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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Burney News Cuttings"/1) | (@(roleclean,performerclean) "Burney News Cuttings")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6626 results for: Keyword - Burney News Cuttings

We found 3119 matches on Event Comments, 2722 matches on Performance Title, 1423 matches on Performance Comments, 113 matches on Author, and 0 matches on Roles/Actors.

2676
14 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

2677
17 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

2678
19 November 1783 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Positive Man

Dance: End of mainpiece new Pastoral Ballet (composed by Harris), The Rival Nymphs, by Byrn, Ratchford, Harris, Miss Byrn, Miss Matthews

2679
04 December 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Dance: End of Act II of mainpiece a New Comic Ballet by Mr and Miss Hamoir (from the Theatre-Royal, Brussels; their 1st appearance on that stage)

2680
03 January 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Too Civil by Half

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III The Devonshire Minuet by the Miss Stageldoirs

Song: In Masquerade Scene a New Song by Miss George

2681
26 January 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

2682
03 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I The Pastimes of Terpsycore, as17831227; End of Opera an entirely new Anacreontic Ballet (1st time), composed by D'Auberval, Le Reveil du Bonheur, by Slingsby, Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet, and Cupid-Miss De Camp. The Music of both dances by Barthelemon

2683
09 February 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

2684
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

2685
04 March 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Music: Between the 1st and 2nd Acts a sonata on the harpsichord by Clementi

Dance: End of Act II Friendship leads to Love, as17831206, but omitted: Lepicq; End of Opera he Reveil du Bonheur, as17840203

Song: Pacchierotti will conclude the 1st Act with an entire new scene by Sarti; In Act III a song, composed by Handel, by Pacchierotti

2686
06 March 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II Friendship leads to Love, as17840214; End of Opera an entirely new Grand Ballet, composed by D'Auberval, Orpheo. Orpheo-Lepicq; Silenus-Blake; Adonis-Vestris Dun.]; Evohe, Priestess of Bacchus-Mme Rossi; Egle-Mme Theodore. The Music by Barthelemon

2687
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

2688
18 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

2689
20 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Double Disguise

Dance: End of mainpiece a new Dance, The Jovial Sailors, by Mills and Miss M. Stageldoir

2690
13 April 1784 @ Covent Garden

Performances

Mainpiece Title: The Two Gentlemen Of Verona

Afterpiece Title: The Rival Knights

Afterpiece Title: Tom Thumb

Song: In Act V of mainpiece A Frightened Song by Quick

Monologue: 1784 04 13 End of mainpiece a new Occasional Address spoken by Quick, riding on an Elephant

2691
24 April 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II an entirely New Divertissement in the Serious and Demi Character, composed by D'Auberval, by Lepicq, Mme Rossi, Vestris [Jun.], Mme Theodore, Mme Simonet; End of Opera Divertissement, as17840415

2692
27 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Eliza

Music: End of Act I a new concerto obligato for two French Horns (composed by Barthelemon) by the two young Leanders, and a concerto on the piano forte by Miss Barthelemon, accompanied on the viola d'amore by Barthelemon; After the singing a concerto on the violin, as17840303athi

Song: End of Act II a favourite Italian duetto (composed by Gazzaniga) by Mrs and Miss Bathelemon

2693
07 May 1784 @ Covent Garden

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

2694
11 May 1784 @ King's Theatre

Performances

Mainpiece Title: Issipile

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Tuteur Trompe, as17840325but Pas Seul by Henry in place of Slingsby

2695
22 May 1784 @ King's Theatre

Performances

Mainpiece Title: Issipile

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Deserteur, as17840520

2696
26 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Who's the Dupe

Dance: As17840320athi

2697
27 May 1784 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Flitch of Bacon

Dance: As17840525

2698
28 May 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Agreeable Surprise

Dance: End of mainpicce a new dance, The Medley, by Master Giorgi, Miss Byrne and others (their 1st appearance)

2699
15 June 1784 @ King's Theatre

Performances

Mainpiece Title: Le Gemelle

Dance: End of Act I New Divertissement, as17840424, but omitted: Mme Rossi; End of Opera Le Deserteur, as17840608

2700
30 July 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Genius of Nonsense

Dance: End of Act I of mainpiece, as17840727

Song: In the Temple of Health [in afterpiece] (1st time, and for this night only) a new, shocking Electrical Caleb, set to Medical Music by Dr Arnold, sung by Edwin, Bannister, Davies, Brett. imitations. End of mainpiece Various Imitations, Vocal and Rhetorical, by Bannister Jun