SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Brother Frank"/1) | (@(roleclean,performerclean) "Brother Frank")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 284 matches on Performance Comments, 112 matches on Event Comments, 108 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: More noise against the Dancers, wch so enrag'd My Ld that with a Number of Gents. he went into the upper Galleries & took out a very noisy person-who prov'd to be Cap. Venor's Brother; he resisted & was not brought behind the scenes without much Difficulty, sadly beat, yet still obstinate, they went with Garrick & Lacy into Mrs Clive's room, where he behav'd very boldly, but all was adjusted without farther Mischief (Cross). This day publish'd: The Mirror: a Poetical Essay in the manner of Spencer. Price 1s. Ridiculum acii fortissime & optime Secatrem. Anon. To David Garrick, Esq: by C. Arnold. Sold by Woodfall. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Chinese Festival

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon-(Brother to Judas); Messenger-; Eupolemus (Jewish Ambassador to Rome)-. [Larpent MS.]Larpent MS.]

Performances

Mainpiece Title: Jeptha

Performance Comment: Parts were Jeptha-; Zebul (his Brother)-; Storage (his Wife)-; Iphis (his Daughter)-; Hamor (in love with Iphis)-; Chorus of Israelites-. (Larpent MS).
Event Comment: [K+King Richard III.] Containing the Distresses and Death of King Henry VIv, the artful acqusition of the crown by Richardv; the cruel murder of the young King Edward Vv and his brother in the Tower; the Landing of the Earl of Richmondv, and the Death of Richard in the Memorable Battle of Bosworth Fieldv; being the last that was fought between the Houses of Yorkv and Lancasterv; with many other historical passages

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: A Duke and no Duke

Dance: As17561217

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon-; (Brother to Judas), Messenger=-; Eupolemus-; (Jewish Ambassador to Rome). (Jewish Ambassador to Rome).
Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VIv ; the Artful Acquisition of the Crown by Richardv ; the Cruel Murder of the young King Edward Vv and his brother in the Tower; the Landing of the Earl of Richmondv ; and the Death of Richard in the memorable Battle of Bosworth Fieldv ; being the last that was fought between the Houses of York and Lancasterv ; with many other historical passages [a regular notice appearing with performances of this play]. Receipts: #118 18s. 6d. [Paid to] Lee one third of the surplus of this night's receipts over the charge of #100, #3 19s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Contrivances

Dance: Lucas, Miss Hilliard

Performances

Mainpiece Title: Judas Maccabeus

Performance Comment: The parts were: Judas-; Israelite Man-; Israelite woman-; Chorus-; Simon-(Brother to Judas); Messenger-; Eupolemus- (Jewish Ambassador to Rome) (Larpent MS 65).
Event Comment: Receipts: #212 7s. Paid Kemp for lamps #6 8s.; Meares, 5s. I slept in at the Play Houses but did not see him [his brother George] there. I met Miss Smith going into the Gallery at Covent Garden. I think it is a fortnight tomorrow that her sister has been buried (Hailey Brietzcke Diary, p. 147)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Fair

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: The parts were Judas-; Israelitish Man-; Israelitish Woman-; Chorus-; Simon (Brother to Judas )-; Messenger-; Eupolemus-(Jewish Ambassador to Rome ) , in Larpent MS 65.

Music: As17600229

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Judas-; Israelitish Man-; Chorus-; Simon-(brother to Judas); Messenger-; Eupolemus-(Jewish Ambassador to Rome) (Larpent MS 65).

Music: Concerto on Organ-Stanley; Solo on Violin-Sg Giardini

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon-(Brother to Judas); Messenger-; Eupolemus-(Jewish Ambassador to Rome) (Larpent MS 65).

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Simon (Brother to Judas)-; Messenger-; Eupolemus (Jewish ambassador to Rome)- (Larpent MS 65).

Music: As17630218

Performances

Mainpiece Title: Jephtha

Performance Comment: Parts were: Jephtha-; Zebul (his brother)-; Storge (his wife)-; Iphis (his daughter)-; Hamor (in love with Iphis)-; Chorus of Israelites-.

Music: As17630218

Event Comment: By Particular Desire of the Ancient and Honorable Society of Free Masons, and By Authority. Benefit for Brother Lauder. Tickets at Berwick St., at the Black Boy, near the Hermitage Bridge. To begin at Seven. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Israelite Man-; Israelite Woman-; Judas-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: As17640309

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Simon-(Brother to Judas); Chorus-; Messenger-; Eupolemus=-(Jewish Ambassador to Rome).

Music: CConcerto on the Organ-Stanley

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Simon (brother to Judas)-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: As17660214

Event Comment: Tickets 3s. To begin at 6 p.m. By particular Desire of several Persons of Distinction. The heavy loss Mr Lowe has sustained by the badness of the weather this season, he hopes will be a sufficient plea for his taking a particular night for himself. By the desire of several worthy Brethren, some Gentlemen will sing Brother Gilding's Ode in Honour of Masonry

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Paid salary list 3 days at #72 4s. 1d. per diem #216 12s. 3d.; Mr Weston on his note #5 5s.; Mrs Abington 3 first days not on list #2 10s. (Treasurer's Book). [From a long review in the Public Advertiser 3 Oct.: Two new performers in parts very difficult to execute-Mr Cautherly a pupil of the greatest master of the art of acting that ever graced the English stage (if not European)...has this summer convinced us that he is susceptible of the most refined instructions of his great patron and tutor. Of the Lady, I can say nothing prior to her appearance 30 Sept. as I am noways acquainted with her history any more than that by declaration of common report; she is the spouse of the brother of that Mr Barry who has so greatly pleas'd the town this summer at the Opera House." [Comments on her figure, voice and countenance well adapted to express the stronger passions.] She seemed to be so much in love with Romeo as to forget she represented a young and inexperienced virgin unused to men...The first scene of consequence is the Masquerade scene, which was as to business very badly conducted; but this, I doubt not will be rectified another night, they were discovered in disorder and they went off in confusion. It appeared a tumultous assembly rather than a Masquerade of nobility in an Italian Palace. Romeo stayed so long behind the crow that he was oblig'd to run to his station opposite Juliet to be in time for "Cousin Benvolio, do you mark that lady." [A long and detailed review of the stage action act by act.] In the Garden scene an unlucky accident happened to Cautherly...his nose ran with blood and he was oblig'd to keep his handkerchief to his nose all through, which was a great loss to the audience...The Apothecary is the best figure I ever saw, and spoke more sensibly than I ever heard an apothecary speak in my life. Mr Castle has rescued that character from ridicule, and worked by pity what buffoonery used to run off with-applause." Receipts: #145 11s. 6d. (Treasurer's Book.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Hermit

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: As17670306

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mock Doctor

Event Comment: [Afterpiece: With alterations and additions. News arrived of the death in Monaco of His Royal Highness Edward Augustus, Duke of York, next brother to His Majesty. Hopkins MS Notes: About eleven o'clock orders came from the Lord Chamberlain that the House must be stopt performing on account of the death of the Duke of York. --Fresh bills were printed and posted about the House that there would be no play that night. Neville MS Diary: Procured No. 5289 of the General Evening Post which contains my letter concerning the St. James' Company of Comedians. Glad to hear that the Lothario of that Company, the Infamous York, is called to that Tribunal where there is no respect of persons. Canceled

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: NNone

Event Comment: Cancelled. On account of death of Edward Augustus, Duke of York, next Brother to His Majesty. [Theatre closed to 5 Oct.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon-(Brother to Judas); Messenger-; Eupolemus-(Jewish Ambassador to Rome).

Music: As17680219

Event Comment: MMr Aickin hissed for being imperfect.--This night was introduced at the end of the Pantomime a Grand Masquerade in imitation of that given by the King of Denmark at the Opera House, and lighted up after the same manner--Every performer belonging to the House was on, even Mr Garrick and his brother.--The dresses were very elegant, and the whole very striking,--and gave pleasure to the Audience (Hopkins Diary). [The masquerade remained a part of Queen Mab and was also attached to Fortunatus. It evoked the following verse in Lloyd's Evening Post, Nov. 21-23]: One night last week a merry blade,@Who'd seen the Royal Masquerade,@And paid ten guineas for admission,@Began to damn the imposition;@His friend reply'd, "You may complain,@For I last Night at Drury Lane,@Saw full as much for eighteen pence,@As you got at such vast expence."-- G.S. C y

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Queen Mab