SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 2 years. Afterpiece: With Alterations and Additions; to conclude with a grand View of Greenwich Hospital, designed by DeLoutherbourg. [This was included in all subsequent performances. Miss Farren was from the hay. And see cg, 23 Sept.] Receipts: #190 4s. [161.6; 28.14; 0.4)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Queen Mab

Dance: End II: The Power of Love The Force of Love, as17781003

Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Camp

Event Comment: [Mainpiece in place of Romeo and Juliet, announced on playbill of 15 Oct.] The Doors to be opened at 5:15. To begin at 6:15 [see 7 May 1779]. Receipts: #224 7s. 6d. (190.17.0; 33.2.6; 0.8.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Camp

Event Comment: Paid a suit of Gold Embroidered Mens Cloaths #22 1s. Receipts: #225 12s. (193.8; 31.15; 0.9)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Camp

Dance: End III: The Force of Love, as17781003

Event Comment: Afterpiece: To conclude with a grand Representation of a Regattav. Receipts: #206 5s. (190.2; 16.3; 0.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Waterman

Dance: As17781013

Song: As17781006

Event Comment: Mainpiece: Not acted these 4 years [acted 6 Feb. 1776]. Receipts: #216 6s. (191.2.0; 21.2.6; 4.1.6)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Camp

Event Comment: Twelfth Night [announced on playbill of 23 Oct.] is obliged to be deferred on account of Miss Younge's sudden Illness. Receipts: #209 16s. 6d. (178.14.0; 30.14.6; 0.8.0)

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: The Camp

Dance: End IV: The Force of Love, as17781003

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #220 15s. 6d. (193.9.0; 26.15.0; 0.11.6)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Camp

Dance: As17780922

Song: In III: an Epithalamium-; with Singing-Miss Collett, Miss Abrams

Event Comment: [Mainpiece in place of The Chances, announced on playbill of 29 Oct.] Receipts: #195 9s. (166.0.0; 29.2.6; 0.6.6)

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Camp

Dance: As17780922

Event Comment: Paid DeLoutherbourg 1 month #41 13s. 4d. [this paid monthly]. Receipts: #167 17s. (143.13.0; 22.0.6; 2.3.6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Camp

Event Comment: [Mainpiece in place of Romeo and Juliet, announced on playbill of 7 Nov.] Receipts: #160 12s. 6d. (144.3.0; 14.2.0; 2.7.6)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Camp

Song: I: song-Miss Abrams

Event Comment: Mainpiece: Not acted these 3 Years. [Bannister Jun.'s 1st appearances on the stage were at the hay, 27 Aug. and 2 Sept. 1778.] Receipts: #165 18s. (139.12.0; 26.5.6; 0.0.6)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Camp

Event Comment: Mainpiece: Not acted these 4 years [acted 30 Dec. 1775]. Receipts: #152 4s. (131.0; 20.17; 0.7)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Camp

Event Comment: [The playbill announces this as "By Command of Their Majesties," but "His Majesty intended going to Drury-lane Theatre last night, but was prevented by the multiplicity of business at St James's" (Morning Post, 19 Nov.).] Mainpiece: Not acted these 3 years [acted 2 May 1776]. Receipts: #212 11s. 6d. (184.8.0; 27.6.6; 0.17.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Camp

Event Comment: [Mainpiece in place of The Old Batchelor, announced on playbill of 19 Nov.] Receipts: #127 8s. (102.11; 24.13; 0.4)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Camp

Event Comment: Afterpiece: Regattav as 22 Oct. Receipts: #152 17s. 6d. (135.3.0; 17.10.6; 0.4.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Waterman

Song: As17781029

Event Comment: [Mrs O'Keeffe was from cg.] Receipts: #161 18s. 6d. (131.14.0; 29.19.0; 0.5.6)

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The Camp

Event Comment: Mainpiece: With alterations [by Richard Brinsley Sheridan]. The new comedy of The Fathers [announced on playbill of 27 Nov.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #123 6s. 6d. (89.14.0; 32.19.0; 0.13.6)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Camp

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Benefit for the Author [see 2 Dec.]. [A letter from Fosbrook, the box-book keeper, to Garrick gives the number of spectators in the house on this night (Garrick, Private Correspondence, II, 323), as follows: Boxes Pit 1st Gall. 2ed Gall.@1st Account 234 310 330 210@2nd Account 80 30 160 80@Total: 1,434.] Receipts: #166 14s. 6d. (140.8.0; 25.18.6; 0.8.0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fathers

Afterpiece Title: The Camp

Event Comment: Mainpiece: Not acted these 3 years. Receipts: #131 13s. 6d. (98.4.0; 32.13.6; 0.16.0)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: As17780919; End IV: new dance, The Coopers-Sg and Sga Zuchelli, Henry, Miss Armstrong, Sga Crespi

Event Comment: Benefit for the Author [see 2 Dec.]. Receipts: #108 0s. 6d. (87.6.0; 19.16.6; 0.18.0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fathers

Afterpiece Title: The Quaker

Event Comment: [Afterpiece in place of Belphegor, announced on playbill of 15 Dec.] Receipts: #144 17s. 6d. (113.2.0; 31.15.6; 0.0.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Queen Mab

Event Comment: [Afterpiece in place of The Camp, announced on playbill of 16 Dec.] Receipts: #257 12s. 6d. (239.8.0; 18.3.6; 0.1.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Quaker

Dance: End: The Coopers, as17781211

Song: As17781029

Event Comment: Benefit for the City of London Lying-in Hospital. [Author of Prologue unknown.] Paid Heele for Insurance #125 4s. Public Advertiser, 5 Dec.: Tickets to be had at the Hospital, Old Street Road. Receipts: #281 16s. (91.10; 9.9; 0.1; tickets: 180.16) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Deserter