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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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18476 results for: Keyword - Blakes</i>, deleted.] Receipts:
We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

13751
10 February 1777 @ Drury Lane Theatre

Event Comment: [Public Advertiser, 11 Feb. prints the text of the first of Tenducci's two songs, Lo! a stranger now before you.] Receipts: #217 16s. (200.19.0; 15.17.6; 0.19.6)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Bon Ton

Dance: In II: The Double Festival-Gallet, Helme, Giorgi, Blurton, Sga Crespi, Sga Vidini, Mrs Sutton, Sga Ricci, Mlle Dupre; In IV: The Triumph of Love, as17761107

Song: In: songs-Tenducci (1st appearance in this kingdom these 12 years)

13752
10 February 1777 @ Covent Garden

Event Comment: [The playbill retains Mrs Wilson as The Country Wife, but "Last night Mrs Wilson was taken suddenly ill upon the stage at Covent-garden theatre, and fainted away, in consequence of which Miss Brown read her part in The Country Wife" (Morning Post, 11 Feb.).] Receipts: #246 12s. 6d. (246.1.0; 0.11.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Country Wife

13753
13 February 1777 @ Drury Lane Theatre

Event Comment: [Public Advertiser, 14 Feb.. refers to a third song sung by Tenducci: an air from Artaxerxes.] Receipts: #202 13s. 6d. (184.19.0; 17.0.6; 0.14.0)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Harlequins Invasion

Dance: In II: The Double Festival, as17770210, but Slingsby; In V: +The Triumph of Love, as17761107

Song: As17770210

13754
13 February 1777 @ Covent Garden

Event Comment: Mrs Hartley being taken ill, Sir Thomas Overbury [announced on playbill of 11 Feb.] is obliged to be deferred till Monday. Receipts: #167 6s. (164.10.6; 2.15.6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Jovial Crew

13755
17 February 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: With the Grand Triumphal Entry. Receipts: #180 5s. (163.14.0; 15.16.6; 0.14.6)

Performances

Mainpiece Title: Alexander The Great Or The Rival Queens

Afterpiece Title: Selima and Azor

13756
20 February 1777 @ Covent Garden

Event Comment: Paid Woodfall in full for his 2 nights #150 [see 6 Feb.]. Receipts: #226 7s. 6d. (223.6.0; 3.1.6)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: Comus

Song: As17770107

13757
22 February 1777 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Arthur Murphy, based on L'Irresolu, by Philippe Nericault, dit Destouches. Prologue by the author. Epilogue by David Garrick (see text)]: A new Scene and New Dresses. Public Advertiser, 2 May 1778: This Day is published Know Your Own Mind (1s 6d.). Receipts: #246 7s. 6d. (245.7.0; 1.0.6)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Mock Doctor

Dance: As17761123

13758
24 February 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Altered from [The Relapse, by] Sir John Vanbrugh [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick (see edition of 1781)]. The Characters new dressed. Receipts: #229 7s. 6d. (217.13.0; 10.8.0; 1.6.6)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Waterman

Dance: End III: The Triumph of Love, as17761107:

13759
25 February 1777 @ Drury Lane Theatre

Event Comment: Paid Hatsell, Mercer, #280 7s. Receipts: #149 13s. 6d. (131.10.0; 15.19.0; 2.4.6)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Harlequins Invasion

Dance: End III: As17761024

13760
25 February 1777 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: none listed (charge: #73 10s.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Comus

Dance: As17770218

Song: Sweet Echo, as17761007

13761
01 March 1777 @ Drury Lane Theatre

Event Comment: Public Advertiser, 3 Mar.: "A new Prologue was spoken by King on Saturday Evening, and received with uncommon Applause." [Mrs Sherborn is identified in Lysons, Collectanea.] Receipts: #215 16s. 6d. (187.12.0; 25.17.0; 2.7.6)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Deserter

Dance: End III: The Double Festival, as17770213

13762
01 March 1777 @ Covent Garden

Event Comment: Public Advertiser, 3 Mar.: "When [Reinhold] appeared on the Stage [in the afterpiece], after some little Time the excessive Glare of the Lamps affected him so much [because of an incomplete recovery from illness] that he dropped down in the Middle of his Part in a fainting Fit, of which he soon afterwards perfectly recovered in the Green Room. The Audience, with their wonted Indulgence and Humanity, universally insisted that the Curtain should be dropped." Receipts: #259 5s. (257.17; 1.8)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Golden Pippin

Dance: As17770218

13763
03 March 1777 @ Covent Garden

Event Comment: [This was Mrs Barry's 1st appearance since the death of her husband on 10 Jan. See also 28 Nov. 1776. Address by David Garrick (Poetical Works, II, 333).] Receipts: #270 17s. 6d. (267.16.6; 3.1.0)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Jovial Crew

Dance: As17770218

13764
06 March 1777 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: none listed (charge: #73 10s.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Golden Pippin

Dance: As17761107

13765
08 March 1777 @ Drury Lane Theatre

Event Comment: Afterpiece: A Dramatic Entertainment of Singing, Dancing and Dialogue in Honour of Shakespeare. In which a Pageant. The Music by Dibdin. Receipts: #257 11s. (234.12.0; 20.4.6; 2.14.6)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Jubilee

Dance: As17770225

13766
10 March 1777 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Public Advertiser, 18 Feb.; Tickets to be had of Smith at his House in Beaufort Buildings, Strand. Receipts: #260 4s. (144.4; 13.8; 0.19; tickets: 101.13) (charge: #74 14s.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Harlequins Invasion

Dance: End III: The Irish Fair, as17761031

13767
10 March 1777 @ Covent Garden

Event Comment: Benefit for Miss Catley. No Part of the Pit can on any Account be laid into the Boxes. Public Advertiser, 3 Mar.: Tickets to be had of Miss Catley at Wilson's, Watchmaker, No. 150, Drury-Lane. Receipts: #302 3s. (209.13; tickets: 92.10) (charge: free)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Jovial Crew

Dance: As17761123

Song: End afterpiece: Push about the Jorum, and an additional Versesuitable to the Night-Miss Catley

13768
11 March 1777 @ Drury Lane Theatre

Event Comment: Benefit for Miss Younge. Interlude [1st time; M. INT I, by Edward Jerningham]: Interspersed with Music [by James Hook. Text 1st published in Jerningham's Poems, vol. I (J. Robson, 1786)]. Public Advertiser, 20 Feb.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #222 9s. (80.14; 18.10; 1.19; tickets: 121.6) (charge: #65 17s.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Margaret of Anjou

Afterpiece Title: The Deserter

Dance: End V: The Irish Fair, as17761031

13769
13 March 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #221 13s. 6d. (200.3.0; 20.17.0; 0.13.6)

Performances

Mainpiece Title: The Funeral Or Grief A la mode

Afterpiece Title: The Jubilee

Dance: As17770215

13770
13 March 1777 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: none listed (charge: #73 10s.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Jovial Crew

Dance: As17770218

13771
15 March 1777 @ Drury Lane Theatre

Event Comment: Benefit for Vernon. Public Advertiser, 5 Mar.: Tickets to be had of Vernon, Vauxhall. Receipts: #219 12s. 6d. (107.16.0; 20.13.6; 7.16.0; tickets: 83.7.0) (charge: #71 19s.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Deserter

Dance: As17770110

13772
17 March 1777 @ Drury Lane Theatre

Event Comment: Benefit for Dodd. Public Advertiser, 1 Mar.: Tickets to be had of Dodd, New Ormond-street. Receipts: #244 13s. (111.17.0; 11.16.6; 1.10.6; tickets: 119.9.0) (charge: #74 3s.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A ChristmasTale

13773
17 March 1777 @ Covent Garden

Event Comment: Benefit for Mrs Barry. Mainpiece: Not acted these 6 years. Part of the Pit will be laid into the Boxes. Servants are desired to be sent by Four o'clock, and those Ladies and Gentlemen who have Places in the Pit, are respectfully intreated to come early, to avoid inconveniency in getting to their Seats. Public Advertiser, 25 Feb.: Tickets to be had of Mrs Barry at No. 10, on the Terrace, New Palace-Yard, Westminster. Receipts: #271 15s. 6d. (143.15.6; tickets: 128.0.0) (charge: #67)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Two Misers

Dance: As17770125

Song: I: song-Mrs Farrell

13774
20 March 1777 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of The Funeral, announced on playbill of 18 Mar.] Afterpiece [1st time; CO 2, by Isaac Jackman]: The Music composed by Carter. Receipts: #233 11s. (190.1.0; 40.16.6; 2.13.6)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Milesian

13775
22 March 1777 @ Drury Lane Theatre

Event Comment: On Account of Mrs Yates's Indisposition A Trip to Scarborough [announced on playbill of 20 Mar.] is obliged to be deferred. [The playbill retains Mrs Abington as Miss Prue, but "Last Saturday night, Mrs Abington being suddenly taken ill, Mrs Mattocks supplied the Part in Love for Love; and though we will not pretend to put her comic Abilities on a Level with those of Mrs Abington, yet her Performance was exceedingly humourous and entertaining" (Gazetteer, 24 Mar.).] Paid Mrs Abington in lieu of a benefit #200. Receipts: #218 8s. (188.0.0; 28.15.6; 1.12.6)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Milesian

Dance: As17770215