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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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18476 results for: Keyword - Blakes</i>, deleted.] Receipts:
We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

16126
01 May 1789 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Miss Farren, "but on account of the sudden indisposition of Miss Farren her part in the play was read by Mrs Ward, who gave it with great effect, and having studied Miss Farren's manner, was a very tolerable substitute" (Diary, 2 May).] Afterpiece [1st time; C 3, by John Philip Kemble]: Taken from [The Country Lasses; or] The Custom of the Manor [by Charles Johnson]. Diary, 6 May 1789: This Day is published The Farm House (1s.). And see 6 May. Receipts: #165 3s. (125.12.0; 34.18.6; 4.12.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: The Farm House

16127
02 May 1789 @ Covent Garden

Event Comment: Benefit for Miss Fontenelle. Public Advertiser, 14 Apr.: Tickets to be had of Miss Fontenelle at her house, No. 271, Holbourn. 2nd piece: Compressed into 3 short Acts. "Miss Fontenelle...is the best Romp we ever saw, Mrs Jordan alone excepted...We were sorry to see [her] fall over the groove of the scene; but as practice is more forcible than precept, we hope it will teach her the truth of Friar Lawrence's caution, 'they stumble who run fast'" (Diary, 4 May). Receipts: #219 19s. (133.14.6; 6.8.6; tickets: 79.16.0)

Performances

Mainpiece Title: The Sultan

Afterpiece Title: The Highland Reel

Afterpiece Title: The Romp

Dance: End 2nd piece: The Piping Pedlar-Byrne, Mrs Goodwin

16128
04 May 1789 @ Drury Lane Theatre

Event Comment: On Account of Mrs Siddons's Indisposition her Benefit is deferred 'till Monday the 11th Instant. [Afterpiece in place of The Pannel, advertised on playbill of 2 May.] Receipts: #249 4s. (122.7.0; 23.17.6; 2.19.6)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Devil to Pay

16129
05 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. 3rd piece [1st time; INT I, probably by Robert Baddeley. Not in Larpent MS; not published]: Taken from [The Lame Lover, by] the late Samuel Foote, Esq. Public Advertiser, 2 May: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #297 16s. (74.14; 8.12; 0.19; tickets: 213.11) (charge: #117 16s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: End of Act II Jewish Education

Afterpiece Title: A Lesson for Lawyers

Afterpiece Title: Rosina

Entertainment: Monologue. As17890430

16130
05 May 1789 @ Covent Garden

Event Comment: Benefit for Johnstone. 1st piece: The Music by Hook; the rest compiled from the most eminent Masters. Public Advertiser, 30 Apr.: Tickets to be had of Johnstone, No. 12, Norton-street, Portland Chapel. Receipts: #313 17s. (166.16.6; 12.2.6; tickets: 134.18.0)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Feast of Anacreon i

Afterpiece Title: The Intriguing Chambermaid

16131
06 May 1789 @ Drury Lane Theatre

Event Comment: An accurate Edition of The Farm House to be had at the Theatre. Receipts: #98 16s. (55.4.0; 39.19.6; 3.12.6)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Farm House

16132
06 May 1789 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. Afterpiece: The Music composed by Dibdin. Public Advertiser, 4 May: Tickets to be had of Mrs Martyr, No. 13, King-street, Covent Garden. Receipts: #314 18s. 6d. (167.15.0; 12.7.6; tickets: 134.16.0)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Quaker

Dance: End II: Negro Dance- as l Jan.; End: Mirth by Moonshine-, as17890113

Song: In I: Sweet Bird, as17890126

16133
07 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Suett. Receipts: #210 13s. (36.12; 30.4; 3.18; tickets: 139.19) (charge: #113 13s. 9d.). #113 )

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Critic

Dance: End: The Drunken Swiss-West (1st appearance in London these 10 years), Miss Stageldoir

16134
08 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore. [Afterpiece in place of Arthur and Emmeline, advertised on playbill of 7 May.] Public Advertiser, 5 May: Tickets to be had of Barrymore, No. 1, Southampton-street, Strand. Receipts: #251 4s. (44.18.0; 16.13.6; 1.12.6; tickets: 188.0.0) (charge: #107 4s. 4d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Doctor and the Apothecary

Dance: As17890507

16135
08 May 1789 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, altered by the author from his The Country Attorney. Prologue and Epilogue probably by Cumberland. Larpent MS 828; not published; synopsis of plot in Universal Magazine, May 1789, p. 267]: With new Dresses, &c. Receipts: #165 6s. 6d. (155.5.6; 10.1.0)

Performances

Mainpiece Title: A School For Widows

Afterpiece Title: The Highland Reel

16136
09 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., but not on the playbill. As afterpiece the playbill announces Comus, but it was not acted. Kemble Mem. lists the substitute play]. Receipts: #137 15s. 6d. (117.7.0; 19.8.0; 1.0.6; tickets: none listed) (charge: #122 10s.)

Performances

Mainpiece Title: Mary Queen Of Scots

Afterpiece Title: The Lyar

16137
11 May 1789 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #140 4s. 6d. (129.12.6; 10.12.0; tickets: none listed)

Performances

Mainpiece Title: A School For Widows

Afterpiece Title: Midas

16138
11 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons (the last Night of her Engagement). [She had 1st acted Juliet at Birmingham, 6 Sept. 1776, and 1st recited the Ode, written by Robert Merry (European Magazine, Apr. 1789, pp. 335-38), at the King's on 21 Apr.] Part of the Pit will be laid into the Boxes, To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford Square. "The pouting Scene with the old Nurse was the cleverest thing I ever saw--so pretty, so Babyish, so charming" (Thraliana, II, 748). On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. Receipts: #320 6s. 6d. (112.12.0; 11.12.0; 1.7.6; tickets: 194.15.0) (charge: #112 13s. 7d.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Toy Shop

Song: As17881117, but Vocal Parts-Miss Hagley, Miss _Collett

Entertainment: Monologue. End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-

16139
12 May 1789 @ Covent Garden

Event Comment: Benefit for Pope. Mainpiece: Grand Triumphal Entryv, as 28 Apr. Public Advertiser, 9 May: Tickets to be had of Pope, Half-moon-street, Piccadilly. For the remainder of the Season the Doors to be opened at 5:30, and to begin at 6:30. Receipts: #138 18s. (80.18.6; 9.4.6; tickets: 48.15.0)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Love in a Camp

Dance: End: Mirth by Moonshine-[, as17890113

16140
13 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Goodall. Receipts: #160 5s. (50.12.0; 15.12.0; 0.16.6; tickets: 93.6.0) (charge: #107 12. 7d.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Doctor and the Apothecary

16141
14 May 1789 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of The Pannel, advertised on playbill of 13 May.] Receipts: #97 5s. (77.11.0; 18.9.6; 1.4.6)

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Devil to Pay

16142
14 May 1789 @ Covent Garden

Event Comment: Benefit for Farren. Public Advertiser, 6 May: Tickets to be had of Farren, No. 73, Gower-street. Account-Book, 16 May: Received Farren's benefit deficiency #33 7s. 6d. [Reckoned as follows: Farren disposed of #209 12s. in tickets; this sum he kept. Money [i.e. tickets sold at the doors of the theatre] amounted to #71 12s. 6d. From this money he was obliged to meet the house charge of #105, and hence owed the treasury the amount stated above.] Receipts: #281 4s. 6d. (69.".0; 2.10.6; tickets: 209.12.0)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Feast of Anacreon

Afterpiece Title: The Intriguing Chambermaid

Entertainment: Monologue. End IV: A Comic Description of the Curiosities in the Tower of London-Edwin

16143
15 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Wilson. Receipts: #239 16s. (49.1; 17.16; 0.12; tickets: 172.7) (charge: #113 8s. 4d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Critic

Song: End: The Welsh Cantata, The Bells of Aberdovey, composed by Dibdin-Williames

Entertainment: Monologue. After the Singing: as17890430

16144
15 May 1789 @ Covent Garden

Event Comment: Benefit for Mrs Wells, mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (World, 16 May)]. Morning Herald, 30 Mar. 1793: This Day is published The Dramatist (1s. 6d.). Public Advertiser, 29 Apr: Tickets to be had of Mrs Wells, No 15, Beaufort Buildings, Strand. Receipts: #291 8s. 6d. (173.19.0; 9.9.6; tickets: 108.0.0)

Performances

Mainpiece Title: The Dramatist Or Stop Him Who Can

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells

16145
16 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., but not on the playbill]. Receipts: #92 2s. 6d. (69.1.0; 21.18.6; 1.3.0; tickets: none listed ) (charge: #115)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: The Pannel

16146
16 May 1789 @ Covent Garden

Event Comment: [3rd piece in place of The Cheats of Scapin, advertised on playbill of 15 May.] Receipts: #150 4s. (141.3; 9.1)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: Annette and Lubin

Dance: As17890101

16147
18 May 1789 @ Covent Garden

Event Comment: 3rd piece: of I Act. Receipts: #180 18s. (176.16; 4.2)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: The Cheats of Scapin

16148
19 May 1789 @ Covent Garden

Event Comment: Benefit for Miss Brunton. Mainpiece: Not acted these 4 years [not acted since 18 May 1784]. Receipts: #138 9s. 6d. (85.14.0; 5.3.6; tickets: 47.12.0)

Performances

Mainpiece Title: More Ways Than One

Afterpiece Title: Tom Thumb

Dance: As17890113

Song: End: Comic Song-Edwin

16149
19 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Wrighten, prompter. 3rd piece [1st time; M I, author unknown. Music selected from Dr Arne. MS: Larpent 833 (which notes, "The words partly new and partly compiled. In Commemoration of the Restoration of His Majesty's Health"); not published]. Public Advertiser, 18 May: Tickets to be had of Wrighten, No. 6, Little Russel Street. Tickets delivered for the 20th will be admitted. Receipts: #278 17s. 6d. (48.2.0; 13.17.0; 0.17.6; tickets: 216.1.0) (charge: #106 13s. 7d.)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Toy Shop

Afterpiece Title: Laoeudaimonos or A People Made Happy

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

16150
20 May 1789 @ Covent Garden

Event Comment: Benefit for Mrs Billington. Public Advertiser, 9 May: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #290 16s. 6d. (196.14.6; 4.10.0; tickets: 89.12.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Flitch of Bacon

Dance: As17881021

Song: Mainpiece: With an additional song by Shield-; the Bravura Song from Erifile, by Sacchini-; accompanied on the hautboy-W. Parke; Auld Robin Gray-Mrs Billington