SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Burney News Cuttings"/1) | (@(roleclean,performerclean) "Burney News Cuttings")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3119 matches on Event Comments, 2722 matches on Performance Title, 1423 matches on Performance Comments, 113 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Miser

Performances

Mainpiece Title: The Miser

Performances

Mainpiece Title: The Recruiting Officer

Dance:

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Mock Doctor

Dance: II: Pierrot and Pierrate-de Vallois, J. DeLagarde; III: Chacone-Mrs Bullock; IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Grand Dance of Masqueraders-Thurmond

Performances

Mainpiece Title: Floridante

Performances

Mainpiece Title: Scanderbeg

Performances

Mainpiece Title: Dione

Afterpiece Title: Love Runs All Dangers

Dance: Between the Acts: Dancing-Jones Sr, Jones Jr; Concluding With a Grand Dance-

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Mock Officer; or, The Captain's Lady

Dance: Denoyer, Mrs Booth, Essex, Miss Robinson, Haughton, Mrs Walter

Performances

Mainpiece Title: The Fatal Secret

Performances

Mainpiece Title: Rosamond

Performances

Mainpiece Title: The Mock Doctor

Afterpiece Title: The Devil to Pay

Afterpiece Title: Love Runs All Dangers

Dance: End Second Piece: Hornpipe-Jones; End Third Piece: Dutch Skippers-Jones Sr, Jones Jr

Music: End Third Piece: Mr Handel's Water Musick-; Accompany'd by Kettle Drums and Trumpets-

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Mock Countess

Dance: II: Dutchwoman-Miss Robinson; III: French Gardener and His Mistress-Haughton, Mrs Walter; IV: Saraband, Minuet-Lally Jr, Miss Mears; V: English Maggot-Haughton, Mrs Walter

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Livery Rake; or, The Intriguing Servants

Dance: I: Drunken Peasant-LeBrun; II: Saraband, Minuet-Lally Jr, Miss Mears; IV: English Maggot-Haughton, Mrs Walter; V: The Watteau-Miss Robinson; End of Afterpiece: Bartholomew Fair-F. Tench, Mrs Delorme

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rape of Helen

Dance: TTambourine-Miss Rogers; Fingalian-Newhouse, Mrs Ogden; Mock Minuet, as17330511

Performances

Mainpiece Title: Othello, Moor Of Venice

Dance: PPeasant-Nivelon, Mrs Laguerre; Scotch Dance, as17330529

Performances

Mainpiece Title: The Opera Of Operas; Or, Tom Thumb The Great

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Performances

Mainpiece Title: Sophonisba; Or, Hannibal's Overthrow

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Amorous Lady; Or, The Biter Bit

Song: III: Mrs Bennet

Performances

Mainpiece Title: The Fatal Extravagance

Afterpiece Title: The Stage-Mutineers; or, A Playhouse To Be Lett

Performances

Mainpiece Title: The Fancy'd Queen

Afterpiece Title: The Stage-Mutineers

Dance: SScotch Dance-Davenport, Miss Baston; Irish Trot-Bethen

Performances

Mainpiece Title: The Tuscan Treaty; Or, Tarquin's Overthrow

Afterpiece Title: The Stage-Mutineers

Dance: As17330814