SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Brother Huddy"/1) | (@(roleclean,performerclean) "Brother Huddy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 343 matches on Performance Comments, 114 matches on Event Comments, 108 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Paid salary list 3 days at #72 4s. 1d. per diem #216 12s. 3d.; Mr Weston on his note #5 5s.; Mrs Abington 3 first days not on list #2 10s. (Treasurer's Book). [From a long review in the Public Advertiser 3 Oct.: Two new performers in parts very difficult to execute-Mr Cautherly a pupil of the greatest master of the art of acting that ever graced the English stage (if not European)...has this summer convinced us that he is susceptible of the most refined instructions of his great patron and tutor. Of the Lady, I can say nothing prior to her appearance 30 Sept. as I am noways acquainted with her history any more than that by declaration of common report; she is the spouse of the brother of that Mr Barry who has so greatly pleas'd the town this summer at the Opera House." [Comments on her figure, voice and countenance well adapted to express the stronger passions.] She seemed to be so much in love with Romeo as to forget she represented a young and inexperienced virgin unused to men...The first scene of consequence is the Masquerade scene, which was as to business very badly conducted; but this, I doubt not will be rectified another night, they were discovered in disorder and they went off in confusion. It appeared a tumultous assembly rather than a Masquerade of nobility in an Italian Palace. Romeo stayed so long behind the crow that he was oblig'd to run to his station opposite Juliet to be in time for "Cousin Benvolio, do you mark that lady." [A long and detailed review of the stage action act by act.] In the Garden scene an unlucky accident happened to Cautherly...his nose ran with blood and he was oblig'd to keep his handkerchief to his nose all through, which was a great loss to the audience...The Apothecary is the best figure I ever saw, and spoke more sensibly than I ever heard an apothecary speak in my life. Mr Castle has rescued that character from ridicule, and worked by pity what buffoonery used to run off with-applause." Receipts: #145 11s. 6d. (Treasurer's Book.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Hermit

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: As17670306

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mock Doctor

Event Comment: [Afterpiece: With alterations and additions. News arrived of the death in Monaco of His Royal Highness Edward Augustus, Duke of York, next brother to His Majesty. Hopkins MS Notes: About eleven o'clock orders came from the Lord Chamberlain that the House must be stopt performing on account of the death of the Duke of York. --Fresh bills were printed and posted about the House that there would be no play that night. Neville MS Diary: Procured No. 5289 of the General Evening Post which contains my letter concerning the St. James' Company of Comedians. Glad to hear that the Lothario of that Company, the Infamous York, is called to that Tribunal where there is no respect of persons. Canceled

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: NNone

Event Comment: Cancelled. On account of death of Edward Augustus, Duke of York, next Brother to His Majesty. [Theatre closed to 5 Oct.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon-(Brother to Judas); Messenger-; Eupolemus-(Jewish Ambassador to Rome).

Music: As17680219

Event Comment: MMr Aickin hissed for being imperfect.--This night was introduced at the end of the Pantomime a Grand Masquerade in imitation of that given by the King of Denmark at the Opera House, and lighted up after the same manner--Every performer belonging to the House was on, even Mr Garrick and his brother.--The dresses were very elegant, and the whole very striking,--and gave pleasure to the Audience (Hopkins Diary). [The masquerade remained a part of Queen Mab and was also attached to Fortunatus. It evoked the following verse in Lloyd's Evening Post, Nov. 21-23]: One night last week a merry blade,@Who'd seen the Royal Masquerade,@And paid ten guineas for admission,@Began to damn the imposition;@His friend reply'd, "You may complain,@For I last Night at Drury Lane,@Saw full as much for eighteen pence,@As you got at such vast expence."-- G.S. C y

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Judas-; Israelite Man-; Israelite Woman-; Simon-(Brother to Judas); Chorus-; Messenger-; Eupolemus-(Jewish Ambassador to Rome).

Music: Concerto on Hautboy-Fischer

Event Comment: Benefit for Bensley. The Tragedy Altered by Dr Hawkesworth. Part of Pit will be Laid into the Boxes. [Winston MS 10, from O. Smith from the Town & Country Magazine, suggests Oroonoko--Fleetwood, son of the late manager, and brother to the gentleman who appeared about Nine years ago at dl.] Charges #66 19s. Balance to Bensley #51 15s. 6d. plus #113 15s. from tickets (Box 416; Pit 59; Gallery 9). Paid Younger for writing parts #6 3s. 4d. Receipts: #118 4s. 6d. (Account Book)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Oxonian in Town

Dance: End: The Garland, as17681028

Event Comment: Benefit By Desire of the most noble Grand of the Honorable Order of Select Albions, for their Brother Hurst, and Mr Evans (subtreasurer). Tickets deliver'd for The Orphan will be taken. The Orphan deferr'd on account of Barry's Indisposition

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Hermit

Song: End: The Albion Song-Vernon

Event Comment: Mainpiece: By Desire. Paid Younger for a License for the Brothers #22s. (Account Book). Receipts: #127 11s

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Rape of Proserpine

Event Comment: TThe Brothers and The Spanish Lady oblig'd to be deferr'd on account of the Indisposition of some of the performers. Receipts: #117 2s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; 1st Israelite Man-; Israelite Woman-; Simon (brother to Judas)-; Chorus-; Messenger-; Eupolemus- (Jewish Ambassador to Rome).

Music: FFirst Violin-Barthelemon; Concerto on the Organ-Stanley

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon- (Brother to Judas); Messenger-; Eupolemus- (Jewish Ambassador to Rome).

Music: FFirst Violin, Solo-Giardini; Concerto on Hautboy-Fischer

Event Comment: By Desire of the Most Noble Grand of the Honorable Order of Select Albions. For the Benefit of their Brother Hurst, and Mr Rooker. N.B. The Grand of the Albion Lodge desires his officers to meet him at the Rose Tavern in Bridges St., at 5 o'clock, to proceed from thence to the front boxes, in procession, with the Ensigns of their Order. The company of any other of the Brethren will be esteemed a favour, to join the Grand and Officers--Care will be taken to preserve Places in the Boxes for the Ladies belonging to the members of this Society (playbill)

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: Fortunatus

Song: End: The Albion Song-Vernon

Performances

Mainpiece Title: Judas Macchabeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon (brother to Judas)-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: End Part I: A Solo-; End Part II: A Concerto on Violin-Sga Lombardini Sirmen

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Simon (Brother to Judas)-; Chorus-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: As17710215

Event Comment: The Brothers oblig'd to be deferr'd on Account of Indisposition of Yates

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Mother Shipton

Dance: IV: The Merry Sailors, as17701015

Performances

Mainpiece Title: Judas Macchabeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus-(Jewish Ambassador to Rome).

Music: End Part I: Solo on Violincello-Mr Duport; End Part II: Concerto on Violin, as17720306-Sga Sirmen

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus-(Jewish Ambassador to Rome).

Music: Violin Solo-Ximene (the first time of his performing in public); Concerto on Violincello-Janson

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-r; Israelite Man-r; Israelite Woman-r; Chorus-r; Simon (Brother to Judas)-; Messenger-r; Eupolemus(Jewish Ambassador to Rome)- The vocal parts-Miss Linley, Mrs Weichsel, Miss Mary Linley, Mr Norris, Mr Parry (Public Advertiser).

Music: I: Concerto on Violin-Mr ThomasLinley

Performances

Mainpiece Title: Judas Maccabaeus; Judith

Performance Comment: As17730226 Parts were: Judas, Israelite Man, Israelite Woman, Chorus, Simon (brother to Judas); Messenger, EupolemusR (Jewish Ambassador to Rome).

Music: As17730305

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: End Part I: Concerto on Hautboy-Fischer; Part II: Violin Concerto-Mr Vashon

Event Comment: [The Gentleman who played Hamlet identified by Winston MS 11 (from O. Smith) as Lewis Hallam, from America, brother to Mrs Mattocks.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Druids

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Isaelite Woman-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: End Part I: Organ Concerto-Stanley; Part II: Violin Concerto-Barthelemon; After the Second Song in Part III: a Concerto on the Hautboy-Mr ThomasVincent (who has not performed in Public for several years)