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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Cibber"/1) | (@(roleclean,performerclean) "C Cibber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6516 results for: Keyword - C. Cibber
We found 2776 matches on Performance Comments, 2743 matches on Author, 1723 matches on Event Comments, 116 matches on Performance Title, and 9 matches on Roles/Actors.

6426
08 August 1735 @ Haymarket Theatre

Event Comment: At the Desire of several Persons of Quality and Distinction. Mainpiece: Written by Sir John Vanbrugh and Mr Cibber. Afterpiece: Written by Mr Carey

Performances

Mainpiece Title: The Provok'd Husband

Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): Colley Cibber

Afterpiece Title: The Honest Yorkshireman

6427
16 December 1735 @ King's Theatre

Event Comment: Daily Advertiser, 15 Dec: The Opera of Adriano, now performing with great Applause, particularly for some fine Songs in it, compos'd for Signior Farinello, having been thought by the King to be rather too long, M. Veracini has shorten'd it, and his Majesty has declar'd his Intention of being present at it [Tuesday 16]. We hear, that after this Opera has had its run, there will be a new one call'd Mithridates, the Drama of which is wrote in English by Colley Cibber, Esq; Poet Laureat, and translated from thence into Italian

Performances

Mainpiece Title: Adriano

6428
11 February 1737 @ Drury Lane Theatre

Event Comment: For Occasional Prompter XXI (on Cibber and King John), see Daily Journal, 11 Feb

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The King and the Miller of Mansfield

6429
03 March 1737 @ Drury Lane Theatre

Event Comment: Benefit the Author. At the particular Desire of several Ladies of Quality. Founded on Shakespear's Much Ado About Nothing. By the Author of the Man of Taste. [For an Epilogue designed to be spoken to King John, as amended by Colley Cibber, see Grub St. Journal, 3 March.

Performances

Mainpiece Title: The Universal Passion

Dance: Muilment

6430
13 September 1737 @ Drury Lane Theatre

Event Comment: EEgerton 2320: Receipts: #80. Mr Cibber ill at Kingston, Tom read by Mr Machlin hiss'd when he first came on; but was applauded at last having read it tolerably well

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

6431
17 September 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Taken from Plautus, Moliere. Egerton 2320: Receipts: #82. Hamlet Posted for a week but put off upon Mrs Cibber's refusing to do Ophelia for which she was forfeited five pounds--the Miser play'd instead of it

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

6432
24 October 1739 @ Covent Garden

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh, and Colley Cibber Esq; Poet-Laureat

Performances

Mainpiece Title: The Provok'd Husband

Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): Colley Cibber

Afterpiece Title: The Necromancer

6433
12 January 1740 @ Covent Garden

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh, and Colley Cibber, Esq; Poet-Laureat

Performances

Mainpiece Title: The Provok'd Husband

Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): Colley Cibber

Afterpiece Title: Perseus and Andromeda

Dance: TTambourine-French Girl; Miller and His Wife-French Boy and Girl

Ballet: GGrand Dance in Momus. As17400110

6434
15 September 1740 @ Covent Garden

Event Comment: LLondon Daily Post and General Advertiser, 15 Sept.: [cg] is new painted and decorated, and will be open'd on Friday next...the Report of Mr Cibber and Mrs Horton being engag'd to another Theatre, is entirely without Foundation: That Company would have begun acting sooner, but for the finishing of a large additional Building, which is now cover'd in, whereby they will, on some Occasions, be enabled to add near 70 Feet to the Length of the Stage, which was before the longest in England, but will now exceed in Depth, any Theatre in Europe

Performances

6435
18 December 1740 @ Covent Garden

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Rylands MS.: Cibber sick, I did Bayes. Bayes-I .

Afterpiece Title: Orpheus and Eurydice

6436
09 December 1741 @ Goodman's Fields

Event Comment: Written by Shakespear. Garrick to Peter Garrick (Dec. 1741): You perhaps would be glad to know what parts I have play'd, King Richd-+Jack Smatter in Pamela-Clody fop's fortune-Lothario fair Penitent-Chamont Orphan-Ghost Hamlet-& Shall soon be ready in Bays in ye Rehearsal-and in ye part of Othello-Both of which I believe will do Me and Cibber">Giffard great Service-I have had great Success in all, & 'tis not yet determin'd whether I play Trajedy or Comedy best-$Old Cibber has spoke with ye Greatest Commendation of my Acting, as to playing a Harlequin 'tis quite false-Yates last Season was taken very ill & was not able to begin ye Entertainment so I put on ye Dress & did 2 or three Scenes for him, but Nobody knew it but him & Giffard; I know it has been Said I play'd Harlequin at Covent Garden but it is quite false.-Little, Pineapples, pp. 28-29

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

6437
23 February 1743 @ Covent Garden

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

6438
09 April 1743 @ Lincoln's Inn Fields

Event Comment: MMrs Tame (see 15 April hay) had announced for her benefit this night The Old Batchelor, with Cibber as Fondlewife, Giffard as the Old Batchelor, and Mrs Giffard as Laetitia, to be followed by Tom Thumb, with Mrs Tame playing Tom Thumb, but a notice of 11 April states that Mrs Tame was ill and the performance had to be deferr'd

Performances

6439
18 October 1743 @ Drury Lane Theatre

Event Comment: The Relapse is deferr'd on account of the sudden indisposition of Cibber

Performances

Mainpiece Title: Cato

Afterpiece Title: The Lying Valet

Song: II, IV: Sullivan

Dance: As17431015

6440
24 February 1744 @ Covent Garden

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Dalila-Signora Francesina; Micah-Signora Francesina, Sullivan; Harapha-Reinhold; Israelite Woman-Signora Avolio (Dean, Handel's Dramatic Oratorios, p. 351). Mrs Delany to Mrs Dewes, 25 Feb.: Francesina sings most of Mrs Cibber's parts and some of Mrs Clive's. [See Deutsch, Handel, p. 585.]See Deutsch, Handel, p. 585.]

6441
09 June 1744 @ King's Theatre

Event Comment: HHandel to Jennens: I have taken the Opera House in the Hay-marketh, engaged, as Singers, Signora Francesina, Miss Robinson, Beard, Reinhold, Mr Gates with his Boyes's and several of the best Chorus Singers from the Choirs, and I have some hopes that Mrs Cibber will sing for me. She sent word from Bath (where she is now) that she would perform for me next winter with great pleasure if it did not interfere with her playing, but I think I can obtain Mr Riches's permission (with whom she is engaged to play in Covent Garden House) since so obligingly he gave leave to Mr Beard and Mr Reinhold.--Deutsch Handel, pp. 591-92

Performances

Mainpiece Title: Alceste

6442
05 September 1744 @ Haymarket Theatre

Event Comment: In a puff announcing opening the following week, Knerber is listed as the First Violin, and an allusion is made to those who have seen Miss Jenny Cibber rehearse the character of Juliet

Performances

6443
06 November 1744 @ Drury Lane Theatre

Event Comment: TTamerlane is oblig'd to be deferr'd on account of Mrs Cibber's indisposition

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Fortune Tellers

6444
10 November 1744 @ Haymarket Theatre

Event Comment: Announced as 1 Nov., but not performed as theatre was closed by order of the Lord Chamberlain. See T. Cibber's letter in the Daily Post, 12 Nov., cited by Hogan, Shakespear in the Theatre, I, 69

Performances

Mainpiece Title: Cymbeline

6445
26 December 1744 @ Haymarket Theatre

Event Comment: By the Queen of Hungary's Company of Comedians. Side Boxes 4s. Front boxes 3s. Pit 2s. Gallery 1s. Note: Tickets deliver'd out for Romeo and Juliet, for Miss Cibber's Benefit, that could not come on Monday the 17th, will be taken on Wednesday the 26th and Thursday the 27

Performances

Mainpiece Title: The Beggar's Opera

6446
05 January 1745 @ King's Theatre

Event Comment: A new Musical Drama, compos'd by Mr Handel. Libretto by Thomas Broughton. [Mrs Cibber was scheduled to sing the part of Lichas, but was indisposed.

Performances

Mainpiece Title: Hercules

6447
09 January 1745 @ King's Theatre

Event Comment: MMrs Cibber being perfectly recovered of her late indisposition will certainly perform on Saturday next in Hercules

Performances

6448
25 January 1745 @ Haymarket Theatre

Event Comment: Benefit the Widow. [See a curious allusion to Colley Cibber for not helping out in the present exigency, in today's Daily Advertiser.

Performances

Mainpiece Title: The Beggar's Opera

6449
18 February 1745 @ Covent Garden

Event Comment: Author's Day [i.e., Benefit Cibber]

Performances

Mainpiece Title: Papal Tyranny

Related Works
Related Work: Papal Tyranny in the Reign of King John Author(s): Colley Cibber

6450
01 March 1745 @ King's Theatre

Event Comment: A letter in Daily Advertiser 4 March complains of Mrs Cibber's absence from this revival

Performances

Mainpiece Title: Samson