Event Comment: Benefit for Marks, T. Ansell, Pilford & Furkins. Tickets delivered by Claridge, Doe, Roberts, Walker, Cox, Sarjent, Seymour, Rye, Abbott, Akery, Rolles, Hall will be admitted this Evening. Receipts: #224 10s. 6d. (15/18/0; 0/6/6; tickets: 228/6/0)

Event Comment: Tickets delivered by Alfred, Stageldoir, Dale, Daglish, Gibson, Blandy, Miss Hale, Miss Tidswell, Mrs Lewis, Miss Barnes will be taken. Receipts: #231 1s. 6d. (15/3/0; 6/9/0; 0/1/6; tickets: 209/8/0)

Event Comment: Tickets delivered by Wilson, Darley, Thompson, Helme, Mrs Hamilton, and the Orchestra will be admitted (Account-Book). [Afterpiece in place of The Positive Man, announced on playbill of 22 May.] Receipts: #254 7s. 6d. (89/16/6; 1/2/0; tickets: 163/9/0)

Event Comment: Benefit for Watson, Carleton, Wilson & Hicks. Receipts: #216 16s. (12/15/0; 6/5/6; 1/9/6; tickets: 196/6/0) (charge: #106 15s. 3d.)

Event Comment: Benefit for Brandon, box-book and housekeeper. Tickets delivered for She Would and She Would Not will be admitted. Receipts: #291 16s. 6d. (61/18/6; tickets: 229/18/0) (charge: #105)

Event Comment: Benefit for Portal, Shade, Morris & Palmer Sen. Tickets sold at the Doors will not be admitted. Receipts: #223 6s. 6d. (24/6/0; 8/13/6; 0/8/0; tickets: 189/19/0) (charge: #105 17s. 4d.)

Event Comment: Benefit for Booth, Guard & Stevens. 3rd piece: Not acted these 12 years [not acted since 25 Apr. 1770]. Receipts: #233 1s. (73/10; tickets: 159/11) (charge: #105)

Event Comment: Benefit for Wood, Percey, Cameron & J. Shade. The last Time of the Company's performing this Season. Account-Book, 1 July: Paid Renters #20 4s. apiece; received of Their Majesties #73. Receipts: #31 8s. (23/18/0; 6/11/6; 0/18/6; tickets: none listed) (charge:#105 6s.)

Event Comment: Benefit for Green and Ansell, box-keepers. Receipts: #290 0s. 6d. (34/3/6; tickets: 255/17/0) (charge: #105)

Event Comment: Benefit for Curteen, Condell & Colborne, box-keepers. Receipts: #153 12s. (24/15; tickets: 128/17) (charge: #105)

Event Comment: Benefit for Brereton, Beeston, Longley & Colley. Tickets delivered by Robson, Stephenson, Robinson, Varley, Small wood, Partridge, Shirley, Shuter, Pilbrow, Turtle, W. Ansell, Hall will be admitted this Evening. Tickets sold at the Doors will not be admitted. [This was Whitsun Eve, on which night the theatre was customarily closed.] Receipts: #242 17s. (29/17/6; 3/9/6; tickets: 209/10/0)

Event Comment: The last Night of the Company's performing this Season. Account-Book, 3 June: Paid Lewis in full his Salary as Acting Manager #200; 23 June: Received of Their Majesties for this Season #50; 28 June: Paid Hull in lieu of a Benefit #100; 30 June: Paid Harris for his trouble in superintending the Theatre #500; Paid Cooper, printer, #433 9s. Receipts: #227 6s. 6d. (223/5/9; 4/1/6)

Event Comment: [Extra night] Benefit for Wild. Wild respectfully informs the Public, on account of the Loss he sustained by his former Night [see 17 May], the Managers of Covent Garden and Hay-market Theatres, as well as the several Performers, have granted him their free Assistance. Receipts: none listed

Event Comment: [Extra night] Benefit for Bonnor. Afterpiece [1st time; INT 1]: Translated [by Charles Bonnor] from a new Production of Dorvigny, entitled La Fete de Campagne; ou, L'Intendant Comedien malgre Lui, now acting in Paris with uncommon Applause [MS: Larpent 664; not published; in later season occasionally acted under the title of Transformation]. Tickets to be had of Bonnor, No. 19, Piazza, Covent Garden. Bonnor begs leave to inform his Friends and the Public that on account of his Absence at the time his Night was to have been appointed he was induced to decline a Benefit in the course of the Season, but the Manager having obligingly made him an Offer of the Theatre, free of all Expense, and the several Performers kindly engaging to assist him, he has fixed on this Day. Receipts: none listed

Event Comment: Afterpiece: To conclude with the Repulse of the Spaniards before the Rock of Gibraltar [on 13 Sept. 1782; this was included in all subsequent performances]. The Scenes designed and executed by Greenwood. [Public Advertiser, 20 Dec, adds: The Overture by Baumgarten. The New Music and Accompaniments to the adapted Airs by Shield. Words of the Songs to be had at the Theatre.] Receipts: #164 2s. (106/13; 57/8; 0/1)

Event Comment: Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Paid Properties #1 7s. 6d.; Lampmen #3 18s.; Billstickers #5 8s.; Supernumeraries #5 12s. 6d.; Tailor #7 18s. 7d. Receipts: #179 15s. 6d. (132/5/0; 47/3/6; 0/7/0)

Event Comment: "[King's] utterance possessed an articulate velocity and smartness never heard but from him; and a collected confidence in himself that extorted an applause paid to the situation, or the sentiment, rather than the man" (Boaden, Siddons, II, 105). [Address written by Richard Cumberland (Betsy Sheridan, Journal, 1960, p. 25).] Receipts: #255 13s. 6d. (228/1/0; 27/11/0; 0/1/6)

Event Comment: [The play is opened by Mrs Beverley and Charlotte, and when Mrs Siddons came on she was hissed because of a widespread report that she had refused to act for Brereton's benefit in Dublin. "A considerable period of time was lost; it might be forty minutes before the play began . . . We could perceive that the lady supported herself with a great degree of firmness under this very aweful trial--a trial which, in great measure, determined her future fame--perhaps her residence in this metropolis" (Town and Country Magazine, Oct. 1784, p. 510). "The Breretons have used her shockingly--Mrs B. was mean enough to sneak off the stage and leave her to stand the insults of a malicious party tho' she knew the whole disturbance was on her account and that her husband had at least been obliged to contradict the reports that concern'd him" (Betsy Sheridan, Journal, 1960, p. 32). Mrs Siddons explained to the audience that the stories circulated against her were "calumnies." She had, in fact, on 19 Aug., acted Jane Shore in Dublin for Brereton's benefit (Dublin Public Register, 19 Aug. 1784). "Though Mrs Siddons delivered this address with her usual judgment and articulation, and it was received with reiterated bursts of applause, yet she was so agitated when off the stage as to be very near fainting, and continued for some time much flurried" (Public Advertiser, 6 Oct.).] Receipts: #304 5s. (291/13; 12/11; 0/1)

Event Comment: "'Was he alive?' [was] uttered with a more rapid tone, and quicker feeling. Though in opposition to her manner in these words stand the great names of Henderson, Colman, and the Author himself" (Public Advertiser, 11 Oct.). Receipts: #299 (276/3; 21/17; 1/0)

Event Comment: Account-Book, 21 Oct.: Paid Lee Lewes on cancelling his engagement #21. [Lee Lewes acted on the night of his benefit, 9 May 1785, but not again this season.] Receipts: #104 0s. 6d. (78/7/0; 25/12/0; 0/1/6)

Event Comment: [Dignum is identified on playbill of 18 Dec.] Receipts: #196 9s. (165/7; 30/12; 0/10)

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #240 9s. 6d. (215/18/0; 24/5/0; 0/6/6)

Event Comment: "We have been frequently displeased at [Palmer's] noisy extravagance of acting in many of his tragic parts, but in none more than in the character of Dionysius in that patched-up pantomimic drama entitled The Grecian Daughter" (Candid Strictures, pp. 6-7). Receipts: #279 16s. (249/8/0; 28/0/6; 1/12/6; tickets not come in: 0/15/0)

Event Comment: Afterpiece: Not acted these 2 years. [Prologue by George Colman, the elder.] Receipts: #129 10s. (99/2; 30/4; 0/4)

Event Comment: Mainpiece [1st time; C 5, author unknown; frequently attributed to Thomas Vaughan, but his authorship denied in a letter written by him to editor of the Oracle, 13 Feb. 1796. Author of Prologue unknown. Epilogue by Edward Topham (European Magazine, Nov. 1784, p. 393). MS: Larpent 670; not published; synopsis of plot in London Magazine, Nov. 1784, p. 389]. Receipts: #161 2s. 6d. (142/9/0; 18/0/6; 0/13/0)