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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Burney News Cuttings"/1) | (@(roleclean,performerclean) "Burney News Cuttings")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6626 results for: Keyword - Burney News Cuttings

We found 3119 matches on Event Comments, 2722 matches on Performance Title, 1423 matches on Performance Comments, 113 matches on Author, and 0 matches on Roles/Actors.

2651
29 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Discovery

Afterpiece Title: St

Dance: End of mainpiece a new Dance, Diversion a-la-Mode, by Harris, Burn [i.e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews

2652
30 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Pas de Deux by Lepicq and Mme Rossi (1st appearance in this country)

2653
10 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I Apelles and Campaspe, as17821102; End of Act II New Divertisement, as17821130, and added: a second Pas de Deux by Master Laborie and Miss Simonet (their 1st appearance)

2654
17 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, probably as17821119; End of Open Apelles and Campaspe, probably as17821102, but added: Henry

2655
28 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, with Passacaille, as17821109

2656
31 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala; End of Opera Il Ratio delle Sabine, as17821212

2657
25 January 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821130, but omitted: Mlle Theodore; End of Act II Le Tuteur Trompe, as17830111, but omitted: Mlle Theodore, Pas de Basque

2658
28 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Convito

Dance: End of Act I New Divertisement, as17830125; End of Act II Le Tuteur Trompe, as17830111, but omitted: Pas de Basque

2659
04 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, as17821130; End of Act II Le Tuteur Trompe, as17830128

2660
15 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I Le Tuteur Trompe, as17830128; End of Act II an entirely new ballet of Serious, Comic, and Demi-characters, composed by Lepicq, Les spouses Persanes; or, The Persian Wives, by Lepicq, Mme Rossi, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Simonet. [Cast from Public Advertiser, 18 Feb.: Tamas-Lepicq; Hircana-Mme Rossi; Osman-Slingsby; Mahmoud-Henry; Boulganzar-Zuchelli; Slaves-Sga Crespi, Mlle Theodore; Fatima-Mme Simonet; Assan-Degville Sen.]

2661
18 February 1783 @ King's Theatre

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End of Act II New Divertisement (performers not listed, but see17821130), in which a Pas de Deux by Simonet, &c.; End of Act III Les Epouses Persones, as17830215

2662
04 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I New Divertisement, as17830218; End of Act II Le Tuteur Trompe, as17830128

2663
06 March 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II New Divertistment, as17821130, but added: Mme Simonet; End of Act III Le Tuteur Trompe, as17830128

Song: Opera: With a new set of Airs, and an additional Scene, with a song from the celebrated Sarti, by Pacchierotti

Monologue: 1783 03 06 End of Opera an Address in English to the Audience, with a song from Handel, by Pacchierotti

2664
11 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act II New Divertisement, as17821130; End of Act III Les Epouses Persanes, as17830215, but added: Degville Sen

2665
01 April 1783 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

Dance: As17821231

2666
05 April 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act II New Divertisement, as17821130; End of Act III Il Riposo del Campo, as17830322athi

2667
12 April 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I New Divertisement, as17821130, but omitted: Slingsby; End of Act II 11 Riposo del Campo, as17830313but Degville Jun. in place of Slingsby

2668
26 April 1783 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, as17830327End of Act II Le Teteur Trompe, as17830128, with Sequedilla and Fandango, as17830410

2669
09 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece a new Ballet in Demi-character (composed by Mons Lunatiq) La Tarantula; or, The Merry Bedlamites, with a grand Pas de Deux, to conclude with a Fandango in the Spanish stile (performers not listed)

Song: In Act iv of mainpiece The Pigeon, as17830507

Monologue: 1783 05 09 End of mainpiece Joe Haynes's Epilogue spoken by Wilson, riding on an Ass

2670
16 May 1783 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Comus

Song: End of Act II of mainpiece Tally Ho!; In afterpiece The Huntsman's sweet Hallo!, both by Mrs Martyr

2671
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

2672
02 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Son-in-law

Afterpiece Title: The Agreeable Surprise

Dance: End of mainpiece a new Pantomimical Dance, The Country Squabble, by Delpini, Byrne, Mrs Dagueville, Miss Byrne

2673
17 September 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Cheapside; Or, All In The City

Afterpiece Title: The Sailor's Sheet Anchor

Afterpiece Title: A New Way to Keep a Wife at Home

Dance: In 2nd piece The Merry Sailors and The Wapping Landlady (perfomers not listed for either dance)

Monologue: 1783 09 17 End of Act III of 1st piece The Farmer's Blunder by Kenrick

2674
26 September 1783 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

2675
18 October 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Gentle Shepherd

Dance: End of Act II of mainpiece a New Dance by Second and Miss M. Stageldoir