SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Sharp and Mrs Brereton. Public Advertiser, 27 Apr.: Tickets to be had of Mrs Sharp, No. 10, Bow-street; of Mrs Brereton, No. 11, Tavistock-street. Receipts: #133 9s. 6d. (79.13.0; 25.0.0; 0.8.6; tickets: 28.8.0) (charge: #75 9s. 6d.)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Camp

Song: End IV: Tally ho!, as17790413

Event Comment: Benefit for Hurst and Burton. Public Advertiser, 24 Apr.: Tickets to be had of Hurst, No. 368, opposite Norfolk-street, Strand; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #194 13s. (54.10.0; 16.5.6; 0.2.6; tickets: 123.15.0) (charge: #66 1s. 6d.)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Quaker

Event Comment: Benefit for Grimaldi, ballet-master, and Lamash. The Rivals [announced on playbill of 4 May] is obliged to be deferred on account of Dodd's sudden Illness. Tickets delivered by Kenny, and [for] The Rivals will be taken. Paid Printer [of playbills, weekly throughout season] #9. Public Advertiser, 4 May: Tickets to be had of Grimaldi at his house, No. 125, Holbourn; of Lamash, No. 3, Air-street, Piccadilly. Receipts: #175 5s. 6d. (43.10.0; 17.17.6; 0.14.0; tickets: 113.4.0) (charge: #69 19s.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Comus

Dance: In: Grand Dance, as17781102, but _Henry, Grimaldi, Master +Mills, Miss +Grimaldi

Song: As17790413

Event Comment: [Author of Prologue unknown. Epilogue by the author of mainpiece (Town and Country Magazine, May 1779, p.269).] Receipts: #146 17s. (110.19.0; 34.15.6; 1.2.6)

Performances

Mainpiece Title: The Double Deception

Afterpiece Title: Whos the Dupe

Dance: As17790417

Event Comment: Benefit for Harwood, Thompson & Miss Wright [who had 1st appeared as a singer in the oratorios, 19 Feb.]. Public Advertiser, 3 May: Tickets to be had of Harwood at Mrs Powel's, New Nelson-street; of Thompson, No.7, Great Marlborough-street; of Miss Wright, No. 136, Drury-lane. Receipts: #267 4s. (69.5.0; 19.2.6; 0.6.6; tickets: 178.10.0) (charge: #105). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Song: As17790503

Entertainment: End: Imitations-Bannister Jun

Event Comment: Benefit for Waldron and Miss Abrams. Morning Chronicle, 6 May: Tickets to be had of Waldron, No. 16, Glanville-street, Rathbone Place; of Miss Abrams, Little Bridges-street. Receipts: #138 5s. (50.10; 22.17; 0.9; tickets: 64.9) (charge: #71 4s. 6d.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Comus

Dance: In IV: Dance-Henry, Miss Armstrong

Song: As17790413

Event Comment: Benefit for Fosbrook, box-book-keeper. Mainpiece: Not acted these 4 years [acted 1 June 1776]. Receipts: #305 5s. 6d. (53.5.0; 12.18.6: 1.5.0; tickets: 237.17.0) (charge: #105)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Whos the Dupe

Dance: to conclude with: Country Dance-; End I afterpiece: As17790417

Song: End II: Tally ho!, as17790413

Event Comment: Benefit for Wright and Butler, carpenter. Afterpiece: To conclude with the Scene of the Waterfallv, as it was originally performed. Public Advertiser, 5 May: Tickets to be had of Wright, No. 24, Bennet-street, Westminster; of Butler, next door to the Theatre. Receipts: #267 9s. 6d. (37.11.0; 13.8.6; 0.4.0; tickets: 216.6.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Elopement

Dance: End II: Hornpipe-Wright

Song: As17790503

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #83 1s. (65.5; 16.18; 0.18; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Double Deception

Afterpiece Title: The Deserter

Event Comment: By Command of Their Majesties. Every Man in his Humour and The Irish Widow [both announced on playbill of 13 May], which were to have been performed this Evening, for the Benefit of Fawcett and Sga Crespi, are obliged to be deferred till Monday next. Receipts: #216 2s. 6d. (193.7.0; 22.7.6; 0.8.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Whos the Dupe

Dance: End I afterpiece: The Coopers, as17781211

Ballet: End III: The Humours of Newmarket. As17790503 at cg Jockeys-Dagueville, Harris, Master Dagueville, Master Holland; Ladies-Miss Ross, Sga Tinte, Miss Armstrong

Event Comment: Benefit for Mrs Bradshaw, Mrs Love & Mrs Johnston. Mainpiece: Not acted these 3 years. Public Advertiser, 1 May: Tickets to be had of Mrs Bradshaw, at Nichol's, baker, Bridge Street, Covent Garden; of Mrs Love, No. 36, Gerrard Street, Soho; of Mrs Johnston, No. 97, near Craven Buildings, Drury-lane. Receipts: #120 1s. 6d. (31.10.0; 20.13.0; 0.7.6; tickets: 67.11.0) (charge: #66 7s.)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Quaker

Song: As17790503

Event Comment: Benefit for Fawcett and Sga Crespi. Morning Chronicle, 12 May: Tickets to be had of Fawcett, Craven Buildings, Drury-Lane; of Sga Crespi, No. 26, Poland-street, Oxford-street. Receipts: #194 3s. 6d. (32.8.0; 14.5.6; 0.10.0; tickets: 147.0.0) (charge: #105)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Irish Widow

Dance: End I: Grand Dance, Chaconne (composed by Zuchelli)-Henry, Miss Armstrong, Sga Crespi; and a Minuet-Zuchelli, Sga Crespi; End I afterpiece: As17780919

Event Comment: Benefit for Chaplin, Griffiths, Holcroft & Miss Field. Tickets delivered by Stevens, Collins and the Miss Stageldoirs will be taken. Receipts: #253 8s. (30.5; 13.7; 2.22.12; tickets: 207.4) (charge: #105)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Mayor of Garratt

Dance: In: Master Morey, 3 Miss Stageldoirs

Event Comment: Benefit for Mrs Colles, the Widow Legg & Miss Kirby. Morning Post, 17 May: Tickets to be had of Miss Kirby, No. 70, Long-acre [others not listed]. Receipts: #225 15s. (37.9.0; 11.11.6; 1.2.6; tickets: 175.120) )charge: #105)

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Rival Candidates

Event Comment: Benefit for R. Palmer, Philimore, Walker & Kirk, house-keeper. Mainpiece: Not acted these 3 years [acted 29 Apr. 1777]. Receipts: #270 19s. (19.1; 5.15; 0.13; tickets: 245.10) (charge: #105)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Quaker

Dance: End IV: a Hornpipe-Walker

Entertainment: Monologue End: Bucks have at ye all-R. Palmer

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Receipts: #98 14s. 6d. (59.10.0; 15.5.0; 0.4.6; tickets: 23.15.0) [charge: #52 5s. 8d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: A Monody

Afterpiece Title: Whos the Dupe

Dance: As17790417

Song: As17781029

Event Comment: Benefit for Norris, Blurton, Miss Simson & Miss Armstrong. Tickets delivered by Dale will be admitted. Receipts: #150 16s. 6d. (15.1.0; 6.3.0; 3.19.6; tickets: 125.13.0) (charge: #105)

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Quaker

Dance: End: Minuet de la Cour, Gavotte-Henry, Miss Armstrong

Entertainment: Monologue In IV: Description of a Man of War and Sea Fight-Moody

Event Comment: Benefit for Dickinson, pit office-keeper, and Carleton Jun., box lobby door-keeper. [Afterpiece in place of The Irish Widow, announced on playbill of 25 May.] Morning Chronicle, 18 May: Tickets to be had of Dickinson, No. 5, Wild-court, Wild-street, Lincoln's-Inn-Fields [Carleton not listed]. Receipts: #280 3s. 6d. (26.1.0; 6.9.0; 0.18.6; tickets: 246.5.0) (charge: #105)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: End: Hornpipe, as17790521

Event Comment: Benefit for Watson, Wilson, Hind, Kaygill & Burroughs. Tickets delivered by Newton, Barrett, Morris, Devoto, Lislie and McDonald will be taken. Receipts: #273 4s. 6d. (18.4.0; 1.18.6; 1.0.0; tickets: 252.2.0) (charge: #105)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Rival Candidates

Event Comment: Benefit for Mortimer, Tomlinson, Carleton Sen. & Woollams. Tickets delivered by Bayne, Page, Finney, Barthrope and Whittey will be taken. Tickets sold at the Doors will not be admitted. Receipts: #243 3s. (15.3; 3.11; 0.5; tickets: 224.4) (charge: #105)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Miller of Mansfield

Dance: End III: Double Hornpipe, as17790417

Event Comment: Benefit for Wood, Percey, Shade & Cameron. Tickets delivered by Lewis, Hodges, Gardner, and for Monday, the 31st of May, will be taken. MS annotation on Kemble playbill: "I believe this was the last time of Mr Henderson's acting at Drury Lane, except when he played Jaques in As You Like It for Mrs Robinson's Benefit, April 7, 1780. See October 18, 1779, Covent Garden Bills." Receipts: #301 6s. 6d. (19.14.0; 2.14.6; 0.14.0; tickets: 278.4.0) (charge: #105)

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: The Register Office

Dance: End IV: As17780919

Event Comment: The last Time of the Company's performing this Season. Account-Book, 8 June: Paid Boy counting Copper Tickets 185 nights #4 12s. 6d. Receipts: #168 14s. 6d. (134.19.0; 33.15.6; after-money not listed)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: A Monody

Afterpiece Title: Whos the Dupe

Dance: As17790417

Song: As17781006

Event Comment: Mainpiece: With alterations [by David Garrick]. "The managers, to our astonishment, continue to play with Garrick's alterations. [The original play] is materially injured by those which Garrick adopted in compliance to the French criticks" (Morning Chronicle, 20 Sept.). [For a summary of these alterations see my Shakespeare in the Theatre, II, 188-89.] Boxes 5s. Pit 3s. Ist Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook, at the Stage-door. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #174 6s. 6d. (135.1.0; 38.17.6; 0.8.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. No Persons admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Places for the Boxes to be taken of Brandon (only) at the Stage-Door. The Doors to be opened at 5:30. To begin at 6:30 [see 1 Nov.]. Receipts: #132 14s. (131.15.6; 0.18.6)

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: The Invasion

Event Comment: Afterpiece: To conclude with the Scene of the Water-fall, as it was originally performed. [This scene was included in all subsequent performances.] Receipts: #214 16s. (181.7; 33.6; 0.3)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Elopement

Song: III: song-Vernon. [This was sung, as here assigned, in all subsequent performances, except on 22 Oct., and 29 Feb. 1780.