SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18032 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Event Comment: Mainpiece: In Act II a Masquerade Scene. "Neither in conception nor in power is [Mrs Jordan] adequate to the character...This play has not often been so ill performed in a London theatre as it was on this evening" (Monthly Mirror, May 1796, p. 50). Receipts: #231 8s. (162.14.6; 67.15.6; 0.18.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Prize

Song: Dirge, as17960425, but Miss _DeCamp

Event Comment: Benefit for King. [Mrs Siddons's 1st appearance as Gertrude was at Liverpool, 23 July 1777; Mrs Jordan's as Ophelia at Richmond, 19 Aug. 1795.] Morning Herald, 28 Apr.: Tackets to be had of King, No. 56, Store-street, Bedford-square; 30 Apr.: The dresses [in Hamlet] were all modern. Receipts: #498 17s. 6d. (284.11.6; 55.9.0; 2.5.0; tickets: 156.12.0) (charge: #232 7s. 6d.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Wedding Day

Entertainment: Monologue.End: a Serio-Comic, Poetic, Prosaic Paraphrase on Shakespeare's Seven Ages-King

Event Comment: Benefit for Bowden. Account-Book: Received from Campbell for Fruit Rent #200. Oracle, 11 Apr.: Tickets to be had of Bowden, No. 6, Lower Brook-street, Grosvenor-square. Receipts: #274 7s. 6d. (122.1.6; 8.3.0; tickets: 144.3.0)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Prisoner at Large

Song: End I: The Storm-Incledon; End: a Grand Harmonic Selection, Admiral Benbow-Incledon; The Sailor Boy cap'ring on Shore-Fawcett; O bring me wine-Bowden; The Land of Potatoes-Johnstone; The Group of Lovers; or, Beauty at her Levee-Munden; Old Towler-Incledon

Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud Or The Prince Of Persia

Afterpiece Title: All the Worlds a Stage

Event Comment: Mainpiece: Not acted these 8 years [acted 1 May 1792, Mme Mara had appeared in the oratorios at this theatre in the present season, as well as in 1792-93 and 1793-94]. Receipts: #216 11s. 6d. (210.8.0; 6.3.6)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Doldrum

Event Comment: Benefit for Mrs Siddons, and the Last Night of her Engagement [see 6 and 16 May]. Mainpiece: Never acted here [1st acted at Bath, 1 Jan. 1788, as Such Things Were. Prologue by Richard Graves (Public Advertiser, 28 Jan. 1788)]. Oracle, 18 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #590 14s. (292.16.0; 51.13.0; 4.10.0; tickets: 235.6.6; odd money: 6.8.6) (charge: #213 17s. 4d.)

Performances

Mainpiece Title: Julia Or Such Things Were

Afterpiece Title: The Devil to Pay

Event Comment: 1s piece: With a Procession, as 26 Dec. 1795. Receipts: #204 5s. (199.9; 4.16)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Doldrum

Afterpiece Title: Harlequins Treasure 0

Afterpiece Title: Harlequins Treasure 1

Afterpiece Title: Harlequins Treasure 2

Event Comment: Benefit for Mrs Serres. 3rd piece: To conclude as 15 Apr. Morning Herald, 15 Apr.: Tickets to be had of Mrs Serres, No. 70, Berners-street, Oxford-road. Receipts: #288 2s. 6d. (159.3.6; 11.17.6; tickets: 117.1.6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Catharine and Petruchio

Afterpiece Title: The Point at Herqui

Dance: III: Hornpipe-Byrn; 3rd piece: Dance, as17960415

Song: In: Old Towler-Incledon; 3rd piece: Tippy Bob, as17960415; The Waiter, as17960415; Irish Song, as17960415; New Loyal Song, as17960415; Ye Gentlemen of England, as17960415; Rule Britannia, as17960415; Admiral Benbow-Incledon; Rondo-Mrs Serres

Event Comment: [In mainpiece the playbill retains Kemble, but "The Publick are respectfully informed that Kemble having been attacked in the course of Last Night with a violent Pleurisy, which confines him to his Bed, Charles Kemble has undertaken to read the part of Mahmoud, and hopes for your kind Indulgence" (printed slip attached to BM playbill (Harris, Vol. V)). Afterpiece in place of The First Floor advertised on playbill of 3 May.] Receipts: #315 4s. (252.6.6; 60.19.0; 1.9.6; tickets not come in: 0.9.0)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: The Citizen

Event Comment: 2nd piece: Books of the Opera to be had at the Theatre. [3rd piece in place of The Doldrum, advertised on playbill of 3 May.] Receipts: #195 15s. (194.2.6; 1.12.6)

Performances

Mainpiece Title: The Death Of Captain Cook

Afterpiece Title: Artaxerxes

Afterpiece Title: St

Event Comment: Benefit for Miss Pope. 2nd piece: Written by David Garrick, Esq. Morning Herald, 23 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #367 8s. 6d. (127.15.0; 62.1.0; 9.17.6; tickets: 167.8.0; odd money: 0.7.0) (charge: #210 16s.)

Performances

Mainpiece Title: First Love

Afterpiece Title: A Much Admired Scene from Harlequins Invasion

Afterpiece Title: The Virgin Unmaskd

Entertainment: Monologue.End: Paraphrase on Shakespeare's Seven Ages, as17960429

Event Comment: Benefit for Bensley, being the Last Time of his Appearing on the Stage. Bensley's defects (chiefly Nature's) were to a stranger disgusting, but on a further acquaintance, hi merit (all his own) not only gained favour, but covered all his faults" (Monthly Magazine, May 1796, p. 320). Morning Herald, 23 Apr.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bloomsbury. Receipts: #595 9s. (271.2; 63.14; 6.2; tickets: 250.10; odd money: 4.1) (charge: #232 7s. 6d.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Romp

Event Comment: Benefit for Mr and Mrs Knight. 1st piece [1st time; C 3, by Thomas Holcroft, altered by author from his Duplicity. Larpent MS 1129; not published]. Oracle, 13 Apr.: Tickets to be had of Mr and Mrs Knight, No. 47, Rathbone Place. Receipts: #331 5s. (159.7.0; 16.7.6; tickets: 155.10.6)

Performances

Mainpiece Title: The Maskd Friend

Afterpiece Title: The Way to Get Un Married

Afterpiece Title: The Farmer

Song: In 2nd piece: The Sportman's snug little Cot-Incledon

Entertainment: Monologues, with Songs.End: The Barber's Petition-Fawcett (1st time); [with a song in character, Wigs [including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett; End 2nd piece: A Ramble to Bath (1st time) [with a descriptive song in the character of Jacob Gawkey [in The Chapter of Accidents]-Knight

Event Comment: Benefit for Sga Storace. Morning Herald, 25 Apr.: Tickets to be had of Sga Storace, No. 36, Howland-street, Fitzroy-square. Receipts: #402 7s. (197.11.6; 62.19.6; 0.16.0; tickets: 141.0.0) (charge: #261 7s.)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: My Grandmother

Event Comment: Account-Book, 11 May: Paid Hoare the author of Mahmoud 5 nights at #33 6s. 8d., #166 13s. 4d. Receipts: #227 14s. 6d. (181.5.6; 45.10.0; 0.19.0)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: The Wedding Day

Event Comment: Benefit for Mrs Mountain. [Philipps is identified in Monthly Mirror, Sept. 1796, p. 315. As Mrs Plomer Sga Salvini had 1st appeared at the hay, 12 June 1788.] Afterpaece [1st time; MF 2, author unknown. Larpent MS 1131; not published]: The Music and Overture by Spofforth. Morning Herald, 4 May: Tickets to be had of Mrs Mountain, No. 6, York-street, Covent-Garden. Receipts: #380 18s. 6d. (150.7.6; 5.16.0; 224.15.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Witch of the Wood or The Nutting Girls

Dance: In: The Spanish Fandango-Byrn, Mlle St.Amand; II afterpiece: The Humours of a Country Fair-Holland, Platt, Bayzand, Cranfield, Ratchford, Mrs Lloyd, Mrs Blurton, Miss Smyth, Mrs Watts

Song: End: Sally in our Alley-Incledon

Event Comment: Benefit for Master Welsh. [2nd piece in place of The Sultan, advertised on playbill of 10 May. Medley is identified in MS list in Kemble playbills of new performers for this season.] "A riot took place this evening, occasioned by the performance of Skirmish by a new actor. This person, wanting every quality requisite for the stage, performed so very much to the dissatisfaction of the audience, that the piece was mutilated in such a manner that for some time it was insisted on that the whole should be repeated more perfectly and by another actor. This being impossible, some mischief was threatened, but after a short time the disturbance ceased" (European Magazine, June 1796, p. 396). Morning Herald, 30 Apr.: Tickets to be had of Master Welsh, No. 9, St. Margaret-street, Westminster. Receipts: #292 4s. (84.11.6; 47.15.6; 12.14.0; tickets: 146.19.6; odd money: 0.3.6). (charge: free)

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: The Virgin Unmaskd

Afterpiece Title: The Deserter

Song: End: the favourite duett from Sampson, My Faith and Truth-Miss Leak, Master Welsh; End 2nd piece: Listen to the Voice of Love (composed by Hook)-Master Welsh

Event Comment: Benefit for Mrs Powell. "If we make allowances for embarrassment and imperfect study, the performance of Mrs Powell was by no means indifferent" (Monthly Mirror, May 1796, p. 50). Afterpiece: Not acted these 4 years. Morning Herald, 2 May: Tickets to be had of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #466 11s. 6d. (189.3.6; 53.1.6; 4.14.6; tickets: 216.15.0) (charge: #212)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Follies of a Day

Event Comment: Benefit for Harley [whose 1st appearance as Shylock was at cg, 6 Nov. 1789]. 1st piece: Not acted these 6 yexrs. 2nd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Morning Herald, 12 May: Tickets to be had of Harley, Castle-street, Bloomsbury. Receipts: #219 12s. 6d. (102.13.0; 2.11.6; tickets: 114.8.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: The Irish Mimick

Dance: As17960420

Song: In Evening: a Hunting Song [Old Towler]-Incledon; 2nd piece: We've bade the restless seas adieu-; O why to be happy, as17960412; Here we laugh and work together-; With pride we steer'd for England's coast, as17960412; When love was a stranger, as17960412; Hearts of Oak-Incledon, Chorus

Event Comment: Benefit for Miss Leak. 1st piece: Never performed here. The Musick selected, with new Accompaniments and a Scottish Overture, by Dr Arnold. [Miss Andrews is identified in MS list in Kemble playbills of new performers for this season.] Morning Herald, 30 Apr.: Tickets to be had of Miss Leak, Upper Mews Gate, Castle-street, Leicester-square. Receipts: #155 11s. 6d. (84.2.0; 66.10.0; 0.17.0; tickets: none listed; odd money: 4.2.6) (charge: #213 0s. 7d.)

Performances

Mainpiece Title: Love And Money

Afterpiece Title: The Belles Stratagem

Afterpiece Title: No Song No Supper

Song: In: Thro the Wood Laddie-Miss Leak; In Masquerade Scene 2nd piece: Ally Croker-Miss Leak, Master Welsh

Event Comment: Notice on playbill of 13 May: Mrs Siddons having consented, at the desire of many Ladies and Gentlemen who were disappointed of Places for the New Tragedy, to delay her departure from Town [see 2 May] His Majesties' Company will perform Almeyda on Monday next. Being positively the Last Night of Mrs Siddons's Appearance this Season. Receipts: #448 16s. 6d. (377.14.0; 68.19.0; 2.0.6; ticket not come in: 0.3.0)

Performances

Mainpiece Title: Almeyda

Afterpiece Title: The Wedding Day

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1]: The Words of the Ode will be given in the Theatre. 3rd piece: A Short Description of the Scenery, &c. The Hall of Fingal-the Banquet preparatory to the celebration of the Nuptials of Oscar and Malvina; The Mountain of Ben Lomond; The Military Procession of Carrol to the Hall of Fingal; A View of the Sea and Rock, from which Oscar escapes, by leaping from a precipice, 20 feet high, into the arms of his Soldiers; A View of the Bridge, with the Camp of Carrol-the Death of Carrol, by the hands of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. Morning Herald, 3 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #394 13s. (187.9; 3.10; tickets: 203.14)

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: A Melocosmiotes

Afterpiece Title: Oscar and Malvina

Song: End II of 1st piece: The Sea Storm-Incledon; In 3rd piece: I am a jolly gay Pedlar-Townsend; Come every jovial Fellow-Rees, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Event Comment: Benefit for Suett. Afterpiece [1st time; F 2, by John Grubb. Larpent MS 1132; not published. Author of Prologue unknown]. Morning Herald, 16 May: Tickets to be had of Suett, No. 19, Martlet-court, Covent-Garden. Receipts: #403 13s. 6d. (152.10.0; 57.5.0; 4.16.0; tickets: 187.10.0; odd money: 1.2.6) (charge: none listed). [Account-Book: Suett to have #100 of Tickets and half those above that sum which he brings in; of which due him #43 15s.

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: Alive and Merry

Event Comment: Benefit for Middleton. Morning Herald, 10 May: Tickets to be had of Middleton, No. 20, Great Russell-street, Covent-Garden. Receipts: #287 12s. (144.18.6; 2.15.0; tickets: 139.18.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Netley Abbey

Dance: In I: Grand Masquerade-; with the Minuet de la Cour and Allemande, as17950921

Song: End IV: Elegy-; Solemn Dirge-; Vocal Parts, as17950921, but Miss _Stuart, Miss _Kirton; After entertainment: Black@ey'd Susan-Incledon; My Mother had a Maid called Barbara, as17960314but _Bowden; Old Towler-Incledon

Entertainment: End: Monsieur Tonson, as17960426; After which Recitation and Music, as performed last Season with universal Applause at Freemason's Hall, in which Errors of the Press-Holman; Dryden's Ode of Alexander's Feast-Middleton; The Story of the Dog (written by Whitehead)-Pope