SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "C Cibber Esq"/1) | (@(roleclean,performerclean) "C Cibber Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3627 matches on Author, 2807 matches on Performance Comments, 1917 matches on Event Comments, 121 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Taste

Dance: Madam Auretti

Event Comment: A little hissing during the farce, & at the End ye Audience call'd, no more &c.--& insisted upon another farce being given out wch Mr Blakes did--farewell Taste (Cross). The Book of the Entertainment will be sold in the theatre, and at R. Francklin's in Russel Street, Covent Garden (playbill). [The publication of Taste was dedicated to Francis Delaval, and includes in prefatory remarks Foote's distinction between Comedy and Farce: As the follies and absurdities of men are the sole objects of Comedy, so the powers of Imagination (Plot and Incident expected) are in this kind of writing greatly restrainded. No unnatural assemblages, no creatures of the fancy can procure the protection of the Comic Muse; men and things must appear as they are. To Farce greater liberties are permitted. I look upon Farce to hold the same rank in drama that Burlesque does in other poetry. It is employed either in debasing lofty subjects, or in raising humble ones.'] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Taste

Song: III: Haughty Strephon by Dr Arne-Master Vernon

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherds Lottery

Performances

Mainpiece Title: The Gentle Shepherd

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber

Performances

Mainpiece Title: Eugenia

Cast
Role: Cibber Actor: Mrs Pritchard

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Lethe

Song: Vocals-an Italian Gentleman

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Covent Garden Theatre or Pasquin turnd Drawcansir Censor of Great Britain

Dance: GGrand Comic Ballet, as17511216

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Committee

Afterpiece Title: The What Dye Call It

Dance: TTwo Pierrots, as17520504; Drunken Peasant-Phillips, Smith

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Afterpiece Title: An Old Man Taught Wisdom or The Virgin Unmasked

Entertainment: Singing-

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Genii

Performances

Mainpiece Title: Jane Shore

Cast
Role: Alicia Actor: Mrs Cibber.

Afterpiece Title: Harlequin Statue

Dance: II: Drunken Peasant-Miles; the Clown-Bennet; IV: Grand Scots Ballet-Cooke, Miss Hilliard

Song: III: Smiling Dawn from Jeptha-Mrs Chambers

Event Comment: MMrs Cowper did Sylvia, for her first appearance here (she came from Bath, Richmond &c.)-Toll. Afterpiece as originally perform'd (Cross) [i.e., without the burlesque scenes of The Fair (see 6 Nov. 1752).] This piece [Harlequin Ranger] was now acted as originally written. It is surprising that Mr Garrick should be the first to introduce Pantomime Entertainments (this season) especially as his own universal talents are seconded by a good company of performers. We suppose he does it to gratify the taste of the town; but such Smithfield exhibitions should certainly be banish'd from all regular theatres; and as Mr Woodward is an excellent comedian, it would be more eligible in him if he chuses to wear the motley dress any more to appear in the character of a speaking Harlequin, after the manner of the Italian Comedy; and indeed it is not a little surprising that nothing of this kind has yet been admitted upon our stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct. 1753.). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The Country Lasses Or The Custom Of The Manor

Afterpiece Title: Harlequin Sorcerer

Dance: Grandchamps, Mlle Camargo

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Fortunatus

Song: I: Beard

Performances

Mainpiece Title: Creusa

Performances

Mainpiece Title: Sack Posset

Afterpiece Title: La Pantomime du Charpentier

Entertainment: Mad Tom-Sg Musardo; New Concerto on the Tambour de Basque-; accompanied with the original Jews Harp-; Hurdy Gurdy-; and an Oration on the Salt Box-Mrs Midnight

Dance: Several New Dances-Bambaregines, Sambucio, Atterino

Song: Several New Songs-Lauder, others

Performances

Mainpiece Title: New Carnival Concert

Afterpiece Title: La Pantomime du Charpentier

Performances

Mainpiece Title: Writ Of Inquiry

Performances

Mainpiece Title: Zara

Cast
Role: Zara Actor: Mrs Cibber

Afterpiece Title: Proteus

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Schoolboy

Dance: IItalian Peasants-Granier and Mrs Granier

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Contrivances

Dance: IItalian Peasants, as17550414