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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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18476 results for: Keyword - Blakes</i>, deleted.] Receipts:
We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

16526
11 April 1791 @ Covent Garden

Event Comment: Benefit for Mrs Pope. Public Advertiser, 22 Mar.: Tickets to be had of Mrs Pope at her house in Half Moon-street, Piccadilly. Receipts: #306 12s. (190.13.6; 10.0.6; tickets: 105.18.0)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: High Life below Stairs

Dance: As17901204

16527
16 April 1791 @ Covent Garden

Event Comment: Benefit for Lewis. Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor. Epilogue by George Colman, ynger (see text)]. "No piece in the remembrance of this writer was ever better acted. No piece was ever better cast...The palm of acting, however, must be given to Blanchard. One short scene of rustic generoisity, in which he gives his purse to Farmer Banks, displayed finer efforts than we ever saw before" (Oracle, 18 Apr.). Public Advertiser, 15 Apr.: Tickets to be had of Lewis, Bow-street. Receipts: #315 (225.6.6; 3.15.6; tickets: 85.18.0)

Performances

Mainpiece Title: Wild Oats Or The Strolling Gentlemen

Afterpiece Title: The Highland Reel

Dance: As17901204

16528
25 April 1791 @ Drury Lane Theatre

Event Comment: [As afterpiece the playbill announces High Life below Stairs, but "A Disturbance of some length took place on Monday night at Drury-lane Theatre, occasioned by the substitution of The Deaf Lover for High Life below Stairs; and the confusion was augmented by the unadvised introduction of some soldiers into the galleries. The audience properly insisted on their removal, which being complied with, the tumult subsided" (Morning Post, 27 Apr.).] On this and every Evening for the remainder of the Season, the Doors will not be opened till 5:30, and the performance will commence exactly at 6:30. Receipts: #188 6s. (159.6; 27.8; 1.12)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Deaf Lover

16529
26 April 1791 @ Drury Lane Theatre

Event Comment: Benefit for Dodd. Gazetteer, 21 Apr.: Tickets to be had of Dodd, No. 8, Southampton-Row, Bloomsbury. Receipts: #270 4s. (81.16.0; 19.9.6; 0.7.6; tickets: 168.11.0) (charge: #116 2s. 4d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Devil to Pay

Song: End: (for this night only) Mad Bess-Mrs Crouch, in character

16530
26 April 1791 @ Covent Garden

Event Comment: For the remainder of the Season the Doors to be opened at 5:30. To begin at 6:30. Receipts: #137 12s. 6d. (135.13.0; 1.19.6)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

16531
27 April 1791 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Mainpiece: Not acted these 14 years [acted 1 June 1786]. Public Advertiser, 14 Apr.: Tickets to be had of Miss Pope, No. 62, Great Queen-street. Receipts: #264 19s. (91.6; 28.3; 4.2; tickets: 141.8) (charge: #121 4s. 10d.)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Don Juan

16532
28 April 1791 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. Morning Chronicle, 28 Apr.: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #326 17s. (106.4.0; 18.4.6; 1.10.6; tickets: 200.18.0) (charge: #129 2s. 10d.)

Performances

Mainpiece Title: Mordecais Beard

Afterpiece Title: The Confederacy

Afterpiece Title: Arthur and Emmeline

16533
28 April 1791 @ Covent Garden

Event Comment: Benefit for Bannister. [Parys is identified in Morning Post, 29 Apr.]. Oracle, 7 Apr.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. Receipts: #353 19s. 6d. (194.10.6; 6.4.0; tickets: 153.5.0)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Minor

Dance: End II: Negro Dance-

Song: End: some of the most favourite Catches and Glees-Bannister, Incledon, Blanchard, Davies, Williamson, Johnstone [for specific songs probably sung, see17910517]

Entertainment: Monologue. After singing: A Description of the Tombs in Westminster Abbey (after the manner of the late Mr Edwin)-the Young Gentleman who performs Trudge

16534
29 April 1791 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #244 10s. (241.6; 3.4; tickets: none listed)

Performances

Mainpiece Title: Ild Oats

Afterpiece Title: The Poor Soldier

16535
29 April 1791 @ Drury Lane Theatre

Event Comment: Benefit for Wrighten, prompter. [In mainpiece the playbill retains Kemble as Orlando, but "I had fallen from the Ladder in my Book-room, and bruised my Leg. Mr Barrymore acted Orlando for me" (Kemble Mem.).] Oracle, 29 Apr.: Tickets to be had of Wrighten, next the Stage-Door. Receipts: #328 18s. (63.0.0; 17.3.6; 2.9.6; tickets: 246.5.0) (charge: #116 16s. 10d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Citizen

Dance: End I: The Russian Minuet-Master D'Egville, Miss DeCamp

Song: As17901027

16536
30 April 1791 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of Who's the Dupe?, advertised on playbill of 29 Apr.] Receipts: #156 7s. (139.3.0; 17.1.6; 0.2.6)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: All the Worlds a Stage

16537
30 April 1791 @ Covent Garden

Event Comment: Benefit for Holman. Ode: The music by Dr Arne. Afterpiece: Not acted these 3 years. [acted 16 June 1790]. Public Advertiser, 28 Apr.: Tickets to be had of Holman, No. 2, Tavistock-row, Covent Garden. Receipts: #217 2s. 6d. (121.11.0; 6.15.6; tickets: 88.16.0)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Quaker

Entertainment: Duologue. End: Garrick's Ode on Shakespeare-Holman, Miss Brunton; Principal Vocal Parts-Incledon, Blanchard, Williamson, Cubitt, Gray, Miss Broadhurst, Miss Williams, Mrs Martyr

16538
02 May 1791 @ Covent Garden

Event Comment: Benefit for Quick. Mainpiece: Written by R. Cumberland, Esq. Afterpiece: Written by Colley Cibber, with capital Additions by Fielding, Dean Swift, G. A. Stevens, &c. &c. &c. Public Advertiser, 20 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #327 4s. (177.2.6; 9.11.6; tickets: 140.10.0)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Alexander the Little or The Rival Queans

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-

16539
03 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Crouch. Afterpiece [1st time; CO 2, by Prince Hoare, based on La Grotta di Trofonio, by Giovanni Battista Casti. Not in Larpent MS; not published]; Written by the Author of No Song No Supper. The Music composed principally by Storace [partly adapted from Salieri, composer of Casti's opera; one song each by Anna Storace, Thomas Attwood, Giovanni Paisiello, Richard Suett]. Oracle, 28 Apr.: Tickets to be had of Mrs Crouch, No. 26, Bridges-street. Receipts: #280 2s. (100.12.0; 33.13.6; 4.13.6; tickets: 141.3.0) (charge: #119 9s. 8d.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Cave of Trophonius

16540
03 May 1791 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. [Epilogue by Miles Peter Andrews (Oracle, 5 May).] Public Advertiser, 28 Apr.: Tickets to be had of Mrs Mattocks, No. 7, King-street, Covent Garden. Receipts: #272 18s. 6d. (170.11.6; 4.3.0; tickets: 98.4.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Soldiers Festival or The Night before the Battle

Afterpiece Title: The Intriguing Chambermaid

16541
04 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore. A new Edition of [The Country Girl] to be had at the Theatre. Morning Chronicle, 27 Apr.: Tickets to be had of Barrymore, No. 11, Bedford-street, Bedford-row. Receipts: #305 0s. 6d. (84.4.0; 25.13.6; 5.0.0; tickets: 190.3.0) (charge: #115 6s. 6d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Pannel

16542
05 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Goodall. [Epilogue by John Burgoyne.] Oracle, 15 Apr.: Tickets to be had of Mrs Goodall, No. 16, Villers-street, York-Buildings. Receipts: #262 15s. (102.18.0; 27.1.6; 3.7.6; tickets: 129.8.0) (charge: #112 0s. 3d.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Island of St

Song: As17901124, but Vocal Parts-Mrs Bland

16543
05 May 1791 @ Covent Garden

Event Comment: Benefit for Johnstone. Afterpiece: Not acted these 2 years. By Permission of Mr Macklin. Oracle, 28 Apr.: Tickets to be had of Johnstone, No. 10, Great Russel-Street, Covent-Garden. Receipts: #285 1s. 6d. (132.1.6; 2.3.0; tickets: 150.17.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Love a la Mode

Song: End I: Wine cannot cure the pain I endure for my Chloe-Johnstone, Incledon; with new accompaniments by Shield-; End: Catches and Glees-Bannister, Johnstone, Incledon, Davies, Blanchard, Williamson; The Anacreontic Song-Bannister; The Introductory Dialogue, in Irish Character-Rock

16544
06 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Suett. Oracle, 5 May: Tickets to be had of Suett, No. 21, King-street, Bloomsbury-square. Receipts: #279 17s. (76.3; 21.8; 1.12; tickets: 180.14) (charge: #116 7s. 2d.)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Devil to Pay

Song: End: Cou'd a Man be secure-Dignum, Sedgwick

16545
06 May 1791 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time: F 2, by Edmund John Eyre. Text (Shrewsbury: P. Sandford, 1791) correctly assigns Prolix to Wilson. Prologue by John Wolcot (see text)]. Morning Chronicle, 29 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent Garden. Receipts: #318 4s. (153.3; 2.5; tickets: 162.16)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Midas

Afterpiece Title: The Dreamer Awake or The Pugilist Matched

Song: End I 1st piece: Say Bonny Lass: Highland Lad-Mrs Martyr, Highland Lassie- Mrs Mountain; End I 3rd piece: The Musical Courtship-Incledon, Mrs Martyr

16546
07 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Public Advertiser, 27 Apr.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #226 12s. 6d. (96.18.0; 30.19.0; 2.15.6; tickets: 96.0.0) (charge: #121 5s.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Bon Ton

16547
07 May 1791 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #114 13s. 6d. (107.14.6; 6.19.0; tickets: none listed)

Performances

Mainpiece Title: Lorenzo

Afterpiece Title: Robin Hood

Dance: End: The Jockies, as17910502, but Blurton, _Platt

16548
10 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Bland and Mrs Powell. Afterpiece: 1st Time this Season [see 9 Oct. 1790]. Morning Chronicle, 4 May: Tickets to be had of Mrs Bland, No. 93, Strand; of Mrs Powell, No. 12, Little Russel-street, Covent-Garden. Receipts: #248 9s. (59.17; 21.19; 3.7; tickets: 163.6) (charge: #115 16s. 10d.)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Follies of a Day

16549
10 May 1791 @ Covent Garden

Event Comment: Benefit for Mrs Wells. Mainpiece [1st time: C 5, by Simon. Prologue by John Henniker (Town and Country Magazine, June 1791, p. 281). Larpent MS 906; not published; synopsis of plot in Morning Post, 11 May]. "Scarcely [any] performer in the piece thought it worth while to charge their memories with words, that they would wish afterwards, if they had, to forget as fast as possible...The imitations were some tolerably true, and a few excellent. Siddons and Storace were outrageous caricatures. Mrs Wells once came infinitely nearer the former. She is now deficient in tone and emphasis--all is shiver and sob. Mrs Crawford, Mrs Jordan and Mrs Abington were worthy her talents in the mimetic art" (Oracle, 11 May). Public Advertiser, 27 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #313 3s. (148.15; 8.7; tickets: 156.1)

Performances

Mainpiece Title: National Prejudice

Afterpiece Title: The Poor Soldier

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

16550
11 May 1791 @ Covent Garden

Event Comment: Benefit for Farren. Public Advertiser, 15 Apr.: Tickets to be had of Farren, No. 14, Lower Charlotte-street, Bedford Square. Receipts: #335 1s. (81.9; 5.14 tickets: 247.18)

Performances

Mainpiece Title: The Double Gallant Or The Sick Ladys Cure

Afterpiece Title: Robin Hood

Dance: As17910507

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