SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Selima and Azor

Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Polly Honeycombe

Event Comment: Juliet by Mrs Robinson--a genteel Figure--a very tolerable first Appearance, and may do in time. [Note added by J. P. Kemble: Mrs Mary Robinson, whose maiden name was Darby, died Dec. 26, 1800 at Englefield Green. See her Life, of which the first part, namely as far as to her Acquaintance with the Prince of Wales, was written by herself] (Hopkins Diary). Receipts: #170 8s. (133.15; 31.15; 4.18)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Selima and Azor

Dance: In I: Masquerade-; Dance-Giorgi, Blurton, Mrs Sutton. [This was included, as here assigned, in all subsequent perfomances.

Song: Mainpiece: with the Funeral Procession. Vocal Parts-Gaudry, Legg, Kear, Fawcett, Brown, Carpenter, Follett, Chaplin, Miss Abrams, Miss Collett, Mrs Scott, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Boyd, Mrs Booth, Mrs Pitt

Event Comment: Benefit for the Author of the Alterations [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #174 7s. 6d. (132.8.0; 36.2.6; 5.17.0; tickets: none listed) (charge: #84)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Selima and Azor

Event Comment: By Command of Their Majesties. Rec'd. of Condell on Acct of Fruit Rent this Season #20. Receipts: #240 1s. (239.3; 0.18)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Polly Honeycombe

Dance: As17761123

Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

Event Comment: Afterpiece: In 2 acts, taken from Wycherley [by John Lee (Public Advertiser, 14 Dec.)]. Paid Pattinson, Tallow Chandler, #41 19s. Receipts: #167 18s. (166.9.6; 1.8.6)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Country Wife

Event Comment: Benefit for the City of London Lying-in Hospital. Mrs Greville-Indiana--$Miss Younge being ill (Hopkins Diary). Public Advertiser, 4 Dec.: Tickets to be had at the Hospital, in Oldstreet Road. Receipts: #253 9s. (70.14; 0.0; 0.0; tickets: 182.15) (charge: #105)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Rival Candidates

Dance: End: Comic Dance-the two Miss Stageldoirs

Song: As17761025

Event Comment: Benefit for a Fund for the Relief of Performers and others retiring from the Theatre. Mainpiece: Acted but once [on 5 Mar. 1776] these 20 years. Afterpiece: 8th Night (see 28 Nov.). Receipts: none listed (charge: #105)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Seraglio

Dance: As17761123

Event Comment: By Command of Their Majesties. Smith Don Felix--very so, so. The Play was very imperfect (+Hopkins Diary). Receipts: #249 12s. 6d. (235.6.0; 12.15.6; 1.11.0)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Selima and Azor

Dance: End II: The Double Festival-Gallet, Mlle Dupre, Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci, Mrs Sutton

Event Comment: Mainpiece: Not acted these 7 years. Receipts: #107 19s. (103.17; 4.2)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Seraglio

Dance: As17761015

Event Comment: Benefit for the British Lying-in-Hospital, for Married Women, in Brownlow-street, Long-acre. Receipts: #165 (98.5.6; 0.0.0; 1.8.6; tickets: 65.6.0) (charge: #105)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Waterman

Dance: End: The Irish Fair, as17761031

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #174 5s. (2nd account, after-money, tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Semiramis

Afterpiece Title: The Rival Candidates

Event Comment: Benefit for the Middlesex Hospital. Receipts: #193 10s. (89.4; tickets: 104.6) (charge: #105). Account-Book, 30 Dec.: Rec'd of Middlesex Hospital in full for charge of house #15 16s

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: High Life below Stairs

Dance: As17761015

Event Comment: [Mainpiece in place of Semiramis, announced on playbill of 21 Dec.] Mrs Yates sent Word last Night that her Cold continued--she could not play in Semiramis to-night. [Note added by J. P. Kemble: I have not yet found the rest of Mr. Hopkins Diary for the Year] (Hopkins Diary). Receipts: #185 17s. 6d. (160.18.0; 24.2.6; 0.17.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Selima and Azor

Dance: As17761218

Event Comment: [Afterpiece: Prologue by David Garrick.] Receipts: #208 16s. 6d. (197.5.0; 10.18.6; 0.13.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: A ChristmasTale

Song: As17761125, but Gaudry, Mrs J _Smith, Mrs +Smith

Event Comment: Afterpiece [1st time; P 2 (?), author unknown]: An Alteration of Prometheus. The Overture and Music composed by Fisher. The Scenes painted by Dall and Richards. Books of the Songs, Masque, &c. to be had at the Theatre. Receipts: #208 3s. 6d. (205.14.6; 2.9.0)

Performances

Mainpiece Title: King Henry The Second Or The Fall Of Rosamond

Afterpiece Title: Harlequins Frolicks

Dance: End Afterpiece: Rural Dance-Bishop, Sga Tinte

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

Event Comment: Mainpiece: Altered [by Charlotte Lennox] from [Eastward Hoe, by] Ben Johnson, and others [George Chapman and John Marston]. Receipts: #128 7s. 6d. (100.11.0; 23.8.0; 4.8.6)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Selima and Azor

Event Comment: Semiramis [announced on playbill of 28 Dec.] is obliged to be deferred on Account of Mrs Yates' illness. Receipts: #130 5s. (107.7.0; 21.7.6; 1.10.6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Selima and Azor

Song: As17761226

Event Comment: Reinhold being seized with a severe Hoarseness, Caractacus [announced on playbill of 30 Dec.] is obliged to be deferred. Receipts: #159 9s. 6d. (158.7.6; 1.2.0)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Frolicks

Dance: As17761226

Event Comment: [Mainpiece in place of The Orphan, announced on playbill of 31 Dec. 1776. Public Advertiser assigns the Ghost to Farren.] Afterpiece: With Additions and Alterations, New Music, Scenes [by Greenwood, Leroy and French Jun. (Morning Post, 4 Jan.)], Dresses, and Decorations. Receipts: #175 1s. 6d. (137.1.0; 34.17.0; 3.3.6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequins Invasion

Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Event Comment: [The playbill announces Caractacus and Harlequin's Frolicks, but "Clarke being suddenly taken extremely ill, Caractacus is obliged to be changed to The Busy Body. Marplot by Woodward. After which, Comus [with full cast listed]" (printed slip attached to BM playbill 937. b. 4).] Receipts: #151 0s. 6d. (149.8.0; 1.12.6)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Comus

Song: In afterpiece: Nor on Beds of fading Flowers-Mrs Farrell

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #276 12s. (126.15.0; 10.2.6; 2.17.0; Tickets: 136.17.6) (charge: #105)

Performances

Mainpiece Title: Semiramis

Afterpiece Title: The Padlock