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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Burney"/1) | (@(roleclean,performerclean) "C Burney")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2366 results for: Keyword - C. Burney
We found 1372 matches on Event Comments, 849 matches on Performance Comments, 174 matches on Performance Title, 125 matches on Author, and 0 matches on Roles/Actors.

451
22 February 1743 @ King's Theatre

Event Comment: A new Opera. With Dances and other Decorations entirely new. [Rest of description as before on first nights. Not listed as a new piece in the Larpent MS. Text by Zeno; Music by Porpora (Burney, History of Music, IV, 450).

Performances

Mainpiece Title: Temistocle

452
05 April 1743 @ King's Theatre

Event Comment: A new Opera. [Not listed as a new piece in the Larpent MS.] Music by Galuppi (Burney, History of Music, IV, 450)

Performances

Mainpiece Title: Sirbace

453
15 November 1743 @ King's Theatre

Event Comment: Today, will be reviv'd an Opera. The Musick compos'd by Mr Handel. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no Person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. 6 p.m. Note. The Subscribers to the Opera are desir'd to send for their Silver Tickets to the Opera-Office in the Hay-Market. [This customary notice will not be included further. According to Loewenberg, Annals of Opera, I, 102, this is the new opera Rossane, Lampugnani's first composition, at the house for which he was the new resident composer. Musicologists have not arrived at the identity of this piece, Burney and Loewenburg attributing it to Lampugnani, Schoelcher and Deutsch to Handel. See Deutsch, Handel, p. 572, where he reviews the evidence.

Performances

Mainpiece Title: Roxana; Or, Alexander In India

454
24 January 1744 @ Covent Garden

Event Comment: Written by Shakespear. Containing the Death of the Duke of Buckingham; the Divorce of Queen Katherine; the Fall of Cardinal Wolsey; the Christening of Queen Elizabeth; with many other Historical passages. [This elaboration occurs on all Subsequent notices this season, but will not be further recorded.] Thomas Griffith died (Burney Actors MS.)

Performances

Mainpiece Title: King Henry Viii

455
09 February 1745 @ Haymarket Theatre

Event Comment: A new Pastoral Opera. [Really a pasticcio. Text-Vanneschi; some music by St. Germain (Burney).] Pit and boxes half a guinea. Gallery 5s. 6:30 p.m

Performances

Mainpiece Title: L'incostanza Deluza

456
21 September 1745 @ Drury Lane Theatre

Event Comment: By particular Desire. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. Upper Gallery 1s. [Colin and Phebe written by Moore and composed by Arne. Constantly encored all summer at Vauxhall (Burney, History of Music IV, 668).

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Song: II: Lowe; V: Dialogue call'd Colin and Phebe-Lowe, Mrs Arne

Dance: III: Muilment

457
07 January 1746 @ King's Theatre

Performances

Mainpiece Title: La Caduta De Giganti; Or, The Fall Of The Giants

Performance Comment: Singers-Monticelli, Jozzi, Ciacchi, Signora Imer, Signora Pompeati (or Mrs Cornelie), Signora Frasi (Burney, History of Music, IV, 452). [See program of 25 March where Jozzi, Ciacchi, Imer and Pompeati are listed as singing in this opera.]See program of 25 March where Jozzi, Ciacchi, Imer and Pompeati are listed as singing in this opera.]

458
14 February 1746 @ Covent Garden

Event Comment: Pit and Boxes to be put together, and no person to be admitted without Tickets, which will be deliver'd that day at the office at cg theatre, at half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after Four o'clock. Pit and Boxes at Five. To begin at half an hour after Six. The Subscribers who favoured Mr Handel last season with their subscription, are desired to send to the office at cg on the day of the performance, where two tickets shall be deliver'd to each Gratis, in order to make good the Number of Performances subscrib'd to last season. [Recitative and chorus. Words taken from Milton and Spenser (Edition of 1746). Rehearsed at Handel's lodgings on 7 Feb. Burney and DeFesch in orchestra. (Deutsch, Handel, pp. 629-30.) Librettist not known, possibly Thomas Morell.

Performances

Mainpiece Title: The New Occasional Oratorio

459
04 November 1746 @ King's Theatre

Performances

Mainpiece Title: Annibale In Capua

Performance Comment: Parts-Reginelli, Borosini, Triulzi, Ciocchi, Mrs Pirker, Signora Casarini, Signora Frasi (Burney, History of Music, IV, 453).

Dance:

460
17 January 1747 @ King's Theatre

Event Comment: A New Opera...with Dances, Choruses, Machines, and other various Decorations, Entirely new. [Text by Vanneschi; composed by Paradies (Burney, History of Music, IV, 453).

Performances

Mainpiece Title: Phaeton

Dance:

461
24 March 1747 @ King's Theatre

Event Comment: A New Opera. Premiere of Terradellas's Bellerofonte. Crescendo is used...seemingly for the first time. Libretto by F. Vanneschi--Burney, History of Music, IV, 456

Performances

Mainpiece Title: Bellerephon

Dance:

Entertainment: End Opera: Fireworks Display-. [Repeated in all announcements of this opera.

462
08 November 1748 @ King's Theatre

Event Comment: By Subscription. A Burletta, or Comic Opera...being the first of this Species of Musical Drama ever exhibited in England. [But see Burney, II, 248, on both cast and music.] Pit and Boxes Half a guinea. Gallery 5s. To begin at 6 p.m. Last Wednesday arrived in London, from Italy, Signor Croza, with his New Company of Italian Performers, who are to entertain the Town the approaching Season, at the King's Theatre in the Haymarket, with Operas of a new kind, call'd Burlettas (General Advertiser, 23 Sept.)

Performances

Mainpiece Title: La Comedia In Comedia

Dance: GGrand Dance (compos'd by Poitier)-Mlle Poitier, Master Charles, Miss Jenny Poitier

Music: Rinaldo da Capua

463
18 February 1749 @ King's Theatre

Event Comment: A Pasticcio (Burney, II, 848). A Dr Crosa is the promoter of the Italian company here (Daily Advertiser)

Performances

Mainpiece Title: Il Giramondo

Dance: Between the Acts: Dancing-

464
18 May 1750 @ Hickford's Room

Event Comment: At Hickford's Room, Brewer St. Benefit for Mme Cuzzoni. Burney, II, 848-49: [Giardini's] first performance in public was at a benefit concert for Cuzzoni, May the 18th...where, as this was her third arrival in this country, and she was grown old, poor, and almost deprived of voice, by age and infirmities, there was but little company; yet, when Giardini played a solo of Martini of Milan's composition, the applause was so long and loud, that I never remember to have heard such hearty and unequivocal marks of approbation at any other musical performance

Performances

Mainpiece Title: A Concert

465
20 May 1755 @ King's Theatre

Event Comment: By desire the Musick composed by Perez. [But see 12 April; Burney, II, 853, follows the Perez attribution.

Performances

Mainpiece Title: Ezio

466
06 January 1761 @ King's Theatre

Event Comment: A new Comic Opera--Music by Galuppi. [Text--Goldoni. First performance in England. The text notes music originally by Baldassar Galuppi called Buranello, and perfected by Gioacchino Cocchi. Burney (History of Music, II, 860) notes the extreme popularity of this piece, and the success of the Paganinis as singers in it.

Performances

Mainpiece Title: Il Filosofo Di Campagna

Dance: New Dances , as17601216-Gherardi, Mlle Asselin, Polly Capitani, Tariot

467
30 January 1766 @ Drury Lane Theatre

Event Comment: Jan. 30, 1766, died Mrs Cibber. Was Miss Arne, born 1715. Married Theo Cibber 21 April 1734. Brought to bed of a son 5 April 1736. Left stage 1738 with Mr Sloper, who was charged with damages. Acted Dublin 1741. Returned to Covent Garden and performed till 1747. Joined Garrick till 1750. Returned to cg till 1753. Returned to dl and remained till she died (Winston MS 9 from Burney's Actor's MS)

Performances

Mainpiece Title: None

468
25 February 1766 @ Drury Lane Theatre

Event Comment: GGarrick reported to be at [?] cg & that Powell & Holland had borrowed #25,000 at 5 0@0 interest to purchase Garrick's Share (Winston MS 9, from Burney news cuttings)

Performances

Mainpiece Title: The Clandestine Marriage

469
15 January 1767 @ Drury Lane Theatre

Event Comment: Paid the balance of 3rd, 5th, 9th, nights of Cymon to Mr Evans for the authors #360 14s. 6d. Gave Princess Dowager's Footmen a Christmas box, #2 2s. Paid 2 Printer's bills #18 13s.; Paid Mr Burney 15 days, not on the list, #6 5s.; Chorus 2 nights #4 11s. (Treasurer's Book). [On this date a receipt signed by Michael Arne for #119 17s. 10d. as compensation for the music for Cymon appears in the Folger Library. (See 2 Jan. 1767.)]Receipts: #148 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

470
23 February 1767 @ Drury Lane Theatre

Event Comment: BB. Johnson's Head Bill 11s. (Treasurer's Book). Drank tea with my Landlady and went with her husband and two gentlemen to see the new Play...as I did not care to refuse. Could not get into the Pit, at which I was not displeased. I fancy this comedy will take, tho it had nothing else to support it but the character of Freeport, which is played by Yates...We had a Prologue written by the author of the play and spoken by King; and an Interlude by way of Epilogue written by Garrick and spoken by King and Mrs Abington. A concerto on the Harpsichord by Burney Jr and dance. The play is taken from L'Ecosseisse of Voltaire (Neville MS Diary). Receipts: #193 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Music: After Interlude: The New Concerto on Harpsichord, as17670212

Dance: HHearts of Oak, as17670212

471
12 March 1767 @ Drury Lane Theatre

Event Comment: Paid Mr Burney Jr 52 day's salary #10 16s. 9d. (Treasurer's Book). Receipts: #205 5s. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Musical Lady

Dance: II: The Lilliputian Camp, as17670227

472
28 March 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: Dido

Performance Comment: Parts-Holland, Powell, Havard, Bensley, Bransby, Strange, A Young Gentlewoman, Mrs Lee, Mrs Yates, Packer, Aickin, Fawcett; Prologue-King; Epilogue-Mrs Abington Aeneas-Powell; Cephales-Bensley; Gyas-Bransby; Sagertus-Fox; Norbal-Holland; Bilius-Havard; Adoam-Strange; Dido-Mrs Yates; Anna-Mrs Lee; Barce-Miss Simson (Winston MS 9, from Burney's News Cuttings).

Afterpiece Title: Daphne and Amintor

473
07 April 1767 @ Drury Lane Theatre

Event Comment: Benefit for Vernon. House Charges #67 9s. 6d. [Profit to Vernon #52 1s. 6d.] Paid Burney Jr 8 days salary #1 13s. 4d.; Chorus singers #2 10s. 6d. (Treasurer's Book). Receipts: #119 11s. (Treasurer's Book). Fifteen minutes past 4 took my seat in the 4th row of the first Gallery at Drury Lane...Lord Ogleby was excellently played by King. Heidelberg inimitably by Mrs Clive. After the Vintage, King by desire presented the Public again with Linco's Travels, but omitted a few things spoke last night. Cupid in Daphne and Amintor by Miss Rogers...Eleven o'clock when we got out (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Daphne and Amintor

Dance: End: The Vintage, as17661011

Entertainment: LLinco's Travels, as17670406(by Desire)

474
14 May 1767 @ Drury Lane Theatre

Event Comment: Benefit for the Author of mainpiece. House Charges #76 19s. 6d. Mrs Yates' last appearance here until the 1774-75 season (Winston MS 9). Tickets deliver'd for the 9th of April and 7th of May will be taken. Paid Burney Jr 2 weeks' salary #2 10s., and Printer's Bill #9 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Dido

Afterpiece Title: The Register Office

Dance: End: The Lilliputian Camp, as17670227

475
17 March 1770 @ Drury Lane Theatre

Event Comment: Last time of performing the afterpiece before the Benefits. A duel with pistols between George? Garrick and Baddeley on account of G. Garrick remon[stratin]g with Baddeley on [receiving] his wife's salary. Baddeley fir'd then G. G. fir'd in the air, and a reconciliation took place (Winston MS 10, from Dr Burney's News Clippings). [See full and humorous acct Town and Country Magazine, March, pp. 157-58 with woodcut of duel.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Jubilee