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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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18442 results for: Keyword - Blakes</i>, deleted.] Receipts:
We found 18032 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

16876
26 January 1793 @ Drury Lane Theatre

Event Comment: The King's Theatre having been rented to the Proprietors of Drury-Lane House, with a reserve of the Nights for the Italian Opera to be carried on there for the Opera Trust, the Drury-Land Patent will in future be moved on Tuesdays and Saturdays to the Theatre Royal, Hay-Market, where all old and new Renters, claiming under the Drury-Lane Patent, will be entitled to Free Admission, and to their Rights for each Night of Performance. Half Price not being taken at this Theatre, the Performances will be reduced to the old established Prices. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes in the Theatre Royal, Hay-Market, to be taken at Fosbrook's Office at the King's Theatre as usual. [Mainpiece in place of Cymon; afterpiece of The Patron, both advertised on playbill of 25 Jan.] Receipts: #140 11s. (139.0; 1.11)

Performances

Mainpiece Title: At Hay Jane Shore

Afterpiece Title: The Cheats of Scapin

16877
26 January 1793 @ King's Theatre

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: a new Divertisement (composed by Noverre)-Mlle Millerd (from the Grand Opera in Paris; 1st appearance in this country), Mlle Hilligsberg, Favre Gardel, Nivelon; End Opera: Les Caractres de la Danse-; a new divertisement (composed by Noverre), Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Nivelon, Favre Gardel

16878
29 January 1793 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Prologue by the Rev. Robert Nares. Epilogue by Miles Peter Andrews (see text)]. Public Advertiser, 16 Feb. 1793: This Day is published Every One has His Fault (1s. 6d.). Receipts: #306 19s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Farmer

16879
01 February 1793 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of The Haunted Tower; afterpiece of The Farm House, both advertised on playbill of 31 Jan.] Receipts: #137 14s. 6d. (99.11.6; 36.8.0; 1.15.0)

Performances

Mainpiece Title: At Kings Cymon

Afterpiece Title: The Humourist

16880
01 February 1793 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in MS annotation on BM playbill (see 6 Feb.), but not on the playbill]. Receipts: #292 5s

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Hartford Bridge

Dance: As17921116

16881
02 February 1793 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of The Humourist, advertised on playbill of 1 Feb.] Receipts: #138 5s. (136.9; 1.16)

Performances

Mainpiece Title: At Hay The Grecian Daughter

Afterpiece Title: The Virgin Unmaskd

16882
04 February 1793 @ Covent Garden

Event Comment: By Command of Their Majesties. The Doors to be opened at 5:30. To begin at 6:30. Receipts: #462 15s. 6d

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Harlequins Museum

16883
05 February 1793 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #214 5s. (200.9; 7.2; 6.14). [Half-price was taken on this night, but see 26 Jan.

Performances

Mainpiece Title: At Hay The Mourning Bride

Afterpiece Title: No Song No Supper

16884
06 February 1793 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in MS annotation on BM playbill (cg, Vol. VIII): "Authors second night" (see 1 Feb.), but not on the playbill]. Receipts: #303 14s

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Harlequins Museum

16885
07 February 1793 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces The Fugitive, "but in consequence of the indisposition of a principal performer, The Haunted Tower was substituted" (Thespian Magazine, Mar. 1793, p. 218). Kemble Mem. notes the same change.] Receipts: #128 4s. 6d. (83.2.0; 42.1.0; 3.1.6)

Performances

Mainpiece Title: At Kings The Haunted Tower

Afterpiece Title: Richard Coeur de Lion

16886
09 February 1793 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in MS annotation on BM playbill (cg, Vol. VIII)]. Receipts: #322 18s

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Harlequins Museum

16887
11 February 1793 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Quick, but "an apology was made for the non-appearance of Quick, stating his being violently indisposed, and entreating the audience to accept of Fawcett...[who] made a very respectable substitute" (Thespian Magazine, Mar. 1793, p. 221).] Receipts: #315 4s

Performances

Mainpiece Title: Columbus

Afterpiece Title: Harlequins Museum

16888
12 February 1793 @ Covent Garden

Event Comment: On account of Quick's violent Hoarseness, Every One has His Fault [advertised on playbill of 11 Feb.] is obliged to be deferred till Thursday. Receipts: #263 17s. 6d

Performances

Mainpiece Title: Columbus

Afterpiece Title: Harlequins Museum

16889
14 February 1793 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 7 years [not acted since 21 Apr. 1784. Mrs Bateman is identified in Kemble Mem.]. Receipts: #201 1s. 6d. (156.7.6; 41.11.0; 3.3.0)

Performances

Mainpiece Title: At Kings The Chapter Of Accidents

Afterpiece Title: Tit for Tat

16890
21 February 1793 @ Drury Lane Theatre

Event Comment: The Public is most respectfully informed that The Pirates [advertised on playbill of 19 Feb.] is deferred on account of the Indisposition of Bannister Jun. Receipts: #169 15s. 6d. (123.18.6; 38.9.0; 6.16.0; tickets not come in: 0.12.0)

Performances

Mainpiece Title: At Kings The Haunted Tower

Afterpiece Title: The Deuce is in Him

16891
23 February 1793 @ Drury Lane Theatre

Event Comment: Mainpiece: In Act II an Ovation; or, Entry of Coriolanus into Rome. ["The grand triumphant entry would have disgraced a barn; The displeasure of the audience was loudly manifested to it" (Thespian Magazine, Apr. 1793, p. 242).] In Act V a Procession of Roman Matrons to the Volscian Camp. [Afterpiece in place of The Mayor of Garratt, advertised on playbill of 21 Feb.] Receipts: #149 19s. (145.8; 4.11)

Performances

Mainpiece Title: At Hay Coriolanus

Afterpiece Title: The Divorce

16892
25 February 1793 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Catherine? Cuthbertson. Authors of Prologue and Epilogue unknown. Larpent MS 969; not published]: With new Dresses and Decorations. "The [new] piece possessing nothing like a plot, and being perfectly uninteresting, was much disapproved of...Palmer contributed to its bad reception by being absent when he was most wanted on the stage, and occasioning thereby an aukward chasm, which put the audience out of humour. He was otherwise highly reprehensible for his imperfections in his part" (Public Advertiser, 26 Feb.). Receipts: #375 16s. 6d. (342.13.6; 31.7.0; 1.16.0)

Performances

Mainpiece Title: At kings Anna

Afterpiece Title: The Deaf Lover

16893
25 February 1793 @ Covent Garden

Event Comment: Afterpiece [1st time; CO 2, by William Pearce]: With new Music, Scenes and Dresses. The Music composed and selected [From Paisiello and Gretry (BUC, 946)] by Shield. The Scenes designed and executed by Richards. Books of the Songs to be at the Theatre. ["Mr Pearce #100 for Midnight Wanderers" (MS annotation on BM playbill (cg, Vol. VIII), 2 Mar. 1793).] Morning Herald, 21 May 1793: This day is published The Midnight Wanderers (1s.). Receipts: #332 17s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Midnight Wanderers

16894
28 February 1793 @ Drury Lane Theatre

Event Comment: Anna [advertised on playbill of 26 Feb.] is deferred for a few Days, at the Request of the Authoress, in order to amend those passages which prevented the Piece from receiving throughout that unanimous Applause with which the Audience honoured the Four First Acts. [But Anna was not repeated.] Receipts: #316 12s. (253.16; 56.12; 5.18; tickets not come in: 0.6)

Performances

Mainpiece Title: At Kings The Country Girl

Afterpiece Title: Richard Coeur de Lion

16895
02 March 1793 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 6 years. Receipts: #144 6s. (141.15; 2.1.2.11)

Performances

Mainpiece Title: At Hay The Count Of Narbonne

Afterpiece Title: The Virgin Unmaskd

16896
04 March 1793 @ Covent Garden

Event Comment: [Miss Edge is identified in European Magazine, Mar. 1793, p. 232.] Receipts: #259 6s

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Oscar and Malvina

16897
05 March 1793 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill assigns Jessica to Mrs Bland, but "an apology was made stating the indisposition of Mrs Bland, and requesting that Miss Heard might be permitted to perform Jessica, which was agreed to" (Thespian Magazine, Apr. 1793, p. 243). In afterpiece the playbill assigns Mrs Matadore to Mrs Hopkins, but "Benson informed the audience that owing to a mistake in the bills, Mrs Hopkins's Name had been inserted instead of Mrs Booth's (ibid).] Receipts: #139 11s. (136.12; 2.19)

Performances

Mainpiece Title: At Hay The Merchant Of Venice

Afterpiece Title: The Humourist

16898
07 March 1793 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 2, by James Boaden. Larpent MS 970; not published]: The Music principally composed by Attwood, with Airs selected from the works of Giornovichi and the late Mozart. Account-Book, 28 June: Paid Boaden for Ozmyn and Daraxa #100. Receipts: #270 1s. 6d. (196.6.6; 67.19.0; 5.16.0)

Performances

Mainpiece Title: At kings She Woud And She Woud Not

Afterpiece Title: Ozmyn and Daraxa

Dance: In afterpiece: Miss Menage, the Miss D'Egvilles

16899
07 March 1793 @ Covent Garden

Event Comment: [MS annotation on BM playbill (cg, Vol. VIII), 10 Apr.: Mrs Inchbald for 20th night #117 6s. 6d.] Receipts: #228 0s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Midnight Wanderers

16900
11 March 1793 @ Drury Lane Theatre

Event Comment: Benefit for Sga Storace. Afterpiece [1st time; MF 2, by Prince Hoare]: The Musick by Storace. Morning Herald, 27 Feb.: Tickets to be had of Sga Storace, No. 36, Howland-street, Rathbone-place. Account-Book, 4 July: Paid Hoare for Prize #210. ["Sga Storace's person (is) clumsy; her face coarse and ordinary; and yet there is so much enchanting vivacity...that she always delights whenever she appears" (Candid Strictures, 41).] Receipts: #388 12s. 6d. (196.11.6; 38.5.0; 3.10.0; tickets: 150.6.0) (charge: #157 1s. 3d.)

Performances

Mainpiece Title: At Kings The Pirates

Afterpiece Title: The Prize or 2