SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Brother Huddy"/1) | (@(roleclean,performerclean) "Brother Huddy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 343 matches on Performance Comments, 114 matches on Event Comments, 108 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Padlock

Dance: III: Minuets, Allemandes, Cotillions-[see17720412

Ballet: End: The Wapping Landlady. As17720424[Sixfold Hornpipe, as17720424

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The School Boy

Entertainment: Bucks Have at ye All-Dodd

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jacket

Dance: II: Grand Provencalle Dance, as17750202

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Author

Dance: I: A Grand New Spanish Dance-Como, Sga Como, Sga Crespi; II: A New Dance called The School Master-Como, Sga Como; End: A Grand Dance-Como, Sga Crespi; End I Farce: A Hornpipe-Walker

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Mayor of Garratt

Dance: As17771222

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Devil To Pay

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Talisman

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Poor Soldier

Dance: End: Leap Year-[see17861006]

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Maid of Bath

Dance: As17870425

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Love and War

Dance: End: a new dance, The Cobler of Castle Dormot-Ratchford, Miller, Mrs Ratchford

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Farmer

Ballet: End: The Wapping Landlady. Jack in Distress-Blurton; Orange Woman-Mrs Watts; Landlady-Mr King

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Alexander the Little; or, The Rival Queans

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Twins; or, Is It He, or his Brother

Song: By permission of Dibdin End I: Advice; or, Old Mary and John-Bannister Jun; End II: The Country Club-Bannister Jun; III: Tom Tough-Bannister Jun

Performances

Mainpiece Title: The Roman Maid

Performance Comment: Walker, Ogden, Leigh, Smith, Huddy, Hulett, Mrs Moffett, Mrs Morgam, Mrs Plomer, Mrs Cantrell; but edition of 1725 lists: Dioclesian-Ogden; Galerius Caesar-Walker; Carus-Hulett; Maximus-Huddy; Paulinas-Boheme; Christian Hermit-Lee; Serena-Mrs Plomer; Paulina-Mrs Moffet; Camilla-Mrs Parker; Lucilla-Mrs Butcher; Prologue-Boheme; Epilogue-Mrs Moffet.
Cast
Role: Maximus Actor: Huddy

Performances

Mainpiece Title: The Fatal Villainy

Performance Comment: Parts-Giffard, Huddy, W. Giffard, Smith, W. Williams, Bardin, Mrs Giffa rd, Mrs Purden; but edition of 1730 lists: King of Arragon-Will. Giffard; Ramirez-Huddy; Rinaldo-Williams; Sebastian-Henry Giffard; Alonzo-Smith; Victoria-Mrs Giffard; Bellamante-Mrs Purden; Prologue-; Epilogue-Mrs Giffard.

Performances

Mainpiece Title: The Fashionable Lady; Or, Harlequin's Opera: In The Manner Of A Rehearsal

Performance Comment: Part-Penkethman, Bullock, Lacy, W. Giffard, W. Williams, Huddy, Smith, Collet, Bardin, Mrs Thomas, Mrs Mountfort, Mrs Giffard, Mrs Palmer; but edition of 1730 lists: Ballad-Penkethman; Meanwell-W. Giffard; Modely-Bullock; Drama-Lacey; Mrs Foible-Mrs Mountford; Mrs Sprightly-Mrs Giffard; Prattle-Mrs Palmer; Merit-W. Williams; Smooth-Mrs Thomas; Hackum-Huddy; Whim-Smith; Trifle-Collet; Voice-Bardin; Harlequin-Burney.

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard-Delane; Henry VI-Giffard; Edward Prince of Wales-Master Giffard; Richard Duke of York-Master Huddy; Richmond-Bardin; Buckingham-W. Giffard; Stanly-Rosco; Ratcliff-Jenkins; Catesby-Havard; Tressel-Huddy; Mayor-Morgan; Tirrel-Williams; Norfolk-Smith; Blunt-Bullock; Lady Anne-Mrs Giffard; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Haughton.
Cast
Role: Richard Duke of York Actor: Master Huddy
Role: Tressel Actor: Huddy

Afterpiece Title: Flora

Dance:

Performances

Mainpiece Title: Julius Caesar; With The Deaths Of Brutus And Cassius

Performance Comment: Julius Caesar-Huddy; Octavius-Rosco; Antony-Giffard; Brutus-Delane; Caska-W. Giffard; Trebonius-Smith; Ligarius-Jenkins; Decius-Bardin; Metellus-Winstone; Cinna-Williams; Lucius-Master Huddy; Soothsayer-James; Calphurnia-Mrs Williamson; Portia-Mrs Thurmond; Citizens-Morgan, Norris, Collet, Bullock, Wetherilt Sr, Pearce, Stoppelaer.
Cast
Role: Julius Caesar Actor: Huddy
Role: Lucius Actor: Master Huddy

Performances

Mainpiece Title: Scanderbeg

Performance Comment: Parts-Giffard, Delane, Hulet, W. Giffard, Rosco, Bardin, Huddy, Winstone, Mrs Giffard, Mrs Hamilton. The Prologue-the Author, but edition of 1733 lists: Amurat-Delane; Abdalla-Wm. Giffard; Orcan-Huddy; Selim-Winstone; Scanderbeg-Giffard; Lysander-Bardin; Hali@Vizem-Hulet; Heli-Rosco; Deamira-Mrs Giffard; Zaida-Mrs Hamilton; Prologue-the Author; Epilogue-Mrs Giffard.

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Fellow Craftsman's Song-Brother Lowe, Miss Plenius, Miss Catley, Miss Smith, Brother Legg. To the tune of Rule Brittania.

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.