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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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18476 results for: Keyword - Blakes</i>, deleted.] Receipts:
We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

15601
15 February 1787 @ Drury Lane Theatre

Event Comment: Afterpiece: Not acted these 11 years. With new Dresses and Decorations. Receipts: #142 3s. 6d. (105.17.0; 35.13.6; 0.13.0)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Sultan or A Peep into the Seraglio

Dance: End: As17870113; Afterpiece: With a Grand Dance-Hamoir, Ferrere, Miss Fuse, the Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.

15602
16 February 1787 @ Drury Lane Theatre

Event Comment: Paid House and Window Tax one half Yr. #56 13s. 8d. Receipts: #113 16s. 6d. (62.9.0; 48.2.6; 3.5.0)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The First Floor

15603
17 February 1787 @ King's Theatre

Event Comment: Comic Opera [Librettist unknown], in 2 acts; the music by Paisiello. [The libretto assigns Martufo to Morigi, but "an unexpected event prevented Morigi from appearing. Cremonini therefore read his part" (Morning Chronicle, 19 Feb.). Receipts: #284 2s. 6d. [non-subscription]

Performances

Mainpiece Title: Il Tutor Burlato

Dance: As17870213

Ballet: Zemira and Azor. As17870213

15604
19 February 1787 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of The West Indian, announced on playbill of 17 Feb.] Receipts: #235 10s. 6d. (205.14.0; 27.2.6; 1.6.6; tickets not come in: 1.7.6)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

15605
19 February 1787 @ Covent Garden

Event Comment: By Command of Their Majesties. Receipts: #323 6s. (320.13.6; 2.12.6)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love in a Camp

15606
22 February 1787 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill. Afterpiece in place of The Two Misers, announced on playbill of 20 Feb.]. Receipts: #289 12s. 6d. (283.4.6; 6.8.0; tickets: none listed)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love in a Camp

15607
27 February 1787 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #249 1s. (246.12; 2.9; tickets: none listed)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Barataria

15608
01 March 1787 @ Covent Garden

Event Comment: Afterpiece: Not acted these 2 years. Receipts: #240 13s. (236.17.6; 3.15.6)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Devil to Pay

15609
01 March 1787 @ King's Theatre

Event Comment: A Serious Opera in 2 acts; the music entirely by Handel, and selected from the various Operas set by that admirable composer, under the direction of [i.e. arranged and added to by] Dr Arnold. Benefit for Carnevale, deputy manager. No receipts listed. "In order to induce the king to visit the theatre called his own [see 17 Mar.], but which he seldom frequented, the Giulio Cesare of Handel was revived, or rather a medley from his Italian works, for little of the original music was retained, and many of his most favorite songs from other operas were introduced, Verdi prati [from Alcina], Dove sei [from Rodelinda], Rendi sereno il ciglio [from Sosarme], and others. This ancient music was particularly suited to Rubinelli, and was familiar to Mara, both of whom sung it incomparably well" (Mount-Edgcumbe, 61)

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: End I: a new ballet, representing The Muses on Mount Parnassus-; End Opera: a new ballet, The Triumph of Julius Caesar-

15610
03 March 1787 @ Drury Lane Theatre

Event Comment: Mainpiece: The 7th Night [see 22 Dec. 1786]. Receipts: #181 8s. (151.14; 27.14; 2.0)

Performances

Mainpiece Title: A School For Grey beards

Afterpiece Title: Richard Coeur de Lion

15611
06 March 1787 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #121 19s. (97.7; 24.9; 0.3; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: A School For Grey beards

Afterpiece Title: The First Floor

15612
08 March 1787 @ Drury Lane Theatre

Event Comment: Mainpiece: Never performed there. Receipts: #247 19s. 6d. (245.19.0; 26.11.0; 2.2.0; tickets not come in: 0.7.6)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: All the Worlds a Stage

15613
08 March 1787 @ Covent Garden

Event Comment: By Command of Their Majesties. [Mainpiece in place of Such Things Are, announced on playbill of 6 Mar.] Receipts: #314 3s. 6d. (312.10.0; 1.13.6)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Enchanted Castle

15614
08 March 1787 @ King's Theatre

Event Comment: Benefit for Mlle Mozon. Receipts not listed

Performances

Mainpiece Title: Alceste

Dance: End I: a new Ballet composed by Hus, La Fete Provencale-Mme Gervais Perignon, Mlle Mozon; a new Pas de Deux-Mme Gervais Perignon, Mlle Mozon; End Opera: another new Ballet, composed by Hus, La Bergere Capricieuse-Goyon, Henry, two Miss Simonets; conclude with: favourite Pas de Deux Russe-Laborie, Mlle Mozon, the other parts of the Dance as above

15615
10 March 1787 @ Drury Lane Theatre

Event Comment: The New Comedy of Seduction [announced on playbill of 8 Mar.] is unavoidably deferred 'till Monday. Receipts: #128 5s. (98.3; 28.13; 1.9)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The First Floor

15616
12 March 1787 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft. Prologue by the author (Public Advertiser, 19 Mar.). Epilogue by Miles Peter Andrews (Knapp, 81)]: With new Scenery, Dresses, &c. Public Advertiser, 31 Mar. 1787: This Day is published Seduction (1s. 6d.). Receipts: #187 15. (162.14.0; 24.1.6; 0.17.0; ticket not come in: 0.2.6)

Performances

Mainpiece Title: Seduction

Afterpiece Title: The Gentle Shepherd

15617
12 March 1787 @ Covent Garden

Event Comment: Afterpiece [1st time; CO 2, by Robert Jephson and John O'Keeffe, i.e. an abridgement by O'Keeffe of Jephson's The Campaign (see 12 May 1785). Not in Larpent MS; not published; synopsis of plot in Universal Magazine, Mar. 1787, p. 155]: With new Scenes, Dresses, &c. A new Overture composed by the celebrated Haydn. The Airs by Gretry, Hook, J. C.? Bach, Paisiello, Duny [recte Duni], Carolan, Shield and Tenducci. Books of the Songs to be had at the Theatre. Receipts: #265 11s. 6d. (257.11.6; 8.0.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love and War

15618
13 March 1787 @ Covent Garden

Event Comment: Benefit for Mrs Billington. Public Advertiser, 9 Mar.: Tickets to be had of Mrs Billington, No. 11, Great Newport-street, Long Acre. Receipts: #277 9s. (176.4; 0.12; tickets [378 in boxes; 41 in pit]: 100.13)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Enchanted Castle

15619
15 March 1787 @ King's Theatre

Event Comment: Benefit for Rubinelli. Tickets to be had of Rubinelli, No. 18, Sherrard Street, Golden Square. Receipts not listed

Performances

Mainpiece Title: Virginia

Dance: As17870120

15620
17 March 1787 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #216 12s. 6d. (196.5.0; 19.17.0; 0.10.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Seduction

Afterpiece Title: The Virgin Unmaskd

15621
17 March 1787 @ King's Theatre

Event Comment: By Command of Their Majesties. Receipts: #371 [non-subscription. 488 tickets delivered to Prendergrass (see 23 Dec. 1786), who sold 467; 100 to Reynolds, who sold 63; 300 to Butler, who sold 260; 200 to Snelson, who sold 171. Total sold: 961]

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: As17870301

15622
20 March 1787 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Receipts: #313 (139.19.0; 11.15.6; 0.11.6; tickets: 160.14.0) (charge: #70 5s. 8d.)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: End II: As17870113

Song: As17870201

15623
22 March 1787 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Receipts: #256 13s. (240.6; 14.17; 1.10)

Performances

Mainpiece Title: Seduction

Afterpiece Title: The Sultan

15624
22 March 1787 @ Covent Garden

Event Comment: [As afterpiece the Account-Book lists, erroneously, Love and War, the next performance of which was on 13 Apr., for the 6th time.] Receipts: #218 11s. (209.9.6; 9.1.6)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love in a Camp

15625
22 March 1787 @ King's Theatre

Event Comment: Benefit for Mme Perignon. Tickets, half a guinea each, to be had of Mme Perignon, in the Court, No. 83, Pall-mall. Receipts: not listed

Performances

Mainpiece Title: Virginia

Dance: End I: a new Divertissement in the Pastoral Style, La Jardiniere-; in which a new Pas de Trois-Goyon, Mlle Mozon, Mme Perignon; End Opera: an entirely new ballet, composed by Hus, Sylvie-Goyon, Gricourt, Laborie, Mlle Mozon, the two Miss Simonets, Mme Perignon