SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "C Ashley"/1) | (@(roleclean,performerclean) "C Ashley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1339 matches on Event Comments, 840 matches on Performance Comments, 112 matches on Performance Title, 39 matches on Roles/Actors, and 12 matches on Author.

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: Cross Purposes

Dance: As17820927

Performances

Mainpiece Title: Imitation Or The Female Fortune hunters

Afterpiece Title: The Ladies Frolick

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)

Performances

Mainpiece Title: The Patriot

Afterpiece Title: The Reprisal or The Tars of Old England

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Spanish Rivals

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Peep behind the Curtain or The New Rehearsal

Dance: As17860706

Performances

Mainpiece Title: The Impostors

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: Cross Partners

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE QUAKER

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: THE HIGHLAND REEL

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Chimney Corner

Song: In V: song-Mrs Bland

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Farmer

Performances

Mainpiece Title: The Messiah

Music: End II: As17900224; End I: concerto by Geminiani for the violin-G. Ashley

Performance Comment: Ashley.

Performances

Mainpiece Title: The Messiah Grand Selection 0

Cast
Role: Leader of the Band Actor: G. Ashley
Role: Organ Actor: J. Ashley.

Song: End oratorio: Captivity [see17930220]-Incledon

Music: End Part II: the favourite concerto of Geminiani on the violin-G. Ashley

Performance Comment: Ashley.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Music: End of Part II concerto on the organ by J. Ashley

Performance Comment: Ashley .

Performances

Mainpiece Title: Lallegro Ed Il Pensieroso Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Music: End Part II: 3rd concerto of Giardini on the violin-G. Ashley

Performance Comment: Ashley.

Performances

Mainpiece Title: The Messiah Alexanders Feast Grand Selection 0

Music: End Part I: 3rd concerto of Giardini on the violin-G. Ashley; End Part II: concerto on the Piano Forte-Dussek

Performance Comment: Ashley; End Part II: concerto on the Piano Forte-Dussek.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the violin-G. Ashley; End Part II: concerto on the Grand Piano Forte-Miss M'Arthur

Performance Comment: Ashley; End Part II: concerto on the Grand Piano Forte-Miss M'Arthur.

Performances

Mainpiece Title: Acis And Galatea 0 Lallegro Ed Il Penseroso 0 Messiah 0

Afterpiece Title: Acis and Galatea 3

Music: End I: Handel's 4th concerto on the organ-J. Ashley; End II: concerto on Piano Forte-Dussek

Performance Comment: Ashley; End II: concerto on Piano Forte-Dussek.

Performances

Mainpiece Title: Acis And Galatea 0

Performance Comment: Acis-Incledon; Polyhemus-Reinhold; Galatea-Mme Mara; [Other] Principal Vocal Performers-Master Elliot, Sale, Miss Poole, Miss Dufour; Leader of the Band-G. Ashley.

Afterpiece Title: Acis and Galatea 3 i

Music: End I: serenata concerto on violin-G. Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek

Performance Comment: Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek.

Performances

Mainpiece Title: Concert

Music: Solo on the Violin-M. C. Festing; a Solo on the German Flute-Weideman

Performances

Mainpiece Title: Grand Selection 0 Of Music From The Works Of handel boyce arne And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Concerto, opera quarto (Avison)-; Come ever smiling liberty-Miss Capper; The Lord worketh wonders-Bartleman (Judas Maccabaeus); The many rend the skies-Chorus (Alexander's Feast); Return, O God of hosts-Miss Waters (Samson); Sweet bird-Mme Mara; accompanied on the violin-G. Ashley (L'Allegro); May no rash intruder-Chorus (Solomon); Scene from Joshua: The Falling of the Walls of Jericho-; 'Tis well, six times-Incledon; Glory to God-Incledon; Grand March-; The strong cemented walls-Chorus.

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: The Fair Quaker Or The Humours Of The Navy

Afterpiece Title: The Irish Widow

Song: Mainpiece to finish with a Grand Naval Review, with a Dance of Sailors by Williamson, Mills, Miss Stageldoir, &c, and Rule Britannia by Williames, Chapman, &c

Performances

Mainpiece Title: The Scornful Lady

Music: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]