SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Burney News Cuttings"/1) | (@(roleclean,performerclean) "Burney News Cuttings")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3119 matches on Event Comments, 2722 matches on Performance Title, 1423 matches on Performance Comments, 113 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Life And Death Of Doctor Faustus

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Contrivances

Dance: Minuet in Boy's Cloaths by Mlle Grognet

Song: An English Cantata by Mrs Clive

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Britannia; or, The Royal Lovers

Performances

Mainpiece Title: Sir Harry Wildair

Afterpiece Title: Hymen's Triumph; or, Trick Upon Trick

Performances

Mainpiece Title: Concert

Music: The Vocal part-Mrs Arne; late Miss Cecilia Young. With select Songs and Pieces of Musick; compos'd by Mr Arne, particularly, a New Ov e rture-; a new Concerto for Hautboys-; the March in Zara-; with a Comic Medley Overture-; two new Songs in English-; (by particular Desire) a Ballad Air call'd, Come and Listen to my Ditty-Mr Arne on the Violin, with many Variations; Also variety of Pieces by other Authors-; particularly the first and eighth Concertosof Corelli-; two Italian Songs-

Performances

Mainpiece Title: The Old Woman's Oratory

Performances

Mainpiece Title: The Old Woman's Oratory

Performances

Mainpiece Title: The Old Woman's Oratory

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: Farnace

Performances

Mainpiece Title: The French Flogg'd; Or, The English Sailors In America

Song: Diet, The Humours of Bartholomew Fair-Alley Croaker, Signora Ciperini; And a Song- on the late glorious success gained over the French by his Serene Highness Prince Ferdinand

Performances

Mainpiece Title: Il Tutore E La Pupilla

Performances

Mainpiece Title: Sofonisba

Performances

Mainpiece Title: Carattaco

Performances

Mainpiece Title: La Vicende Della Sorte; Or, The Turns Of Fortune

Performances

Mainpiece Title: Tamerlano

Dance: End Opera: Les Tartare-Mlle Heinel, Fierville

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: La Locanda

Dance: End I: Divertisement, as17910217; End Opera: Le Siege de Cythere- [see17910517]

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Mago and Dago

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Old Straw

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Event Comment: The United Company. The date of the first performance is not known, but Lord Granville, writing on 5 May 1688, refers to the King's presence on the third day, and since The Squire of Alsatia may have begun its run about 2 May 1688, Crowne's play must have been produced by the end of April. Lord Granville to Sir William Leveson, 5 May 1688: The town is as empty of news as the Court; we have had a new play called The Fall of Darius (written by Crown), by which the poet, though he could get no fame, yet had a most extraordinary third day by reason the King's presence at it; the first day of its acting Mrs Bower [Barry] was taken so violently ill in the midst of her part that she was forced to be carried off, and instead of dying in jest was in danger of doing it in earnest. Mrs Cook is dead and Mrs Boute...is again come upon the stage, where she appears with great applause. We are promised this week another new play of Shadwell's called the Alsatia Bully, which is very much commended by those who have had the private perusal of it (HMC, 5th Report, Part II, pP. 197-98). Dedication, Edition of 1688: A misfortune fell upon this Play, that might very well dizzy the Judgments of the Audience. Just before the Play began, Mrs Barry was struck with a very violent Fever, that took all Spirit from her, by consequence from the Play; the Scenes She acted fell dead from her; and in the 4th Act her distemper grew so much upon her, She cou'd go on no further, but all her part in that Act was wholly cut out and neither Spoke nor Read; that the People went away without Knowning the contexture of the Play, yet thought they knew all....[My] Thanks to His Majesty for the Honor of his Presence, on the Day which was to be for my Advantage; which He was pleased to Grant me. [See L. C. 5@148, p. 195--in Nicoll, Restoration Drama, p. 356--for a grant of #20 as a gift from the King to Crowne for this play.

Performances

Mainpiece Title: Darius, King Of Persia