Event Comment: Benefit for Chapman and Wright. Public Advertiser, 2 May: Tickets to be had of Chapman, No. 47, Carey-street, Lincoln's-inn-fields; of Wright, No. 21, Berner-street, Westminster. Receipts: #224 18s. 6d. (33/19/0; 10/11/0; 0/8/6; tickets: 180/0/0) (charge: #113 9s.)

Event Comment: Benefit for Williames and Staunton. Public Advertiser, 3 May: Tickets to be had of Williames, No. 22, Gerrard Street; of Staunton, No. 9, St. Martin's Street. Receipts: #192 8s. 6d. (23/10/0; 11/9/0; 0/11/6; tickets: 156/18/0) (charge: #110 18s.)

Event Comment: [In mainpiece the playbill retains Aickin as Duke Senior but on the Kemble playbill a MS annotation substitutes Staunton.] Receipts: #233 14s. (214/0/0; 18/19/6; 0/14/6)

Event Comment: Benefit for [Lee] Lewes. Receipts: #144 6s. (25/9/0; 14/15/6; 0/7/6; tickets: 103/14/0)(charge: #105 19s. 4d.)

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. [Ernst Brandes quoted in J. A. Kelly, p. 109: Brandes has much to say on the subject of Shakespeare ... He regrets that the role of Ophelia is assigned in both theaters on the strength of the candidate's accomplishments as a singer, which he considers relatively unimportant; and that the mania for operettas has been allowed to disfigure several of Shakespeare's plays. The Tempest had been debased to an opera, and a whole army of witches had been added to the cast of Macbeth, so that witches' arias and witches' choruses might be introduced.] Receipts: #241 10s. (131/16/0; 12/17/6; 1/1/6; tickets: 95/15/0) (charge: free)

Event Comment: Benefit for Spencer and Mrs Hedges. Mainpiece: Not acted these 2 years. Receipts: #173 16s. 6d.(17/3/0; 10/6/0; 0/11/6; tickets: 145/16/0) (charge: #105 11s. 4d.)

Event Comment: Benefit for Burton and Harwood, prompter. 2nd piece [1st time; INT 1, author unknown. MS: Larpent 702, not published]. Receipts: #180 15s. 6d. (21/4/0; 13/16/6; 1/0/0; tickets: 144/15/0) (charge: #105 17s. 1d.}

Event Comment: Benefit for Phillimore, Chaplin & Nix. Receipts: #251 7s. 6d. (19/14/0; 9/17/6; 0/13/0; tickets: 221/3/0) (charge: #107 3s. 6d.)

Event Comment: [This was Whitsun Eve, on which night the theatres were customarily closed.] Receipts: #241 9s. 6d. (221/13/0; 18/14/0; 1/2/6)

Event Comment: Benefit for Fosbrook, box-book and house-keeper. Receipts: #298 6s. (48/12; 11/13; 0/10; tickets: 237/11) (charge: #108 18s. 5d.)

Event Comment: Benefit for Fawcett and Butler. Receipts: #266 16s. 6d. (30/7/0; 11/6/6; 0/3/6; tickets: 224/19/6) (charge: #110 18s. 7d.)

Event Comment: By Command of Their Majesties. The last time of Mrs Siddons's performing this Season. Receipts: #295 14s. (287/14; 6/10; 1/10)

Event Comment: Benefit for Walker, Danby, Miss Barnes & Miss Burnett. Tickets delivered for the 18th Instant will be admitted. Receipts: #268 14s. 6d. (50/0/0; 20/0/6; 0/12/0; tickets: 198/2/0) (charge: #109 10s.)

Event Comment: Tickets delivered by Lyon, Gardner, Leslie, Finney, Barthrope, Gilles, Sherratt for The Chances [announced on playbill of 20 May] will be admitted. Receipts: #130 3s. (23/18/0; 14/4/6; 0/8/6; tickets: 91/12/0)

Event Comment: Tickets delivered by Alfred, Stageldoir, Dale, Daglish, Gibson, Blandy, Mrs Lewis, Miss Hale will be admitted. Receipts: #229 13s. (28/12/0; 13/13/6; 1/1/6; tickets: 186/6/0)

Event Comment: Benefit for Mrs Bellamy. Mainpiece: Not acted these 3 years. "Mrs Bellamy was too much frightened to speak the address [written by Charles Stuart (European Magazine, May 1785, p. 354)], and Miss Farren spoke it--Mrs Bellamy herself added some few words in prose" (Genest, VI, 342). But Stuart's address was abandoned, and in its place Miss Farren spoke one written by Alexander Bicknell (Gentleman's Magazine, June 1785, pp. 449-50). This occurred at the end of the play; following the address the curtain rose, and Mrs Bellamy "succeeded in muttering a few words, expressive of her gratitude" (Reynolds, I, 282-83). [This was Mrs Yates's last appearance in London. In July of this year she was acting in Birmingham (Morning Chronicle, 18 July). Mrs Bellamy's last appearance on the stage was at CG, 1 June 1780.] Receipts: #306 4s. (188/1/0; 13/3/6; 0/14/6; tickets: 104/5/0) (charge: #113 8s. 10d.)

Event Comment: Benefit for Portal, Shade, Hicks & Palmer Sen. Afterpiece to conclude as 17 Jan. Receipts: #246 1s. (23/6/0; 9/16/6; 1/18/6; tickets: 211/0/0) (charge: #107 19s. 3d.)

Event Comment: Benefit for Wood, Pcrcey & Cameron. Receipts: #235 19s. (14/14; 5/10; 0/15; tickets: 215/0) (charge: #106 15s.)

Event Comment: Benefit for Carleton, Wilson, Newton & J. Shade. Receipts: #258 7s. (26/18/0; 6/1/6; 0/9/6; tickets: 224/18/0) (charge: #106 7s.)

Event Comment: The Last Time of the Company's performing this Season. Paid various Renters #19 16s. [apiece] (Account-Book, 1 Sept.). Receipts: #222 12s. 6d. (181/11/0; 40/8/0; 0/13/6)

Event Comment: Benefit for the Author. Receipts: #166 7s. (164/17; 1/10) (charge: #63). [A tally-sheet for this performance in the Harvard Theatre Collection lists the following details: 338 spectators in boxes at #84 10s.; 253 in pit at #37 19s.; 314 in 1st Gallery at #31 8s.; 190 in 2nd gallery at #9 10s. Total of 1,095 spectators at #164 17s. After money #1 10s. Charge #63. Owing Mrs Inchbald #101 17s.]

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 16 Nov.] . Orders and Free #24 11s. Receipts : #280 16s. 6d. (257/11/0 ; 23/0/6 ; 0/5/0)

Event Comment: [In mainpiece the playbill assigns Ferdinand to Johnstone, but "The sudden illness of Johnstone gave much dissatisfaction, though Cubitt did all in his power to supply his place" (Town and Country Magazine, Sept. 1785, p. 451). William Palmer was from the Norwich theatre; Meadows from the HAY.] The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Places for the Boxes to be taken of Brandon, at the Stage-Door. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] The Alterations and Improvements in the Theatre this Season are made by Richards, and executed under his Superintendance by Catton and others. [Public Advertiser, 22 Sept., notes that these improvements consisted of the enlargement of the boxes, in which "the seats are formed into recesses which communicate with the other boxes"; all the pillars, "even those of iron in the back boxes [being] capped, cased, fluted and gilt"; the front of the boxes and galleries being newly painted a "warm lilac"; the back of the boxes being wainscotted and painted crimson.] Paid Charewomen for cleaning Theatre #13 0s. 6d. Receipts: #214 2s. 6d. (210/10/0; 3/12/6)

Event Comment: Afterpiece: With a Sea-Fight and Procession. [These were included in all subsequent performances.] Receipts: #228 8s. 6d. (180/4/0; 46/14/0; 1/10/6)

Event Comment: Paid Music 19th Inst. #7 11s. 8d.; Properties 19th Inst. 10s. 8d. Receipts: #188 17s. 6d. (184/3/0; 4/14/6)