SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mr G. play'd finely (Hopkins Diary). Receipts: #232 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rival Candidates

Event Comment: Afterpiece: By Particular Desire. Paid Mr Machin (chorus singer) 11 nights #2 15s. Receipts: #200 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day or The Little Gipsy

Event Comment: Parsons being taken last night suddenly ill, the New Musical Farce of May Day is oblig'd to be deferr'd till Wednesday. Receipts: #166 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Elopement

Dance: II: The Savage Hunters, as17751020

Event Comment: Afterpiece: By Particular Desire. Mr G.-never play'd better, and when he was in the Woman's Cloaths he had a head drest with Feathers, Fruit etc. as extravagant as possible to Burlesque the present Mode of Dressing-it had a Monstrous Effect (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Fredrick his bill for sattin #40 10s.; a Tow Bill 10s. (Treasurer's Book). [This monthly bill for Tow amounted to #4 10s. for the season and will not be further mentioned.] Receipts: #217 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Padlock

Event Comment: Paid 2 extra flutes 5 nights #2 10s.; Mr Pryer, (tuner) #58 17s. Receipts: #73 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Elopement

Dance: II: The Savage Hunters, as17751020

Event Comment: Paid Mr Hatsell [Mercer] 3 bills in full of last season #122 17s.; Nichols [sic] (rope maker) #18; Barrett (wax chandler) #28 3s. 6d. Receipts: #92 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Elopement

Event Comment: Miss Younge being ill, Mrs King play'd Arpasia very bad much hiss'd (Hopkins Diary). Paid salary list #626 16s. 6d.; Collett #2 13s. 2d.; Mr Packer on note #30; Mr Sadler for cloth #1 15s. Rec'd Stopages #14 2s. 6d. Receipts: #153 19s. (Treasurer's Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: May Day

Dance: End: The Savage Hunters, as17751020

Event Comment: Mr Garrick inexpressibly fine. Mrs Abington Beatrice, first time-very Great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Sparks and Co. Lace Bill #10 15s. Mr King (glassman) for lustres his bill #75 2s. (Treasurer's Book). [From the Gazeteer and New Daily Advertiser, 7 Nov.: "The desertion of the theatres in consequence of the disease with which so many are afflicted, has been productive of one agreeable effect, that of bringing Mr Garrick forward in Benedict much earlier than was expected. It cannot be a matter of surprise that Roscius should have escaped the infection and his spirits and constitution seems proof against the attacks of age itself; after above 30 campaigns, his ardour and execution appear rather to increase. Benedict owes all its consequence to his attachment; there is a peculiar turn of humour in this soldier that none but Mr Garrick has ever been able to enter into the true spirit of. Last night he supported the character with undiminished excellence, and in the speech where he meditates and then resolves on marriage, he soared beyond himself. Beatrice is Shakespeare's Benedict in petticoats, and very happily has got into the hands of Mrs Abington" (Quoted in Hampden, Eighteenth Century Journal).] Receipts: #264 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: May Day

Event Comment: The Prelude The Theatrical Candidates By Desire, and for the last Time. Paid Mr Brereton on Mr G. draft #60. Receipts: #136 17s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: May Day

Event Comment: This Play is alter'd by Mr Lenox from Eastward hoe! it was well perform'd and had Applause--some hisses at the End it won't do much (Hopkins Diary). Characters new dress'd in Habits of the Time. (MacMillan's note from Kemble differs slightly.] Paid Mr Abrahams by Mr D. G. #40; Mr Caesar for Trimmings #6 16s. 6d. (Treasurer's Book). [Long review of the play and its merits and demerits as an adaptation appeared in the Westminster Magazine for Nov. It was approved of in general.] Receipts: #189 8s. (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: May Day

Dance: The Merry Peasants, as17751018

Event Comment: Mainpiece: By Particular Desire. Paid half a years rent to Duke of Bedford to Mich. Last #164 2s. 10d.; Ditto to Mr Wegg to ditto #57; Mrs Scott (laceman) #99 7s.; Mrs Chitty for coals #92 10s.; Mrs Sutton for women's cloathes #12; Tabor and Pipe 7 nights #3 13s. 6d.; Two additional flutes #3. Receipts: #272 1s. 6d. (Treasurer's Book). At the Play Mr Garrick acted and the house was so full you could not have thrust your little finger in, not withstanding the plague sweeps us away by dozens (Cumberland's Letters; Hampden, Journal)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: May Day

Dance: III: The Merry Peasants, as17751018

Event Comment: Queen Mab is reviv'd with Alterations and Additions particularly Grand New Scene with a Representation of a Regatta very well executed but is too much like The Naval Review (Hopkins Diary). [MacMillan's note from Hopkins differs slightly. He also adds from the Public Advertiser, 13 Nov., The last grand scene is a Representation of the whole Regatta sailing by Ranelagh. That and the Red House were invented and drawn by Mr deLoutherberg, and painted by Messrs French, deRoy, Greenwood, and others."] Rec'd stopages #11 12s. 6d. Paid Salary list #626 16s. 6d. Receipts: #152 12s. (Treasurer's Book). [Fuller descriptions of the Regatta scene appeared in the Westminster Magazine for Nov.: The Scene affords a picturesque view of the Thames on the Surry Side to Ranelagh Gardens representing the procession of barges etc., of the different squadrons, previous to their landing the company. The effect produced by this united scenery and machinery was very pleasing; every barge appeared to be rowed to the time of the band of music which is supposed to be upon the water, and evepy man and oar keeps a regular stroke: the sky, flat behind, was finely designed and executed for the general relief, and disposition of the men and boats near shore, in the foreground, was beautiful and did the painter great credit. The whole concluded with a Tar 's song in character, by Mr Bannister, and a dance by sailors and their doxies.'

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Event Comment: Paid Mr Thos. Smith per order Mr D. G. #31 10s.; Barrow andCo for oil #52. Receipts: #149 5s

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Event Comment: Paid Gardiner (shoemaker) #18 18s. 6d. Receipts: #181 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Bon Ton

Event Comment: Paid Mr Wright for Mr Bacon's law charges #9 9s.; Mr Damaria by order of Mr D. G. #8 8s. Receipts: #167 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751020

Event Comment: Places for boxes may be had at the Stage Door of Mr Fosbrook. [Fosbrooke mentioned first time in the bills.] Paid Mrs Seddon [Siddons] by order of Mr D. G. paid to Mr Becket #20. Receipts: #267 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Deserter

Dance: II: The Merry Peasants, as17751018

Event Comment: Paid half year's land tax to Mich. last #27 4s. 6d.; Ditto Window lights #13 18s. 1d.; Hopkins, Prompter's bill for last season #7 19s.; Mrs Whitlock, sundry bills #26 8s. 9d. Receipts: #98 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751020

Event Comment: Rec'd stopages #11 18s. Paid Mr Farren 40 nights at 30s. per week, #10. Receipts: #133 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: May Day

Dance: II: By Particular Desire, The Savage Hunters, as17751020, but Blurton

Event Comment: Fanny first time Miss P. Hopkins-very well and great applause (Hopkins Diary). The altered Comedy of Old City Manners, which was to have been performed this evening, for the author, is oblig'd to be deferr'd till Monday next on account of Mr Dodd's illness, when tickets deliver'd for this night will be taken. Receipts: #154 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: I: The Savage Hunters, as17751118

Event Comment: Mr Grist Osmyn . Some part of it very well he was not quite perfect--few Hisses (Hopkins Diary). [Advertisement that the plays are advertised in Public Advertiser and Gazette only.] Paid 2 additional flutes 2 nights #1. Receipts: #159 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: May Day

Dance: II: The Merry Peasants, as17751018

Event Comment: By Command. [No mention of the King and Queen in Treasurer's Book.] Paid Mr Grist on act by order #10. Receipts: #280 1s. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Queen Mab

Dance: II: The Savage Hunters, as17751118

Event Comment: Mainpiece: Not acted in 10 years. [See 20 Dec. 1764.] Mrs King and Mrs Greville Imperfect (Hopkins Diary). Receipts: #107 11s. (Treasurer's Book)

Performances

Mainpiece Title: She Would And She Would Not Or The Kind Imposter

Afterpiece Title: Queen Mab

Dance: End: The Merry Peasants, as17751018

Event Comment: Rosetta first time by Miss Sharp--a loud Voice a bad face and mean figure She had Applause--but it won't do (Hopkins Diary). [MacMillan's note from Kemble differs slightly and adds: Miss Sharpe was a Scholar of Mr Bates's--since married to Mr William Palmer, brother to Mr John and Mr Robert Palmer."] Rec'd the late Mr Powell's bond for #200 and 9 years interest in full #290; Stopages #11 18s. Paid Barrow and Co., Oil Bill #50 3s.; Powney, (stationer) #14 11s. 6d.; Tallow Chandler's third bill #47 12s. 4d.; Evans on Wardrobe acct #10 10s.; Grist on acct #6 6s.; Machin, Chorus 13 nights, #3 5s. Receipts: #116 13s. [Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751118

Event Comment: Places for Boxes to be taken of Fosbrooke at the Stage Door. Paid salary list #626 16s. 6d.; Miss Robins in full of #16 13s. 4d. Receipts: #191 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Lottery

Dance: II: The Savage Hunters, as17751118