SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 18032 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; Ball. P 2(?), by James Byrn. Not in Larpent MS; not published. Synopsis of action in Public Advertiser, 11 Mar.]: The Music selected from Shield, Haydn, Dibdin, Pleyel, Reeve, and other eminent Composers. The Pantomime composed by Byrn. The Scenery entirely new, by Hodgins, Pugh, Walmsley. With new Dresses and other Decorations. Receipts: #250 12s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Governor or The Creolian Insurrection

Event Comment: [Afterpiece in place of Ozmyn and Daraxa, advertised on playbill of 14 Mar.] Receipts: #185 11s. (180.0; 5.11)

Performances

Mainpiece Title: At Hay Douglas

Afterpiece Title: The Apprentice

Event Comment: Benefit for Mrs Siddons. Mainpiece [1st time; T 5, by Arthur Murphy. Prologue by John Philip Kemble (see text). Author of Epilogue unknown; European Magazine, Apr. 1793, p. 306, prints two Epilogues: the one spoken by Mrs Siddons, and the one "as originally written by Thomas? Vaughan"]. Morning Herald, 20 Mar. 1793: This day is published The Rival Sisters (1s. 6d.). Morning Herald, 25 Feb.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #451 6s. 6d. (243.1.0; 21.18.0; 1.18.0; tickets: 184.9.6) (charge: #154 9s. 8d.)

Performances

Mainpiece Title: At Kings The Rival Sisters

Afterpiece Title: The Prisoner

Event Comment: Benefit for Pope. 2nd piece: Written by Edward Jerningham, Esq., with Alterations and Additions (interspersed with Music, after the manner of Rousseau's Pygmalion). The Music composed by Hook. The subject of the above Performance is taken from a remarkable incident in the Life of Margaret . Morning Herald, 2 Mar.: Tickets to be had of Mrs Pope at her house, No. 5, Half-moon-street, Piccadilly. Receipts: #368 15s

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Margaret of Anjou

Afterpiece Title: The Irishman in London

Song: In 3rd piece: a Planxty descriptive of Ireland,-Johnstone

Event Comment: Benefit for Lewis. 2nd piece [1st time; M. INT 1, arranged by Thomas Goodwin. Monologue by Miles Peter Andrews (Yale, Folio Pamphlets No. 10, p. 157)]. Morning Herald, 19 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #466 5s

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt or The Return from Victory

Afterpiece Title: Hartford Bridge

Dance: In 2nd piece: Byrn, Holland, Mrs Watts, Mme Rossi

Entertainment: Monologue. A new Occasional Address in the character of Goldfinch ,-Lewis

Event Comment: Benefit for Palmer. [Afterpiece in place of The Devil to Pay, advertised on playbill of 23 Mar.] Receipts: #401 17s. (206.14.6; 36.0.0; 2.3.0; tickets: 156.19.6) (charge: #180 10s. 4d.)

Performances

Mainpiece Title: At Kings The Siege Of Belgrade

Afterpiece Title: The Sultan

Event Comment: [1st and 2nd pieces in place of Columbus, advertised on playbill of 23 Mar.] Receipts: #264 17s

Performances

Mainpiece Title: The Governor

Afterpiece Title: Hartford Bridge

Afterpiece Title: The Relief of Williamstadt

Afterpiece Title: Harlequins Museum

Event Comment: Mainpiece [1st time; C 5, by Edward Morris, with incidental music by Richard Suett. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses, Decorations, &c. Morning Herald, 23 Apr. 1793: To-morrow will be published False Colours (1s. 6d.). Receipts: #231 9s. (188.2; 38.18; 4.9)

Performances

Mainpiece Title: At Kings False Colours

Afterpiece Title: The Prisoner

Event Comment: Mainpiece [1st time; CO 3, by Richard Cumberland; music ascribed to Capt. Warner. Larpent MS 976; not published]: With entire new Music, new Scenes and Dresses. Books of the Songs [C. Dilly,1793] to be had at the Theatre. Receipts: #224 0s. 6d

Performances

Mainpiece Title: The Armourer

Afterpiece Title: Lovers Quarrels

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., but not on the playbill. Afterpiece in place of The Romp, advertised on playbill of 4 Apr.]. Receipts: #255 12s. 6d. (185.14.6; 63.4.0; 6.14.0; tickets: none listed) (charge: #158 13s. 6d.)

Performances

Mainpiece Title: At Kings False Colours

Afterpiece Title: The Spoild Child

Event Comment: Benefit for Bannister Jun. Afterpiece: By permission of G. Colman@Jun. Esq. [i.e. the holder of the copyright]. Morning Herald, 3 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #486 17s. (227.2.6; 43.2.0; 2.2.0; tickets: 214.10.6) (charge: #126 0s. 6d.)

Performances

Mainpiece Title: At Kings The Pirates

Afterpiece Title: The Agreeable Surprise

Dance: As17921121, but The Dances-Miss _Prevot

Song: In the course of the Evening The Little Farthing Rushlight-Bannister Jun

Event Comment: Benefit for Quick. 1st piece: In 3 Acts [i.e. abridged from the original 5]. 3rd piece: Written by Pilon. Morning Herald, 21 Mar.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #404 4s

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Rosina

Afterpiece Title: The Invasion or All Alarmd at Brighthelmstone

Entertainment: Monologue. Preceding 1st piece: An Eulogium on Money-Quick

Event Comment: Benefit for Bensley. [In afterpiece the playbill assings Lazarillo to R. Palmer, but "Bland appeared in Lazarillo instead of R. Palmer" (Thespian Magazine, May 1793, p. 266).] Morning Herald, 2 Apr.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #201 10s. (93.4; 16.1; tickets: 92.5) (charge: #94 19s. 6d.)

Performances

Mainpiece Title: At Hay The Country Girl

Afterpiece Title: The Pannel

Event Comment: Benefit for Holman. 2nd piece: Not acted these 6 years [not acted since 10 May 1786]. Morning Herald, 27 Mar.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #273 1s. 6d

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: True Blue

Afterpiece Title: Comus

Dance: In 2nd piece: a Hornpipe-Blurton

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers-Incledon

Event Comment: Benefit for the Author [of mainpiece, whose name is listed in Kemble Mem., but not on the playbill]. The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #170 15s. (128.13; 31.1; 11.1; tickets: none listed) (charge: #157 11s. 6d.)

Performances

Mainpiece Title: At Kings False Colours

Afterpiece Title: The Pannel

Event Comment: 1st piece: With Alterations; Not acted these 6 years [acted 18 May 1792]. [The playbill announces this performance as "By Command of Their Majesties," but they, "who had been expected here last night, did not arrive; the indisposition of two of the Princesses having detained them at Windsor" (Morning Herald, 16 Apr.). "After the Relief of Williamstadt [which is not listed on the playbill, but which on 13 Apr. is called '8th Time,' and on 16 Apr. '10th Time'], the Irishman in London...was attempted to be performed; but after many unsuccessful apologies, the piece was not suffered to proceed, and the farce originally intended for representation, The Lying Valet, not without considerable difficulty, many of the performers having quit the theatre, was gone through with, to the gratification of a part of the audience who appeared determined rather to exercise their power than adhere to propriety" (Public Advertiser, 16 Apr.).] The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #345 5s

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Relief of Williamstadt

Afterpiece Title: The Lying Valet

Dance: End: The Bouquet-Byrn, Mme Rossi

Song: III: a song in character-Mrs Clendining

Event Comment: Benefit for Mrs Esten. Morning Herald, 28 Mar.: Tickets to be had of Mrs Esten, No. 5, Nassau-street, Soho. Receipts: #251 7s. 6d

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: True Blue

Afterpiece Title: The Sultan

Dance: In 3rd piece: As17921003; In 2nd piece: Hornpipe, as17930411

Entertainment: Monologue End 2nd piece: Collins's Ode on the Passions-Mrs Esten

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. [In mainpiece the playbill lists Mrs Esten, but "Previous to the play an apology was made in behalf of Mrs Davis, who had undertaken Mrs Esten's character in consequence of the indisposition of the latter lady. [After considerable objection] Mrs Davis was well received in the part" (Thespian Magazine, June 1793, p. 4).] Public Advertiser, 3 May 1793: This Day is published How to Grow Rich (1s. 6d.). Receipts: #257 17s. 6d

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: The Poor Soldier

Dance: End: The Bouquet, as17930415

Event Comment: ["We were sorry to see such an actor as Dodd descend into Buffoonery; in the dying scene of Roderigo he reminded us of the death of the Clown in Harlequin Skeleton" (Thespian Magazine, June 1793, p. 1).] Receipts #164 1s. (156.4; 7. 17)

Performances

Mainpiece Title: At Hay Othello

Afterpiece Title: The Prize

Event Comment: ["Mrs Esten, on her entrance, met with some disapprobation" (Thespian Magazine, p. 5; and see 18 Apr.).] Receipts: #339 13s

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Hartford Bridge

Dance: As17930418

Event Comment: Benefit for Mrs Jordan. Morning Herald, 22 Mar.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #461 8s. (195.17.6; 30.16.0; 5.6.0; tickets: 229.8.6) (charge: #158 13s. 4d.)

Performances

Mainpiece Title: At Kings All In The Wrong

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Author [of mainpiece, who is named in MS annotation on BM playbill (cg, Vol. VIII). "Mrs Pope was taken ill in the course of the performance, and the remainder of the part was read by Miss Chapman" (Thespian Magazine, June 1793, p. 5)]. Receipts: #321 4s

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: The Midnight Wanderers

Dance: As17930418

Event Comment: [In mainpiece the playbill assigns Horatio to Kemble, but he "being indisposed, Harley was the Horatio" (Thespian Magazine, June 1793, p. 1).] Receipts: #129 7s. (123.0; 6.7)

Performances

Mainpiece Title: At Hay The Fair Penitent

Afterpiece Title: The Cheats of Scapin

Event Comment: Benefit for Mrs Mattocks. [Epilogue by Miles Peter Andrews.] 3rd piece: Not acted these 20 years [acted 15 Feb. 1779]. Morning Herald, 19 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #318 5s. 6d

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Soldiers Festival or The Night before the Battle

Afterpiece Title: The Reprisal or The Tars of Old England

Song: In the course of 3rd piece: The Mid Watch, Rule Britannia-Incledon; and to conclude with God save the King in Full Chorus-

Event Comment: Benefit for Suett and Barrymore. [In mainpiece the playbill assigns Valentine to Barrymore and Scandal to Bensley, but "previous to the play an apology was made for the appearance of Whitfield in Valentine, as Barrymore had undertaken Scandal, in consequence of Bensley's being afflicted with a violent hoarseness" (Thespian Magazine, June 1793, p. 2).] Morning Herald, 25 Apr.: Tickets to be had of Suett, No. 21, King-street, Bloomsbury; of Barrymore, No. 11, Bedford-street, Bedford-row. Receipts: #447 10s. (95.19; 43.16; 6.1; tickets: 301.14). (charge: #159 0s. 4d.)

Performances

Mainpiece Title: At Kings Love For Love

Afterpiece Title: The Devil to Pay