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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "C Corbett"/1) | (@(roleclean,performerclean) "C Corbett")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3670 results for: Keyword - C. Corbett
We found 1335 matches on Event Comments, 803 matches on Performance Comments, 117 matches on Performance Title, 27 matches on Author, and 0 matches on Roles/Actors.

126
23 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: Cross Partners

127
08 May 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE QUAKER

128
04 June 1794 @ Covent Garden

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: THE HIGHLAND REEL

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

129
07 October 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Chimney Corner

Song: In V: song-Mrs Bland

130
23 November 1797 @ Covent Garden

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Farmer

131
16 March 1737 @ Devil Tavern

Performances

Mainpiece Title: Concert

Music: Solo on the Violin-M. C. Festing; a Solo on the German Flute-Weideman

132
21 February 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters Or No Magick Like Love

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

133
23 February 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

134
25 February 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

135
26 February 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

136
28 February 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

137
02 March 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

138
05 March 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

139
09 March 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

140
12 March 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

141
26 March 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

142
02 April 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

143
03 May 1706 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

144
25 March 1707 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

145
14 April 1707 @ Queen's Theatre

Performances

Mainpiece Title: The British Enchanters

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

Afterpiece Title: The Stage Coach

146
24 April 1711 @ Home's Dancing School

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; a new Cantata with a Solo on the Harpsicord-Mr Babell Jun; with Variety of Concertos and other Pieces by Mr Corbett-Mr Corbett, other of the best Masters

147
18 May 1704 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; the Vocal Part,several Italian songs-Signior Gioseppe Olzi, who sings several Italian Songs with the Trumpet and other Instruments; accompany'd-Mr Dupare; Likewise several Sonatas for a Flute and Violin-Signior Gasperini, Mr Paisible; Sonata for two Flutes-Mr Paisible, Mr Banister; With variety of other Sonatas for the Violin, compos'd by Mr Corbett.

148
08 June 1704 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Caesar Borgia Son Of Pope Alexander Vi

Song: Mrs Hodgson; A two/part song-Cook, Davis; Indian Trumpet Song-Davis; Song in Imitation of an Old Woman, Irish Whim-Mrs Willis

Music: A new Set of Airs for the Trumpet Hautboys and Violins composed by Corbett-

Dance: Miss Evans, Clark, Firbank, Firbank's scholar

149
06 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Quaker Or The Humours Of The Navy

Afterpiece Title: The Irish Widow

Song: Mainpiece to finish with a Grand Naval Review, with a Dance of Sailors by Williamson, Mills, Miss Stageldoir, &c, and Rule Britannia by Williames, Chapman, &c

150
18 March 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Scornful Lady

Music: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]