SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "C Corbett"/1) | (@(roleclean,performerclean) "C Corbett")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1335 matches on Event Comments, 803 matches on Performance Comments, 117 matches on Performance Title, 27 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Device or The Marriage Office

Dance: End: The Humours of New@Market with the Pony Races, as17770428

Song: End I: A Welcome to the Spring (composed by Dr Arne)-Mrs Farrell

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Test of Love

Dance: In II: a Masquerade Dance-Byrn, the two Simonets, young D'Egville, Miss DeCamp

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Quarter of an Hour before Dinner

Afterpiece Title: The Gnome or Harlequin Underground

Dance: End 1st piece: January and May-[see17880627

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Village Coquette

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Enchanted Wood

Dance: In 2nd piece: the Dances (under direction of D'Egville,)-Whitmell, Keys, George D'Egville, Lewis D'Egville, Master Whitmell, Master Chatterley, Master Menage, Master Webb, Mrs Haskey, Miss DeCamp, Miss E. Menage, Miss F?. D'Egville, Miss Jacobs, Miss Haskey, Miss Standen, Miss Menage

Performances

Mainpiece Title: The Author

Afterpiece Title: The Enchanted Wood

Dance: As17920725

Performances

Mainpiece Title: The Enchanted Wood

Afterpiece Title: The Liar

Dance: As17920725

Performances

Mainpiece Title: The Enchanted Wood

Afterpiece Title: The Son in Law

Dance: As17920725

Performances

Mainpiece Title: The Enchanted Wood

Afterpiece Title: The Agreeable Surprise

Dance: As17920725

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The Enchanted Wood

Afterpiece Title: The Son in Law

Dance: As17920725

Performances

Mainpiece Title: At Kings A Trip To Scarborough

Afterpiece Title: The Female Duellist

Song: End: As on the pleasant banks of Tweed-Master Welsh

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The What Dye Call It

Performances

Mainpiece Title: Mithridates King Of Pontus

Performance Comment: Edition of 1678: Prologue-; Mithridates-Mohun; Ziphares-Hart; Pharnaces-Goodman; Archelaus-Griffin; Pelopidas-Wintershul; Andravar-Powell; Aquilius-Clark; Another Roman Officer-Wiltshire; Monima-Mrs Corbett; Semandra-Mrs Boutel; Epilogue by Mr Dryden-.
Cast
Role: Monima Actor: Mrs Corbett

Performances

Mainpiece Title: The Detection Or A Sketch Of The Times

Afterpiece Title: The City Association or The National Spirit Rousd

Performance Comment: Captain Constant-Beesley; Serjeant Standfast-Parker; James-Welldon; Paddy O'Flail-Whittaker; Dunk Donald-Brown; Gregory Last-Swords; Dick Hatchet-Robinson; Sam. Slender-Thomas; Nat. Forge-Freeman; Timothy Remnant-Sutton; Mrs Magnum-Mrs Baker; Jenny Magnum-A Young Lady (1st appearance [unidentified]); Miss Fanny Lovewell-Miss Hemet (6th appearance); A new Prologue-Corbett [in the character of one of the City Associators.in the character of one of the City Associators.
Cast
Role: A new Prologue Actor: Corbett

Song: End I: song-Phillips

Entertainment: Monologue.End: (not acted these 10 years) Shuter's comic interlude, Post Haste Observations on his Journey to Paris-Sutton (from the Theatre Royal, Edinburgh)

Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris Taken in the Year 1790

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris Taken in the Year 1790

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Lodoiska

Song: As17941029

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS or The Devil will have his Own

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: LODOISKA