Event Comment: Paid Prompter [Harwood] #4 8s. 2d. Receipts: #191 13s. (140/15/0; 50/10/6; 0/7/6)

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft; in 1796 altered by the author and acted as The Mask'd Friend. Prologue by William Nicholson (see text). Epilogue attributed to Frederick Pilon (Public Advertiser, 15 Oct.)]: With New Dresses, Scenery, &c. Public Advertiser, 12 Nov. 1781: This Day will lie published Duplicity (price not listed). Paid Music #8 4s. 8d.; Chorus Singers #3 15s. Receipts: #204 16s. (202/7/6; 2/8/6)

Event Comment: Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #147 13s. 6d. (107/15/0; 39/18/6; 0/0/0)

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season]. Receipts: #150 10s 6d. (148/16/0; 1/14/6)

Event Comment: [Mainpiece in place of The Way to Keep Him, announced on playbill of 15 Oct.] Paid Supernumeraries #9 8s.; Printer [of playbills] #10. Receipts: #72 11s. 6d. (51/15/0; 20/14/6; 0/2/0)

Event Comment: Mainpiece: Now 1st performed under the title of The Lady's Opera, with a new Introduction. [Miss Catley had acted Macheath at the Smock Alley Theatre, Dublin, in the season 1764-65. MS of Introduction (consisting of a dialogue between A and B): Larpent MS 572.] Receipts: #171 18s. 6d. (170/9/0; 1/9/6)

Event Comment: Benefit for the Author [of mainpiece]. Receipts: none listed (charge: #105)

Event Comment: Mainpiece: Not acted these 6 years [not acted since 28 Apr. 1773]. With new Scenes [by French and Carver (text)] and Dresses. [In the Vocal Parts the playbill lists Sga Prudom, but "at the end of the second act, Smith came forward and apologized for the absence of Signora Prudom, and begged that Mrs Wrighten might be permitted to take her part . . . Mrs Wrighten was received with applause" (London Chronicle, 20 Oct.). Sga Romanzini was from the Royal Circus.] Receipts: #123 8s. 6d. (92/15/0; 29/11/0; 1/2/6)

Event Comment: Afterpiece: The Overture and the rest of the Music composed by Fisher. Receipts: #124 19s. 6d. (122/6/0; 2/13/6)

Event Comment: Richard the Third [announced on playbill of 20 Oct.] is obliged to be postponed on account of the sudden Indisposition of Henderson. Receipts: #124 16s. (123/2; 1/14)

Event Comment: Duplicity [announced on playbill of 22 Oct.] is obliged to be postponed on account of Henderson's Illness. Receipts: #87 14s. 6d. (83/7/0; 4/7/6)

Event Comment: [Mainpiece in place of The Man of the World; afterpiece of The Golden Pippin, both announced on playbill of 23 Oct.] Receipts: #228 4s. 6d. (226/0/6; 2/4/0)

Event Comment: Paid Macklin for 3 Nights Performance #94 10s. Receipts: #148 6s. (145/17; 2/9)

Event Comment: [Afterpiece in place of The Lyar, announced on playbill of 25 Oct.] Receipts: #112 1s. (82/4/0; 29/12/6; 0/4/6)

Event Comment: Duplicity [announced on playbill of 25 Oct.] is again obliged to be postponed on account of Henderson's Illness. [Afterpiece in place of Comus, announced on playbill of 25 Oct. In mainpicce the playbill retains Mrs Mattocks as Mrs Racket and Miss Younge as Letitia, but "Miss Younge having yesterday lost a near Relation could not play her part in the Belle's Stratagem, in consequence of which an apology was made for her Absence ... To remedy the inconvenience Mrs Mattocks last night played the character of Miss Hardy, and Mrs Whitfield that of Widow Racket" (Morning Chronicle, 27 Oct.).] Receipts: #100 6s. (97/1/6; 3/4/6)

Event Comment: Mainpicce [1st time; burl 3, by Charles Dibdin]: Taken from [Amphitryon, by John] Dryden. [MS: Larpent 573; not published.] With new Scenery, Dresses, &c. The Music by several eminent Composers [Charles Dibdin, William Shield, &c.]. Books of the Songs to be had at the Theatre. Receipts: #153 15s. 6d. (151/8/0; 2/7/6)

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Event Comment: [Mainpiece in place of King Arthur; afterpiece of The Lyar, both announced on playbill of 30 Oct.] Receipts: #202 12s. (155/7/0; 47/0/6; 0/4/6)

Event Comment: [Mrs Roope is identified by MS annotation on Kemble playbill.] Receipts: #164 6s. (162/5; 2/1)

Event Comment: King Lear [announced on playbill of 1 Nov.] is unavoidably obliged to be deferred on account of Henderson's infirm state of health. Receipts: #85 0s. 6d. (81/2/0; 3/18/6)

Event Comment: Benefit for Tickell and Linley [who are named in the Account-Book, but not on the playbill]. Receipts: #198 12s. 6d. (154/1/0; 44/0/0; 0/11/6; tickets: none listed) (charge: #105)

Event Comment: Duplicity [announced on playbill of 2 Nov.] is again obliged to be deferred on account of Henderson's Indisposition. [Afterpiece in place of Tom Thumb, announced on playbill of 2 Nov.] Receipts: #94 19s. (92/7/6; 2/11/6)

Event Comment: [Mainpiece: Prologue by Nicholas Rowe.] Receipts: #128 15s. (126/3; 2/12)

Event Comment: [The playbill assigns Rosetta to Miss Harper, but "Last night Miss Harper was indisposed, in consequence of which Mrs Martyr was obliged to play Rosetta" (Morning Chronicle, 8 Nov.).] Receipts: #95 10s. (94/15; 0/15)

Event Comment: By Command of Their Majesties. Receipts: #263 1s. (253/6/0; 9/12/6; 0/2/6)