SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 2 years. With a Procession and Sacrificev. [These were included in both subsequent performances.] Afterpiece [1st time; F 2, by Thomas Sheridan. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 21 Dec.]: Taken from the comedy of that name by Sir John Vanburghi [sic]. Receipts: #151 2s. 6d. (115.4.0; 35.16.0; 0.2.6)

Performances

Mainpiece Title: Merope

Afterpiece Title: AEsop

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece: Not acted these 3 years. Receipts: #157 13s. (120.18; 34.17; 1.18)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: A Peep behind the Curtain

Event Comment: Mainpiece: Not acted these 10 years [not acted since 9 Feb. 1764]. Receipts: #170 18s. 6d. (138.7.0; 32.6.0; 0.5.6)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Camp

Event Comment: Mainpiece: The music composed by Michael Arne. With a Grand Procession of the different Orders of the Knights of Chivalryv. Receipts: #159 19s. (134.8; 25.11; 0.0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Irish Widow

Dance: I: a Dance of Cupids-; IV: [a Dance of Daemons-; V: Grand Dance [Grand Ballet [sic], as17781102; End I afterpiece: Minuet de la Cour, as17780919; [and Allemande, as17780919

Event Comment: [Afterpiece: Prologue by George Colman elder.] Receipts: #139 15s. 6d. (108.13.0; 30.15.6; 0.7.0)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Bon Ton or High Life above Stairs

Event Comment: [Mainpiece in place of King Richard the Third, announced on playbill of 2 Jan.] Receipts: #148 13s. (119.12.0; 28.18.6; 0.2.6)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Selima and Azor

Event Comment: [Mainpiece in place of Merope, announced on playbill of 4 Jan. "We played last night Much Ado about Nothing, and had an apology to make for the change of three principal parts. About twelve o'clock Mr Henderson sent word he was not able to play. We got Mr Lewis from Covent Garden, who supplied the part of Benedick. Soon after Mr Parsons sent word he could not play. Mr Moody supplied the part of Dogberry; and about four in the afternoon Mr Vernon sent word he could not play. Mr Mattocks supplied his part of Balthazar...In the middle of the first act, a message was brought me that Mr Lamash (who was to play the part of Borachio) was not come to the House. I had nobody there that could go on for it, so I was obliged to cut his scenes in the first and second acts entirely out, and got Mr Wrighten to go on for the remainder of the part. At length we got the play over without the audience finding it out. We had a very bad house. Mr Parsons is not able to play in The School for Scandal to-morrow night; do not yet know how we shall be able to settle that" (Garrick, Private Correspondence, II, 328-29: Hopkins, prompter,in letter to Garrick, 6 Jan. 1779. He does not state who took Wrighten's place as the Sexton.).] On account of the sudden Illness of a Principal Performer, the new Pantomime [The Wonders of Derbyshire, announced on playbill of 4 Jan.] is obliged to be deferred till Friday. Receipts: #74 11s. (48.19; 25.10; 0.2)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Afterpiece [1st time; P 2, attributed to Richard Brinsley Sheridan (see G. W. Williams in Studies in Philology, XLVII, 1950, 619-28). Synopsis of action (W. Randall, 1779) lists no parts]: The Overture and Music entirely new. With new Scenes, Machines, Dresses and Decorations. All the Scenery, Machinery, &c. designed by DeLoutherbourg and executed under his direction. Nothing under Full Price will be taken. [For a discussion of this pantomime see Theatre Survey, II, 54-66.] Public Advertiser, 24 Feb. 1779: This Day is published an Account of The Wonders of Derbyshire and the Songs (6d.). Receipts: #225 19s. (223.18.0; 2.1.0)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Wonders of Derbyshire or Harlequin in the Peak

Event Comment: By Command of Their Majesties. [Mainpiece in place of Hamlet, announced on playbill of 9 Jan.] Paid Brady, house barber for Wigs #10 10s. Receipts: #285 5s. (284.9; 0.16)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Wonders of Derbyshire

Dance: End I: The Coopers, as17781211

Event Comment: The Fathers [announced on playbill of 15 Jan.] is obliged to be deferred on account of Webster's Illness. Receipts: #178 8s. (173.7; 5.1)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Wonders of Derbyshire

Event Comment: Paid Butler, carpenter, #148 11s. Receipts: #277 10s. (276.3; 1.7)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Wonders of Derbyshire

Song: As17781006

Event Comment: The Discovery [announced on playbill of 23 Jan.] is obliged to be deferred on account of King's Indisposition. Receipts: #174 17s. (171.11; 3.6)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Wonders of Derbyshire

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Thomas Linley? Sen.. Receipts: #191 10s. (190.1; 1.9)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Wonders of Derbyshire

Dance: End II: Minuet de la Cour, as17780919; Allemande, as17780919; III: a Hornpipe-Blurton

Event Comment: [Mainpiece in place of The Tempest, announced on playbill of 29 Jan.] Receipts: #158 12s. (152.4; 6.8)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Wonders of Derbyshire

Event Comment: Mainpiece: Not acted these 4 years [acted 7 Feb. 1776]. Receipts: #205 (203.10; 1.10)

Performances

Mainpiece Title: The Discovery

Afterpiece Title: The Wonders of Derbyshire

Event Comment: Mainpiece: Written by the Author of Braganza [1st time; T 5, by Robert Jephson. Prologue and Epilogue by the author (see text)]. With new Scenes and Dresses. Public Advertiser, 15 Feb. 1779: This Day is published The Law of Lombardy (1s. 6d.). Receipts: #221 (196.19.0; 23.13.6; 0.7.6)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: High Life below Stairs

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #133 3s. (109.16; 22.8; 0.19; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: The Camp

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #156 18s. (152.19; 3.19; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: The Wonders of Derbyshire

Event Comment: Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Receipts: #202 0s. 6d. (197.14.6; 4.6.0)

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-Cramer

Event Comment: Afterpiece [1st time; F 2, author unknown. Not published]. Receipts: #172 10s. 6d. (125.1.0; 46.5.0; 1.4.6)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: Jehu

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #128 16s. (125.11; 3.5; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: The Wonders of Derbyshire

Event Comment: The School for Scandal [announced on playbill of 8 Mar.] is unavoidably obliged to be deferred. Receipts: #117 16s. (113.15; 4.1)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Wonders of Derbyshire

Event Comment: [Mainpiece in place of A Trip to Scarborough, announced on playbill of 9 Mar.] 2nd piece [1st time; M. INT I, by Richard Brinsley Sheridan]: With a new Scene invented and designed by DeLoutherbourg for the occasion. [Music composed by Thomas Linley Sen. Miss Wright is identified on playbill of 24 May; and see 19 Feb.] Public Advertiser, 27 Mar. 1779: This Afternoon at Four is published A Monody (1s. 6d.). Afterpiece: Not acted these 3 years. Receipts: #213 10s. 6d. (180.18.0; 32.6.0; 0.6.6). "Some of the verses [of the Monody] were responded [to] by the principal vocalists, accompanied by the band, who occupied an orchestra built on the stage, as at the oratorios. The whole of the performers [were] requested to appear in black clothes" (Parke, I, 17)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: A Monody

Afterpiece Title: Polly Honeycomb

Event Comment: Mainpiece: Not acted these 4 years [acted 6 Nov. 1776]. Receipts: #217 11s. 6d. (186.11.0; 30.10.6; 0.10.0)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: A Monody

Afterpiece Title: The Miller of Mansfield

Song: II: a song-Gaudry

Event Comment: Benefit for Smith. Mainpiece: Not acted these 4 years [acted 31 Mar. 1777]. Public Advertiser, 2 Mar.: Tickets to be had of Smith at his house, Beaufort Buildings, Strand. Receipts: #243 17s. 6d. (129.3.0; 18.17.6; 2.9.0; tickets: 93.8.0) (charge: #74 15s. 6d.)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Camp