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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Cibber Esq"/1) | (@(roleclean,performerclean) "C Cibber Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6694 results for: Keyword - C. Cibber, Esq.
We found 2807 matches on Performance Comments, 2743 matches on Author, 1917 matches on Event Comments, 121 matches on Performance Title, and 0 matches on Roles/Actors.

676
28 July 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Enchanted Wood

Afterpiece Title: The Liar

Dance: As17920725

677
01 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Enchanted Wood

Afterpiece Title: The Son-in-Law

Dance: As17920725

678
04 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Enchanted Wood

Afterpiece Title: The Agreeable Surprise

Dance: As17920725

679
07 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The Enchanted Wood

Afterpiece Title: The Son-in-Law

Dance: As17920725

680
22 May 1793 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's A Trip To Scarborough

Afterpiece Title: The Female Duellist

Song: End: As on the pleasant banks of Tweed-Master Welsh

681
May 1695 @ Drury Lane Theatre and Lincoln's Inn Fields

Event Comment: Cibber, Apology, I, 203-9, refers to an incident which occurred after the division of the companies, perhaps early in their competition. Essentially, Drury Lane, learning that Lincoln's Inn Fields was to act Hamlet on a Tuesday, posted it for Monday at Drury Lane, whereupon Betterton's Company, having announced The Old Batchelor for Monday, cancelled it in favor of Hamlet. As a countermove, Drury Lane altered its program to The Old Batchelor on Monday, Powell to mimic Betterton. A last-minute discovery that no one had been assigned to Fondlewife, originally played by Dogget, gave Cibber an opportunity to play the role, which he learned on short notice and which he acted with applause; he was pleased to see Dogget in the pit watching his performance

Performances

682
16 March 1737 @ Devil Tavern

Performances

Mainpiece Title: Concert

Music: Solo on the Violin-M. C. Festing; a Solo on the German Flute-Weideman

683
28 January 1756 @ Lecture Room, Robin Hood Tavern, near the Temple Bar

Performances

Mainpiece Title: A Dissertation On Various Theatrical Subjects

Performance Comment: Cibber.

684
25 September 1717 @ Southwark Fair

Performances

Mainpiece Title: The Recruiting Officer

Dance: Lancashire Hornpipe-Esq Timothy's Countryman who perform'd it with so much Applause during the Time of the Fair; Mimic Scene between Harlequin and a Peasant-; Vaulting on the Horse-a Gentleman lately arriv'd from France

685
24 April 1731 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Oedipus, King Of Thebes

Dance: I: Two Pierrots-Nivelon, Poitier; III: Pastoral-Salle, Mlle Salle

Music: t the Request of the Free and Accepted Masons a Piece of Vocal and Instrumental Musick (never perform'd in publick), Words by Charles De la Faye, Esq</a>; and set to Musick by Mr Francisco-; Vocal Parts-Leveridge, Laguerre, Salway, Hall, Papillion, Thompson

686
19 April 1732 @ Haymarket Theatre

Performances

Mainpiece Title: The Blazing Comet

Song: Song on the Privilege and Happiness of Free@Masonry A very humorous Song on the Charitable Corporation, sent by George Robinson, Esq</a>. late Treasurer, from Italy to his Friends in London-

687
17 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: No Song No Supper

Song: End I: Sweet Lillies of the Valley-Dignum; End IV: My Friend is the Man I'd copy through Life (written by Miles Peter Andrews, Esq., composed by Hook)-Dignum; V: a song, as17990214

688
06 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Quaker; Or, The Humours Of The Navy

Afterpiece Title: The Irish Widow

Song: Mainpiece to finish with a Grand Naval Review, with a Dance of Sailors by Williamson, Mills, Miss Stageldoir, &c, and Rule Britannia by Williames, Chapman, &c

689
18 March 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Scornful Lady

Music: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]

690
20 April 1724 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Flute-Baptiste; Violin-Claudio; Sonata in three Parts by C. A. Lunati, Inventor of the Double Stops-

691
21 November 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Cephalus and Procris

Dance: La Badine by Lally Sr, Mlle Grognet, &c. A new Dutch Dance by Le Brun and Miss Mears

692
01 December 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus

Dance: La Badine by Lally Sr, Mlle Grognet, &c

693
13 February 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Music: With the Original Musick

Dance: Le Badinage Champetre by Lally, Mrs Walter, &c

694
16 April 1734 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple

Dance: II: The Nassau, as17340117 IV: Pigmalion, by Malter, Mlle Salle, &c

Song: I: In the Anacreon Stile by Leveridge. III: A Chacon a Boire by Leveridge. V: The Black and White Joke to Bacchus and Venus by Leveridge and Laguerre

695
01 May 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Burgo-Master Trick'd

Performance Comment: Burgomaster-Nivelon; Harlequin-Le Brun; Burgomaster's Servant-Cibber; Scaramouch-Davenport; Colombine-Miss Mann .

Music: V: Handel's Water Musick, in which Poitier will beat the Kettle Drums

Dance: I: Revellers by Essex, Miss Latour, &c. II: Two Pierrots by Poitier and Nivelon. III: English Maggot by Lally Jr and Mrs Walter. IV: Drunken Peasant by Le Brun

696
06 September 1734 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental, by the best Masters from the Operas

Entertainment: And after the Concert is over, at the particular Desire of the King, &c. Mr Topham, from Islington, is to perform all the Experiment of his surprising Strength. With Singing by him, both in Italian and English

697
18 November 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mother-in-law

Performance Comment: As17341019, but Opium omitted; Gallipot-Harper. And the Original Epilogue (by Desire) by Cibber and Mrs Clive .

Afterpiece Title: The Burgomaster Trick'd

Dance: By Poitier, Mlle Roland, &c

698
19 December 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Antony-Milward; Ventidius-Mills; Dollabella-W. Mills; Alexas-Cibber; Cleopatra-Mrs Heron; Octavia-Mrs Butler .
Related Works
Related Work: Love's Last Shift; or, The Fool in Fashion Author(s): Colley Cibber
Related Work: Love Makes A Man: or, The Fop's Fortune Author(s): Colley Cibber

Afterpiece Title: Colombine Courtezan

Dance: Les Bergeries by Essex, Mrs Walter, &c

699
06 January 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Astrologue, Statue, Enfant, &c: With The Scene Of The Moor And The Skelleton

Afterpiece Title: Les Filles Errantes

Dance:

700
03 February 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tender Husband

Dance: By Essex, Mrs Walter, &c., particularly English Maggot and Polonese

Related Works
Related Work: The Earl of Essex Author(s): Colley Cibber