SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: [With alterations by John Philip Kemble] Not acted these 4 years. [In his prompt copy (1808) now in Harvard Theatre Collection Kemble's annotation lists the following as needed in the opening scene: 10 principals, Captain of the Guard, 3 Knights, 2 Pages, 2 Gentlemen with Crown, 2 Gentlemen with Map, Physician, Herald, 2 Ladies with Goneril, 2 Ladies with Regan, 2 Standard Bearers, 12 Guards. Nearly every scene opens or closes with drums and trumpets. In the storm scene, "Thunder and lightning; lamps down," i.e. the footlights lowered out of sight into a shallow trough. It is not unlikely that these arrangements were adhered to in this present revival.] "Kemble said that, however singular it might be, in Lear an audience quite unsettled him; the noise of the box-doors caught his ear, and routed all his meditated effects; and he found it absolutely impossible to do that at night which he had thrown out during the rehearsal in the morning" (Boaden, Siddons, II, 376). Receipts: #350 9s. 6d. (310.9.6; 38.12.0; 1.8.0)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deserter

Event Comment: [Mainpiece in place of the The Country Girl, advertised on playbill of 6 Mar.] Receipts: #235 12s. (185.19; 56.4; 3.9)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Richard Coeur de Lion

Event Comment: Afterpiece: Compressed [from 4 acts] into 3 short Acts. Receipts: #296 6s. (290.9.6; 5.16.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Orpheus and Eurydice

Event Comment: Account-Book: Present Their Majesties. [Their attendance this night is not indicated on the playbill, but "Though the Royal Command was not communicated to this Theatre till late yesterday morning, and consequently but a small part of the public could have notice of the public could have notice of the intention of Their Majesties to honour the house with their presence, yet it was crouded in all parts" (Morning Herald, 16 Mar.).] Receipts: #347 12s. (344.3.6; 3.8.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Rosina

Event Comment: [Afterpiece in place of The Maid of the Oaks, advertised on playbill of 15 Mar.] Receipts: #291 12s. (284.7.6; 7.4.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Poor Soldier

Event Comment: Afterpiece [1st time; CO 3, by James Cobb]: Taken from [his] The Strangers at Home. [Not in Larpent MS; not published.] Receipts: #379 18s. (314.12; 61.15; 3.8; ticket not come in: 0.3)

Performances

Mainpiece Title: The Regent

Afterpiece Title: The Algerine Slave

Event Comment: Benefit for Palmer. Afterpiece [1st time; P 3, author unknown. "Founded on the Tale of Inkle & Yarico" (Kemble Mem.), by Sir Richard Steele, in The Spectator, No. II, 13 March 1710-11. Not in Larpent MS; not published]: The Music by Gluck and Martini [i.e. Martin y Soler]. Morning Herald, 9 Mar.: Tickets to be had of Palmer, No. 3, London-road, St. George's Fields. Receipts: #452 16s. (169.17; 47.13; 2.11; tickets: 232.15) (charge: #169 5s. 8d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The American Heroine or Ingratitude Punished

Dance: In afterpiece: the Dances (composed by Hamoir,)-Hamoir, Bidotti, Keys, Nicolini, Walker, Whitmill, Mrs Barrett, Mrs Bourk, Mrs Brooker, Mrs Davis, Mrs Harris, Mrs Haskey, Miss Jacobs, Miss DeCamp

Event Comment: [Mainpiece in place of Cymon; afterpiece of The Sultan, both advertised on playbill of 20 Mar.] Receipts: #270 1s. (209.12; 51.0; 9.6; ticket not come in: 0.3)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Richard Coeur de Lion

Event Comment: Benefit for Mrs Siddons. To prevent Confusion, Ladies and Gentlemen are desired to send their Servants by Half past Four o'Clock. Mainpiece: In I The Cardinal's Banquet. In II the Court for the Trial of Queen Katharine. In V a Grand Procession to the Christening of Princess Elizabeth. Morning Herald, 7 Mar.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #493 16s. (258.15.6; 25.13.0; 1.16.0; tickets: 207.11.6) (charge: #159 8s. 10d.)

Performances

Mainpiece Title: King Henry The Viii

Afterpiece Title: Selima and Azor

Entertainment: Monologue. End: Collins's Ode on the Passions (for this night only)-Mrs Siddons

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 20 years [not acted since 12 Mar. 1771]. Afterpiece [1st time; F 2, by Andrew Franklin]. Morning Chronicle, 5 Mar.: Tickets to be had of Mrs Pope at her house, Half-Moon-street, Piccadilly. Receipts: #272 14s. (151.14; 5.3; tickets: 115.17) (charge: #105)

Performances

Mainpiece Title: Medea

Afterpiece Title: The Mermaid

Event Comment: Benefit for Mrs Crouch. Morning Herald, 5 Mar.: Tickets to be had of Mrs Crouch, No. 4, Pall-Mall. Receipts: #455 1s. 6d. (166.0.0; 45.2.6; 3.11.6; tickets: 240.7.6) (charge: #175 7s. 6d. )

Performances

Mainpiece Title: Cymon

Afterpiece Title: No Song No Supper

Event Comment: Benefit for Bannister Jun. Mainpiece: By Permission of George Colman Jun., Esq. [Prologue by George Colman Jun. (Kemble Mem.), printed in Henry Angelo,@Reminiscences, 1828, I, 331-32.] Morning Herald, 29 Mar.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #538 18s. 6d. (251.19.6; 32.18.0; 3.0.0; tickets: 251.1.0) (charge: #163 9s. 2d.)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Minor

Entertainment: Monologue. Occasional Prologue-Bannister Jun

Event Comment: Mainpiece: In II an Ovation, or, Entry of Coriolanus into Rome. In V A Procession of Roman Matrons to the Volscian Camp. A new Edition of Coriolanus to be had at the Theatre. [Afterpiece in place of The Pannel, advertised on playbill of 29 Mar. Diary, 2 Apr. states that this was Kemble's benefit, but it is not referred to as such on the playbill, in the Account-Book or in Kemble Mem.] Receipts: #377 13s. (333.13; 42.13; 1.7)

Performances

Mainpiece Title: Coriolanus Or The Roman Matron

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts [i.e. abridged from the original 5]. Morning Herald, 19 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #347 5s. 6d. (234.1.0; 4.14.6; tickets: 108.10.0) (charge: #105). Pencilled in the Account-Book. 234.1.0-money [taken at the doors] 4.14.6-after money [taken at the doors] 238.15.6 105-charge 133.15.6-owing Lewis [on 18 Apr. he was paid 133.14.0] [The amount of his tickets, 108.10.0, he retained; hence his profit on this night was #242 4s.

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Peep behind the Curtain or The New Rehearsal

Afterpiece Title: Robin Hood

Event Comment: Benefit for Dodd. Morning Herald, 20 Mar.: Tickets to be had of Dodd, No. 8, Southampton-row, Bloomsbury. Receipts: #418 11s. 6d. (134.1.0; 26.15.6; 4.7.0; tickets: 253.8.0) (charge: #168 0s. 10d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Richard Coeur de Lion

Song: As17911003

Entertainment: Monologue. End I afterpiece: Easter Monday; or, A Description of The Cockney Hunt-Dodd

Event Comment: Benefit for Miss Pope. 1st piece: Not acted these 8 years [acted 8 Nov. 1788]. 3rd piece: To conclude as 3 Oct. 1791. Morning Herald, 24 Mar.: Tickets to be had of Miss Pope, No.62, Great Queen-street, Lincoln's Inn-fields. Receipts: #336 19s. (95.15.6; 35.7.0; 2.15.0; tickets: 203.1.6) (charge: #168 4s.)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Court of Apollo i

Afterpiece Title: The Critic

Event Comment: Benefit for Quick. 1st piece: Written by Mrs Inchbald. 2nd piece: For that night only. 3rd piece: Written by Foote; 1st time at that Theatre. Morning Herald, 28 Mar.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #325 4s. 6d. (152.3.0; 5.10.6; tickets: 167.11.0) (charge: #105)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Tony Lumpkins Ramble to Town

Afterpiece Title: The Cozeners

Dance: End 1st piece: A Divertisement-Byrne, Ratchford, Mrs Ratchford, Mlle St.Amand

Event Comment: Benefit for Bensley. Morning Herald, 23 Mar.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #410 11s. (178.12; 41.14; 4.13; tickets: 185.12) (charge: #167 1s. 8d.)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Spoild Child

Event Comment: Benefit for Baddeley. Kemble Mem.: I believe this is a Farce of Mr Baddeley's writing [which it was]. Morning Herald, 21 Mar.: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #356 12s. (113.3.6; 33.5.0; 3.1.0; tickets: 207.2.6) (charge: #153 18s.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Swindlers

Song: Vocal Parts, as17911214; Masque of Neptune and Amphitrite, as17911109

Event Comment: Benefit for Holman. Mainpiece: Not acted these 3 years. In IV a Grand Banquet. Morning Herald, 28 Mar.: Tickets to be had of Holman at his chambers, No. 14 John-street, Adelphi. "There is a deficiency in the length of [Holman's] upper lip that continually exposes his teeth to the audience...He has a method of hurrying over the latter part of a sentence, as if to give it more effect, but in reality destroys the intention and solemnity of the scene" (Candid Strictures,45-46). Receipts: #280 11s. 6d. (188.10.6; 3.16.0; tickets: 88.5.0) (charge: #105)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Modern Antiques

Song: II: Grand Triumphal Entry of Alexander into Babylon-; Vocal Parts-Johnston, Incledon, Darley, Cubitt, Marshall, Gray, Rock, Rowson, Letteney, Mrs Mountain, Mrs Harlowe, Miss Broadhurst, Miss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Mrs Powell, Miss Leserve, Mrs Watts, Mrs Gray, Miss Francis, Mrs Masters, Miss Taylor, Mrs Lloyd, Mrs Martyr; End: Wine cannot cure the Pain I endure-Johnstone, Incledon; with new Accompaniments by Shield-

Event Comment: Benefit for Wrighten, prompter. Morning Herald, 10 Apr.: Tickets to be had of Wrighten, No. 84, Hay-market. Receipts: #384 16s. (79.8.6; 37.15.0; 6.2.0; tickets: 261.10.6) (charge: #177 13s. 6d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Richard Coeur de Lion

Event Comment: Benefit for Mrs Esten. Morning Herald, 26 Mar.: Tickets to be had of Mrs Esten, No. 5, Nassau-street, Soho. Receipts: #311 3s. (155.14.6; 5.5.6; tickets: 150.3.0) (charge: #105)

Performances

Mainpiece Title: A Day In Turkey

Afterpiece Title: The Highland Reel

Entertainment: Monologue. End: (for that night only) Collins's Ode on the Passions-Mrs Esten

Event Comment: [In mainpiece the playbill retains Kemble as Jaffier, but "On Saturday evening Whitfield played the part of Jaffier in the room of Kemble, at four hours notice, and happy it was for Whitfield that an opportunity offered to prove how much his talents have been kept in the shade; his conception of the part was critically without error, his delivery of Otway's language with good emphasis and his pathos extremely natural and interesting" (Diary, 16 Apr.).] Receipts: #296 6s. 6d. (254.14.6; 38.14.0; 2.18.0)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Deserter

Event Comment: Benefit for Mrs Jordan. Afterpiece [1st time; F 2, by Simon, based partly on La Bonne Mere, by Jean Pierre Claris deFlorian; incidental music by Johann Gottlieb Nicolai. Larpent MS 940; not published]: To conclude with a Rural Breakfast [a representation of that given by the Countess of Buckinghamshire for the Prince of Wales at her villa near London (Genest, VII, 53)], and a Dance by the Characters. Morning Herald, 31 Mar.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #548 9s. 6d. (216.8.6; 30.2.0; 5.9.0; tickets: 296.10.0) (charge: #153 5s. 10d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Village Coquette

Event Comment: Afterpiece [1st time; MD 2, by Jeremiah Meyer and William Hayley, "from the German." Larpent MS 941; not published; synopsis of plot in Morning Herald, 18 Apr.]: With new Scenery, Machinery, Dresses and Decorations. The Music selected from Ditteus [i.e. Dittersdorf], Rauzzini and Salieri; the Overture and new Music by Reeve. Book of the Songs to be had at the Theatre. [Mme Carnevale had 1st appeared at king's in 1783.] Receipts: #252 3s. 6d. (242.19.6; 9.4.0)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Zelma or The Will o th Wisp