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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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18476 results for: Keyword - Blakes</i>, deleted.] Receipts:
We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

13851
06 June 1777 @ Drury Lane Theatre

Event Comment: Benefit for Berrisford, Carleton Jun., Shade & Edleston. Receipts: #227 5s. 6d. (25.17.0; 3.10.6; 0.0.0; tickets: 197.18.0) (charge: #84)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Mayor of Garratt

Dance: As17761214

Song: In I: song-Miss Abrams

13852
07 June 1777 @ Drury Lane Theatre

Event Comment: The last time of the Company's performing this Season. Receipts: #185 1s. (175.12; 9.9; 0.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Padlock

13853
20 September 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: The Storm Scene will (by desire) begin the 2d Act. [This notice is included in all subsequent performances.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. Places for the Boxes to be had of Fosbrook, at the Stage-Door. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Oct.]. Receipts: #183 4s. (154.2; 27.16; 1.6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: All the Worlds a Stage

Dance: I: Dance of Spirits-Miss Armstrong; III: Dance of Fantastic Spirits-; [These were danced, as here assigned, in all subsequent performances.] V: a Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Slingsby, Miss Armstrong, Sga Dupre

13854
22 September 1777 @ Covent Garden

Event Comment: [Author of Prologue unknown. In afterpiece the playbill assigns Leander to Mahon, but "after the play Hull made a genteel apology for the non-attendance of Mahon...who, by some unaccountable accident, was not arrived in town, at the same time begging their acceptance of a young Gentleman' (Morning Post, 23 Sept.). For Bowles as Leander see 10 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken of Sarjant (only) at the Stage-Door. No Persons admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Oct.]. Receipts: #187 13s. (186.4; 1.9)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Padlock

13855
24 September 1777 @ Covent Garden

Event Comment: Paid Music 22nd Inst. #7 9s. 6d. Receipts: #146 15s. (144.14.6; 2.0.6)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: The Commissary

Dance: End: The Shepherd's Wedding-Harris, Miss Matthews

13856
29 September 1777 @ Covent Garden

Event Comment: [Nicoll, III, 280, 390, states that this was an alteration of Shakespear's play by John Lee.] Receipts: #174 5s. (173.10.6; 0.14.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Apprentice

Dance: I: Masquerade Scene incident to the Play-; I: Minuet-Dumay, Mrs Jackson

Song: End IV: the Funeral Procession of Juliet, with the Solemn Dirge. Vocal Parts-Mattocks, Reinhold, Baker, Fox, Miss Brown, Miss Dayes, Miss Valois, Mrs Willems, Miss Green

13857
30 September 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: With Alterations [by David Garrick]. [Henderson was from the hay.] 'The style of Henderson did not assimilate with the tone of the [dl] company. They declaimed in a higher key, and more upon the level. The frequent under-tones the former hardly struck the ear at any considerable distance' (Boaden, Siddons, I, 170). Receipts: #225 8s. (204.2; 20.14; 0.12)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: All the Worlds a Stage

13858
01 October 1777 @ Covent Garden

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece: With the Stockwell Scenes. [These were included in all subsequent performances.] Receipts: #173 11s. 6d. (172:4.6; 1.7.0)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Royal Chace or Harlequin Skeleton

Dance: End: The Humours of New@Market with the Poney Races-Dagueville, Harris, Master Holland, Master Dagueville, Miss Ross, Sga Tinte

13859
02 October 1777 @ Drury Lane Theatre

Event Comment: [Miss Walpole was from the Crow Street Theatre, Dublin.] Receipts: #178 19s. 6d. (146.17.0; 31.13.6; 0.9.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequins Invasion

Dance: I: Country Dance (incident to the [main]piece)-; This was danced in both performances.] End II: [New Ballet, Demi-Caractere (composed by Gallet), Rural Grace-Gallet, Henry, Miss Armstrong, Mlle Dupre

13860
03 October 1777 @ Covent Garden

Event Comment: Mainpiece: With Alterations and New Airs [composed by Fisher (Gazetteer, 6 Oct.)]. Receipts: #170 16s. 6d. (170.6.0; 0.10.6)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Royal Chace

Dance: End II: The Pilgrim-Harris, Miss Matthews

13861
04 October 1777 @ Drury Lane Theatre

Event Comment: Palmer and Parsons Sal[ar]y raised #1 per full week [of 6 nights]. Receipts: #235 18s. 6d. (207.18.0; 26.11.0; 1.9.6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequins Invasion

13862
06 October 1777 @ Covent Garden

Event Comment: Paid Properties 3rd Inst. #1 15s. 4d.; Wardrobe to date #4 1s. 6d. Receipts: #203 9s. 6d. (202.11.6; 0.18.0)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Royal Chace

Dance: As17771001

13863
07 October 1777 @ Drury Lane Theatre

Event Comment: [For Henderson as King Richard see hay, 7 Aug. 1777.] Afterpiece: The Music composed by Dibdin. With New Scenes and Dresses. Books of the Songs, &c. to be had at the Theatre. [The text erroneously assigns: Gillian-$Mrs Wrighten; Floretta-$Miss Walpole, but see Public Advertiser, 8 Oct., which in a review, gives the correct assignment; see also 6 Oct. 1778.] Receipts: #260 7s. (241.14; 17.17; 0.16)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Quaker

13864
08 October 1777 @ Covent Garden

Event Comment: [Death is identified in Public Advertiser, 9 Oct.; he was from the York theatre. Leoni's song is identified in London Chronicle, 9 Oct.] Receipts: #197 1s. (196.3; 0.18)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Royal Chace

Dance: End III: The Humours of Leixlip-Aldridge, Master Jackson, Miss Besford

Song: II: song [I have lost my Anna]-Leoni

13865
09 October 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: With Alterations [by Richard Brinsley Sheridan]. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season]. Receipts: #187 9s. (139.0.0; 45.4.6; 3.4.6)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Quaker

Dance: End II: Rural Grace, as17771002

13866
10 October 1777 @ Covent Garden

Event Comment: Mainpiece: The Principal Characters new dressed. Receipts: #180 15s. 6d. (178.19.0; 1.16.6)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Padlock

Dance: End: The Humours of Leixlip, as17771008

13867
11 October 1777 @ Drury Lane Theatre

Event Comment: Paid Mrs Yates 9 Days Cloaths #10 10s. 10d.; Renters' Interest #8 [this paid daily throughout season]. Receipts: #250 9s. 6d. (221.17.0; 26.5.0; 2.7.6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Quaker

13868
13 October 1777 @ Covent Garden

Event Comment: Paid Chorus Singers #2 10s. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season]. Receipts: #212 14s. (211.19.6; 0.14.6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Apprentice

Dance: As17771001

13869
14 October 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. [Henderson had 1st acted Shylock at Bath, 21 Dec. 1774; and 1st in London at hay, 11 June 1777.] Paid Printers Bills to the 11th Inst. #32 8s. Receipts: #234 6s. 6d. (209.7.0; 23.19.6; 1.0.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Quaker

Dance: End III: Rural Grace, as17771002

13870
15 October 1777 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. Quick's "Dogberry was true to the text, and not a caricature. In fact it was comedy, and not buffoonery" (Morning Chronicle, 16 Oct.). Receipts: #178 12s. (176.2; 2.10)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Two Misers

Dance: II: Masquerade Dance proper to the Play-; to conclude with: Country Dance-the Characters

13871
16 October 1777 @ Covent Garden

Event Comment: London Chronicle, 17 Oct.: In Act IV Macklin 'very properly declined the orator, but pleaded from his feelings and the predetermined purpose of his heart.' [Mrs Barry, as Mrs Dancer, had 1st acted Portia at Crow Street Theatre, Dublin, 9 Dec. 1761, and at dl, 24 Mar. 1768.] Receipts: #205 8s. (204.19.6; 0.8.6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: The Shepherd's Wedding, as17770924; End IV: As17771008

13872
17 October 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 7 years. No joke ever raised such loud and repeated mirth, in the galleries, as Sir John 's labour in getting the body of Hotspur on his back...At length this upper-gallery merriment was done away [with] by the difficulties which Henderson encountered in getting Smith on his shoulders. So much time was consumed in this pick-a-pack business that the spectators grew tired, or rather, disgusted. It was thought best, for the future, that some of Falstaff 's ragamuffins should bear off the dead body" (Davies, I, 273-75). [For Henderson as Falstaff see hay, 24 July 1777.] Receipts: #207 10s. 6d. (185.6.0; 20.7.0; 1.17.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Quaker

Dance: End II: Comic Dance-the Miss Stageldoirs

13873
17 October 1777 @ Covent Garden

Event Comment: New Scene [1st time; by Edward Thompson, with music by Dr Arne. Larpent MS 438; synopsis ("Macheath, after trial, is sentenced to work on the Thames" in London Chronicle, 18 Oct.]. Paid Hull on Acct. of salary as Acting Manager #30. Account-Book, 23 Mar. 1778: Paid Capt. Thompson for writing the new Scene in The Beggar's Opera #25. Receipts: #240 9s. (240.2.6; 0.6.6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Commissary

Dance: End: As17771008; III: a Hornpipe-Miss Besford

13874
20 October 1777 @ Covent Garden

Event Comment: Some of the Audience having objected to the Omission of a Scene on Friday night, that Scene will be restored this Evening. [Public Advertiser, 18 Oct., specifies the scene as that of Diana Trapes in Act III, the exclusion of whom "breaks a principal Link in the Chain of the Plot."] Paid Guard [master carpenter] for Scene-men #19 15s. Receipts: #287 16s. (286.8; 1.8)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Cross Purposes

Dance: Hornpipe, as17771017; End: As17771001

13875
21 October 1777 @ Covent Garden

Event Comment: Mainpiece: With New Dresses and Decorations. Afterpiece: Never acted there. Receipts: #165 18s. 6d. (164.8.0; 1.10.6)

Performances

Mainpiece Title: Zenobia

Afterpiece Title: The Reprisal or The Tars of Old England

Dance: End: Mirth and Jollity-Aldridge, Langrish, Mast. Jackson, Miss Besford

Song: conclude Afterpiece: The Glorious Ninety@Two-