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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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18442 results for: Keyword - Blakes</i>, deleted.] Receipts:
We found 18032 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

18351
13 March 1800 @ Drury Lane Theatre

Event Comment: "The bombardment of the fortv, at the conclusion of the Opera, went off better than on the preceding night. Of course, the thunder of guns and mortars, with the suffocating smoke, stench and vapour which pervaded every part of the house rouzed the audience from a state of lethargy and torpor...and the curtain dropped with less opposition and reprobation than on the preceding night" (Dramatic Censor, I, 350). Receipts: #342 11s. (267.17.6; 74.4.6; 0.9.0)

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Wedding Day

18352
13 March 1800 @ Covent Garden

Event Comment: By Command of Their Majesties. Receipts: #307 4s. (305.2; 2.2)

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: Hartford Bridge

18353
17 March 1800 @ Covent Garden

Event Comment: [Mrs Beaumont is identified in London Chronicle, 18 Mar.] Receipts: #185 6s. 6d. (182.9.0; 2.17.6)

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Devil to Pay

Afterpiece Title: Raymond and Agnes

18354
20 March 1800 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Receipts: #475 5s. (396.1.6; 77.1.6; 2.2.0)

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Wedding Day

18355
22 March 1800 @ Covent Garden

Event Comment: "Sombre, saturnine, and soporific, instead of the mirthful, gay, and sprightly being pourtrayed by the author, [Holman's] countenance [as Comus] displayed the mechanical gravity of a parish clerk, or an assize judge, passing sentence of death on a sheep-stealer. Not a single smile relaxed the uniform austerity of his features, which seemed to impart their baneful influence to the whole confederate corps" (Dramatic Censor, I, 390-91). Receipts: #217 10s. (215.8; 2.2)

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Comus

Dance: As17991210

18356
25 March 1800 @ Covent Garden

Event Comment: Afterpiece [1st time; MF 2, by Thomas John Dibdin]: With appropriate music (composed and selected by Attwood), Scenery, &c. Books of the Songs to be had at the Theatre. Receipts: #256 17s. (251.10; 5.7)

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Dance: In I afterpiece: A Dance-King; In II: Dance-Blurton, Platt, L. Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331

18357
27 March 1800 @ Covent Garden

Event Comment: By Command of Their Majesties. Receipts: #353 14s. (343.3.6; 10.10.6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Two Strings to Your Bow

Dance: In IV: a Grand Masquerade-; Minuet-the LateMiss Betterton, Platt

18358
01 April 1800 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of The Child of Nature, advertised on playbill of 31 Mar.] Receipts: #329 17s. 6d. (241.17.0; 84.18.6; 3.2.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Sultan

Music: As17991127

18359
01 April 1800 @ Covent Garden

Event Comment: [As mainpiece the playbill announces Speed the Plough, but A Cure for the Heart Ache "was sustituted in the room of Speed the Plough, in consequence of an accident which befel H. E. Johnston" (Dramatic Censor, I, 10).] Receipts: #215 13s. (206.12; 9.1)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: St

18360
03 April 1800 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Receipts: #512 5s. 6d. (442.0.6; 67.16.0; 2.9.0)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The First Floor

18361
05 April 1800 @ Covent Garden

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Afterpiece Title: The Hermione; or, Valour's Triumph

18362
14 April 1800 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Clarke as Thoroughgood, but "Hull performed Thoroughgood instead of Clarke, who was suddenly taken ill" (London Chronicle, 15 Apr.). In afterpiece the playbill assigns Camazin to Clarke; his substitute is not named.] Receipts: #365 12s. (280.13; 82.12; 2.7)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Lodoiska

18363
15 April 1800 @ Covent Garden

Event Comment: Benefit for Incledon. 1st piece: Not acted these 4 years [acted 20 May 1797]. Receipts: #579 13s. (303.7.6; 3.6.0; tickets: 272.19.6)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Rendezvous

Afterpiece Title: The Jew and the Doctor

Song: End I: The Storm (by G. A. Stevens)-Incledon; In course Evening: an entire new Glee, composed by King, The Witches[, the Words from the First Scene of Shakspeare's Macbeth, -Incledon, Townsend, Linton, Chorus; [Also Black Ey'd Susan-; Old Towler- [Incledon]

18364
16 April 1800 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of Lodoiska, advertised on playbill of 15 Apr.] Receipts: #285 15s. 6d. (213.5.6; 71.0.0; 1.10.0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Of Age To-morrow

Song: V: song-Miss Leak

18365
17 April 1800 @ Covent Garden

Event Comment: Benefit for Holman. Morning Chronicle, 9 Apr.: Tickets to be had of Holman, No. 73, New-street, Hanover-square. Receipts: #195 7s. (105.13.6; 14.19.6; tickets: 74.14.0)

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: The Rendezvous

Afterpiece Title: Tom Thumb

18366
18 April 1800 @ Drury Lane Theatre

Event Comment: She Wou'd and She Wou'd Not [advertised on playbill of 17 Apr.] is obliged to be deferred on account of the indisposition of C. Kemble. [Afterpiece in place of Of Age To-morrow, also advertised as above.] Receipts: #243 12s. (168.2.6; 71.18.6; 3.11.0)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Lodoiska

18367
19 April 1800 @ Covent Garden

Event Comment: Benefit for Pope. Morning Chronicle, 14 Apr.: Tickets to be had of Pope, No. 5, Half-moon-street, Piccadilly. Receipts: #303 19s. 6d. (182.9.0; 10.18.0; tickets: 110.12.6)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Saturday Night at Sea

Afterpiece Title: Lock and Key

Entertainment: Monologue End: Collins's Ode on the Passions-Mrs Pope

18368
22 April 1800 @ Drury Lane Theatre

Event Comment: [As afterpiece the Account-Book lists Of Age To-morrow.] Receipts: #389 14s. 6d. (333.0.0; 55.14.6; 1.0.0)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Apprentice

Song: As17991228

18369
22 April 1800 @ Covent Garden

Event Comment: Benefit for Munden. 1st piece: Not acted these 12 years [acted 20 Apr. 1789]. 2nd piece: By Permission of the Proprietors of the Theatre-Royal, Drury-Lane. Never Performed at this Theatre. With the Original Overture, Songs, Trios, Duets and Chorusses. To conclude with a Perspective Representation of a Grand Camp. Morning Chronicle, 1 Apr.: Tickets to be had of Munden, No. 16, Clement's Inn. Receipts: #565 0s. 6d. (202.9.0; 10.10.0; tickets: 352.1.6)

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: The Camp

Afterpiece Title: The Hermione

Song: End: A Chapter of Fashions (never performed; written by T. Dibdin Jun.)-Munden; The Tight Little Lads of the Ocean (never performed; written by the Author of The Bundle of Proverbs)-Fawcett

18370
23 April 1800 @ Drury Lane Theatre

Event Comment: [The playbill assigns Albina Mandeville to Mrs Jordan, but "The Public are most respectfully informed that Mrs Jordan, being unable to have the honour of appearing before them this Evening, to prevent a Change of the Play Miss DeCamp has undertaken to perform Albina...and humbly hopes to experience the usual indulgence" (printed slip attached to Kemble playbill).] Receipts: #166 6s. (99.1; 63.3; 4.2)

Performances

Mainpiece Title: The Will

Afterpiece Title: Of Age To-morrow

18371
23 April 1800 @ Covent Garden

Event Comment: Benefit for Miss Murray. 2nd piece: Compressed into Two Acts by the Author [Elizabeth Inchbald. Epilogue by Miles Peter Andrews]. Morning Chronicle, 8 Apr: Tickets to be had of Miss Murray, No. 77, Long Acre. Receipts: #393 9s. 6d. (159.5.6; 24.14.6; tickets: 209.9.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Child of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Dance: In II: Negro Dance-Bologna, King, Platt, Blurton

Song: End: The Tight Little Island-Townsend

18372
24 April 1800 @ Covent Garden

Event Comment: By Command of Their Majesties. Receipts: #294 17s. (284.7.6; 10.9.6)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Lock and Key

18373
26 April 1800 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of The Devil to Pay, advertised on playbill of 25 Apr.] The Doors will be opened at 5:30, and the Play to begin at 6:30, and so continue to the end of the Season. Receipts: #342 17s. (270.0.6; 68.1.0; 4.15.6)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Virgin Unmask'd

Song: As17991228

18374
26 April 1800 @ Covent Garden

Event Comment: Benefit for Fawcett. 1st piece: By Permission of the Proprietor of the Theatre Royal, Hay-Market. 2nd piece [1st time; M. INT 1]. 3rd piece: Never acted here; by Permission of the Proprietor of the Theatre Royal, Hay-Market. With appropriate Scenes, Dresses & Decorations. The Music composed & selected by Attwood. Morning Chronicle, 15 Apr.: Tickets to be had of Fawcett, No. 3, Tanfield-court, Temple. Receipts: #535 6s. (233.2; 7.3; tickets: 295.1)

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Social Songsters

Afterpiece Title: The Castle of Sorrento

18375
28 April 1800 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. 2nd piece [1st time; MF 2, by Prince Hoare, Larpent MS 1289; not published; synopsis of plot in Morning Herald, 29 Apr, Author of Prologue unknown]: The new Musick composed by Kelly. Morning Chronicle, 16 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #360 8s. 6d. (272.17.6; 80.9.6; 7.1.6; tickets: none listed) (charge: #213 3s. 7d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Children; or, Give Them their Way

Afterpiece Title: Sylvester Daggerwood