songs-Signior Gioseppe Olzi, who sings several Italian Songs with the Trumpet and other Instruments; accompany'd-Mr Dupare; Likewise several Sonatas for a Flute and Violin-Signior Gasperini, Mr Paisible; Sonata for two Flutes-Mr Paisible, Mr Banister; With variety of other Sonatas for the Violin, compos'd by Mr Corbett.

134
08 June 1704 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Caesar Borgia; Son Of Pope Alexander Vi

Song: Mrs Hodgson; A two/part song-Cook, Davis; Indian Trumpet Song-Davis; Song in Imitation of an Old Woman, Irish Whim-Mrs Willis

Music: A new Set of Airs for the Trumpet Hautboys and Violins composed by Corbett-

Dance: Miss Evans, Clark, Firbank, Firbank's scholar

135
21 February 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters; Or, No Magick Like Love

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

136
23 February 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

137
25 February 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

138
26 February 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

139
28 February 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

140
02 March 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

141
05 March 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

142
09 March 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

143
12 March 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

144
26 March 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

145
02 April 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

146
03 May 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

147
25 March 1707 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

148
14 April 1707 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

Afterpiece Title: The Stage Coach

149
06 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Quaker; Or, The Humours Of The Navy

Afterpiece Title: The Irish Widow

Song: Mainpiece to finish with a Grand Naval Review, with a Dance of Sailors by Williamson, Mills, Miss Stageldoir, &c, and Rule Britannia by Williames, Chapman, &c

150
18 March 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Scornful Lady

Music: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]