Event Comment: Mainpiece: Not acted these 4 years [not acted since 3 Oct. 1776]. The Conscious Lovers, and the new Farce of The Best Bidder, announced for to-morrow, are obliged to be deferred on account of the Indisposition of Parsons. "We left the Theatre with the precise Impressions a Theatre ought to leave--We were perhaps more good, at any Rate certainly we felt more fond of Goodness" (Public Advertiser, 30 Nov.). "Mrs Siddons, in the third act of the Fair Penitent, was so far affected, with assuming the mingled passions of pride, fear, anger, and conscious guilt, that I might appeal to the spectators, whether, in spite of the rouge which the actress is obliged to put on, some paleness did not shew itself in her countenance" (Davies, II, 56). Receipts: #262 17s. (247/2/0; 15/10/0; 0/5/0)

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Linley [Sen.]. Receipts: #67 17s. 6d. (41/19/0; 25/17/6; 0/1/0)

Event Comment: "[Miss Younge's] playing [the Trial] Scene without a Perriwig, or any of the Buffoonery in Mimicry of Bar Quackery [in which Mrs Clive used to indulge] cannot be too much commended" (.Public Advertiser, 4 Dec). Receipts: #181 0s. 6d. (178/8/6; 2/12/0)

Event Comment: [Afterpiece in place of The Golden Pippin, announced on playbill of 3 Dec] Receipts: #264 3s. (259/6/6; 4/16/6)

Event Comment: Percy [announced on playbill of 4 Dec] is obliged to be deferred on account of Miss Younge's Indisposition. Receipts: #175 6s. 6d. (172/12/6; 2/14/0)

Event Comment: Mainpiece: Not acted these 6 years. [Fifty years earlier, on 7 Dec. 1732, this theatre was opened with The Way of the World.] Receipts: #177 10s. (173/2; 4/8)

Event Comment: [Afterpiece in place of The Country Mad-Cap, announced on playbill of 6 Dec] Receipts: #228 16s. (225/9; 3/7)

Event Comment: The Grecian Daughter [announced on playbill of 7 Dec] is obliged to be deferred to account of the Indisposition of Mrs Siddons. Receipts: #111 2s. 6d. (81/3/0; 29/17/0; 0/2/6)

Event Comment: Afterpiece [1st time; f 2, by Miles Peter Andrews, with incidental music by James Hook. MS: Larpent 607; not published; synopsis of plot in Public Advertiser, 12 Dec. Prologue by Edward Topham {London Chronicle, 20 Dec.)]. Receipts: #129 13s. 6d. (76/6/0; 53/0/0; 0/7/6)

Event Comment: Paid Mrs Yates for 2 Nights Performance #34. Receipts: #111 1s. (105/17; 5/4)

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 10 Dec: Tickets to be had of Mrs Siddons, No. 149 in the Strand. [The most famous "point" in this play was the parting of Belvidera and Jaffier in Act III, and her words, "Remember twelve!" Boaden, Siddons, 1, 354, refers to Mrs Siddons's "querulous melancholy of tone, partaking of doubt, though still hoping for the best," in uttering these words.] Receipts: #335 5s. (157/15/0; 4/0/6; 0/12/6; tickets: 172/17/0) (charge: free). [Thus, officially, the Account-Book, but Mrs Siddons's total profit, from presents and from additional sums being added by her admirers to the usual price of her tickets, was, according to Public Advertiser, 25 Dec, over #800. This figure is almost certainly an accurate reckoning.]

Event Comment: Mainpiece [1st time; T 4, but published in 5, by Richard Bentley. The assignments of Fearon, Booth, Mahon (who are not listed in the text) are my own conjecture. Prologue and Epilogue by Richard Bentley Jun. (Public Advertiser, 18 Dec.)]: New Dresses, &c. Words of the Epithalamium will be given at the Box Doors. Public Advertiser, 11 Jan. 1783: This Day is published Philodamus (1s. 6d.). Afterpiece: Never performed at this Theatre. Receipts: #203 2s. (198/16/6; 4/5/6)

Event Comment: [Mrs Barnes was from CG.] Receipts: #252 15s. (234/3; l8/7; 0/5)

Event Comment: Benefit for the City of London Lying-in Hospital [in Old-Street, City Road. Author of Epilogue unknown]. Receipts: #270 8s. 6d. (62/14/0; 13/4/6; 0/14/0; tickets: 193/16/0) (charge: #105)

Event Comment: Mainpiece: Not acted these 5 years [acted 7 Jan. 1779]. Receipts: #133 1s. 6d. (122/14/0; 10/7/6)

Event Comment: "The Dress of Belvidera was happily arranged; and the Continuation of the same Dress, without the usual Change in the Fifth Act, is an Alteration for the better. It escapes the well-pointed Reproof of The Critic: 'Enter Tilburina, mad, in white Satin'" {Public Advertiser, 21 Dec.). Receipts: #272 8s. (260/18/0; 11/1/6; 0/8/6)

Event Comment: The Discovery [announced on playbill of 19 Dec] is obliged to be deferred on account of Henderson's Indisposition. Afterpiece: Never performed here. Taken from Soiiman the Magnificent of Marmontel. Receipts: #241 8s. 6d. (231/9/0; 9/19/6)

Event Comment: Benefit for the Middlesex Hospital. Receipts: #184 14s. (67/10; 25/14; 0/0; tickets: 91/10) (charge: #105)

Event Comment: Benefit for the Theatrical Fund [which is named in the Account-Book, but not on the playbill]. Receipts: #231 19s. 6d. (227/13/6; 4/6/0) (charge:none listed)

Event Comment: Afterpiece [1st time; P 2 (?), by Thomas King. MS not in Larpent; not published; synopsis of action in Public Advertiser, 27 Dec.]: With Variety of new Scenes, Dresses and Decorations. With a Grand View of the Cumberland Fleet sailing for the Cup, and a Song and Chorus in Honour of the Institution. To conclude with a Pageant Rural and Pantomimical. [These were included in all subsequent performances.] The Music partly new and partly compiled [by Thomas Linley Sen.] from the best Masters. The Paintings by Greenwood and other eminent Artists. Nothing under Full Price will be taken. Account-Book, 17 Feb. 1783: Paid King in full for Harlequin's Wedding #47 1s. Receipts: #231 (225/10; 5/10)

Event Comment: Mainpiece: With the Triumphal Entry of Alexander into Babylon. Receipts: #186 3s. 6d. (182/14/0; 3/9/6)

Event Comment: Mainpiece: Not acted these 2 years. With the Procession from the Abbey at the Coronation of Anne Bullen. Receipts: #207 2s. (204/14; 2/8)

Event Comment: Mainpiece: Not acted these 5 years [not acted since 26 Dec. 1776. Mrs Robinson, who was from the Portsmouth theatre, is identified by MS annotation on Kemble playbill]. Afterpiece [1st time; CO 2, by Frances Brooke, based on Les Moissonneurs, by Charles Simon Favart]: The new Music and overture composed, and the Selected Airs compiled [from Paxton and Sacchini], by Shield. Books of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid Shield for composing Rosina #100. Receipts: #158 18s. 6d. (154/5/6; 4/13/0)

Event Comment: [Afterpiece in place of Lord Mayor's Day, announced on playbill of 31 Dec. 1782.] Receipts: #201 8s. (199/0/6; 2/7/6)

Event Comment: By Command of Their Majesties. Receipts: #270 10s. 6d. (264/0/0; 6/9/0; 0/1/6)