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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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18476 results for: Keyword - Blakes</i>, deleted.] Receipts:
We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

15401
21 February 1786 @ Covent Garden

Event Comment: "The simple melody of 'Cease your funning' need alone be adverted to in proof of the pathos of Mrs Billington's manner; and when it was encored, the repetition had every mark of variety" (Morning Herald, 22 Feb.). Receipts: #218 7s. (217/0; 1/7)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Omai

Dance: As17850930

15402
23 February 1786 @ Covent Garden

Event Comment: Mainpiece: Not acted these 10 years [acted 24 Nov. 1780]. Receipts: #138 9s. 6d. (131/10/6; 6/19/0)

Performances

Mainpiece Title: Theodosius

Afterpiece Title: Love in a Camp

Song: In mainpiece Vocal Parts by Johnstone, Brett; Mrs Kennedy, Mrs Martyr, Mrs Bannister

15403
24 February 1786 @ Covent Garden

Event Comment: Benefit for Delpini [who is named in the Account-Book, but not on the playbill]. Receipts: #185 13s. (134/16; 8/12; tickets: 42/5) (charge: #105)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: Omai

Dance: End of mainpiece The Deserter. The Deserter-Byrn; Skirmish-Mrs Goodwin; Louisa-Mr Delpini

15404
25 February 1786 @ Covent Garden

Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Three Weeks after Marriage

15405
27 February 1786 @ Covent Garden

Event Comment: By Command of Their Majesties. [Mainpiece in place of Theodosius, announced on playbill of 24 Feb.] Receipts: #264 1s. (261/11; 2/10)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love in a Camp

Dance: End of Act III of mainpiece Leap Year [performers not listed, but see17851010]; End of Act IV The Piping Pedlar, as17851112

15406
02 March 1786 @ Covent Garden

Event Comment: The Man of the World and Patrick in Prussia [i.e. Love in a Camp; both announced on playbill of 28 Feb.] are obliged to be deferred on account of the Indisposition of Macklin and Edwin. Receipts: #143 14s. (13 8/1/6; 5/12/6)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Rosina

Dance: As17851112

15407
04 March 1786 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Part of the Pit [6 rows (Public Advertiser, 6 Mar.)] will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [In mainpiece the playbill assigns Orestes to Smith, but he "was indisposed . . . Throughout the whole [of his part] Kemble's skill was apparent. In the last scene he displayed as fine a picture of horror as was ever given from the stage" (Morning Chronicle, 6 Mar.).] Morning Herald, 24 Feb.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #293 11s. (122/17/0; 10/1/6; 1/2/6; tickets: 159/10/0) (charge: free)

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Arthur and Emmeline

15408
04 March 1786 @ Covent Garden

Event Comment: "A most ridiculous circumstance happened in the last act [of mainpiece]--nothing less than a total silence on the Stage, where all the Dramatis Personae stood in a rank, waiting for the next speech, which however was not heard, for, after a considerable time, the curtain was let down . . . Lewis came forward and acquainted the House that the part sent to Aickin was incomplete, and that he (who was to finish the Play) had never been furnished with the last speech. As we understood rehearsals were necessary to getting up Plays, we cannot reconcile this blunder to our apprehension" (General Advertiser, 6 Mar.). Receipts: #157 16s. (152/10; 5/6)

Performances

Mainpiece Title: The Ladys Last Stake

Afterpiece Title: Love in a Camp

Dance: End of Act IV of mainpiece a new dance, The Drunken Sailor Reclaim'd, by Byrn, Ratchford, Mrs Goodwin, Miss Besford

15409
06 March 1786 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. "The violent and the impassioned are [Miss Brunton's] strongholds. The gentle--the modes oflevel speaking--and tenderness never add to her credit, nor receive addition from her form and countenance" (Public Advertiser, 10 Mar.). Paid Hawkes, tallow chandler, on acct. last Season #111. Receipts: #170 7s. (168/5/6; 2/1/6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Love in a Camp

15410
07 March 1786 @ Drury Lane Theatre

Event Comment: The Heiress [announced on playbill of 6 Mar.] is obliged to be deferred, on Account of the Indisposition of Smith. Receipts: #99 14s. (80/12/0; 17/4/6; 1/0/0; tickets not come in: 0/17/6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Virgin Unmaskd

Dance: As17851017

15411
07 March 1786 @ Covent Garden

Event Comment: [Afterpiece in place of Barataria, announced on playbill of 6 Mar.] Receipts: #171 7s. (166/5; 5/2)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Barnaby Brittle

Dance: As17851112

15412
09 March 1786 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by John Delap. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 22 Mar. 1786: This Day is published The Captives (1s. 6d.). Receipts: #222 1s. (204/17; 14/16; 2/8)

Performances

Mainpiece Title: The Captives

Afterpiece Title: The Humourist

Song: In Act II of mainpiece an Ode (composed by Dr Cooke). Vocal Parts by Dignum, Danby, Wilson, Phillimore, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Burnett, Miss J. Stageldoir, Mrs Forster

15413
11 March 1786 @ Covent Garden

Event Comment: Mainpiece: Not acted these 3 years [thus on playbill of 9 Mar., but acted 1 Oct. 1784]. Receipts: #216 15s. 6d. (212/8/6; 4/7/0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Sultan

Dance: Afterpiece to conclude as17851123

Song: In Act II of mainpiece a song by Mrs Kennedy [Public Advertiser: Brett]

15414
13 March 1786 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. "The Captives were set at liberty last night, amidst roars of laughter. I see the doctor [i.e. the author] publishes it this week . . . Cadell bought this sublime piece before it appeared, for fifty pounds, agreeing to make it a hundred on its third representation. It has been played three times, and I dare say old Sanctimony will have no remorse in taking the other fifty." J. P. Kemble to Edmond Malone (Life of Edmond Malone, by Sir James Prior, i860, p. 126). Receipts: #138 13s. 6d. (91/19/0; 40/18/0; 5/16/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Captives

Afterpiece Title: The Gentle Shepherd

Dance: As17860223

Song: As17860309athi

15415
14 March 1786 @ Covent Garden

Event Comment: Benefit for Miss Brunton. Mainpiece [1st time in London; T 5, by Frederick Reynolds, 1st acted at Bath, 3 Dec. 1785. In 1795 reduced to 3 acts. Prologue and Epilogue by William Meyler (Town and Country Magazine, Apr. 1786, p. 215]. Part of the Pit will be laid into the Boxes. Morning Chronicle, 17 Feb.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #350 17s. 6d. (210/11/0; 3/1/6; tickets: 137/5/0) (charge: #105)

Performances

Mainpiece Title: Werter

Afterpiece Title: Barataria

Song: In Act III of mainpiece an Epithalamium. The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister

15416
16 March 1786 @ Covent Garden

Event Comment: The New Opera, called The Peruvian [announced on playbill of 14 Mar.] is obliged to be deferred on account of Johnstone's Indisposition. [Afterpiece in place of The Country Wife, also announced on same playbill.] Receipts: #173 14s. (171/12; 2/2)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: St

Dance: As17860213

15417
16 March 1786 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces The Distress'd Mother, but it was not acted on account of Mrs Siddons's illness. Its substitute is listed in the Account-Book. Public Advertiser, 17 Mar., announces that "Macbeth (see 18 Mar.) is obliged to be deferred on account of the Indisposition of Mrs Siddons."] Receipts: #163 19s. 6d. (132/12/0; 29/12/0; 1/0/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Bon Ton

15418
18 March 1786 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of Macbeth, announced on playbill of 16 Mar., q.v.] Receipts: #162 13s. (135/1/0; 26/9/6; 0/10/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Virgin Unmaskd

Dance: End of mainpiece The Lucky Return, as17860105

15419
18 March 1786 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by A Lady [unidentified], based partly on L'Amitie A l'epreuve, by Charles Simon Favart and Claude Henri de Fusee de Voisenon]: The Overture and the new Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Mar. 1786: This Day at Noon is published The Peruvian (1s. 6d.). [The music was printed under the title of The Fair Peruvian (S. A. & P. Thompson [1786]), which was the original title as given in the MS (Larpent 727).] Receipts: #246 8s. (242/16/6; 3/11/6)

Performances

Mainpiece Title: The Peruvian

Afterpiece Title: The Country Wife

15420
20 March 1786 @ Drury Lane Theatre

Event Comment: She Wou'd and She Wou'd Not [announced on playbill of 18 Mar.] is postponed on account of the Indisposition of Parsons. Mainpiece: Procession, as 6 Jan. Receipts: #93 12s. 6d. (66/16/0; 24/8/0; 1/13/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Englishman in Paris

Dance: In mainpiece, as17860106; In afterpiece, as17860116

15421
21 March 1786 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Chronicle, 25 Feb.: Tickets to be had of Smith, No. 7, Beaufort Buildings, Strand. Receipts: #325 17s. 6d.(163/2/0; 8/2/6; 0/16/0; tickets: 153/17/0) (charge: #65 10s.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Romp

Song: As17860223

Monologue: 1786 03 21 End of mainpiece A Sketch of the Fashions; or, Belles have ye all by Mrs Jordan

15422
21 March 1786 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #217 7s. (210/9; 6/18; tickets: none listed) (charge #105)

Performances

Mainpiece Title: The Peruvian

Afterpiece Title: The Fool

15423
25 March 1786 @ Drury Lane Theatre

Event Comment: Mainpiece: Never performed there. "Kemble should endeavour to amend a habit he has contracted of running too much about the stage--the expression of his countenance, which is well worth watching, is frequently lost to the spectator, from the difficulty in following him through all his windings and turnings" (Morning Chronicle, 27 Mar.). Receipts: #205 4s. 6d. (179/7/0; 24/17/6; 1/0/0)

Performances

Mainpiece Title: Percy

Afterpiece Title: The Lvar

Dance: As17860318athi

15424
27 March 1786 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 4 years. Receipts: #178 2s. (153/13/0; 22/11/6; 1/2/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Impostor

Afterpiece Title: The Virgin Unmaskd

15425
28 March 1786 @ Drury Lane Theatre

Event Comment: Benefit for Palmer. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Afterpiece: Never performed there. Receipts: #313 15s. (160/14; 17/6; 1/0; tickets: 134/15)(charge: #67 2s.)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Nabob

Dance: As17860318athi