SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. Receipts: #134 15s

Performances

Mainpiece Title: Man And Wife

Afterpiece Title: The Oxonian in Town

Entertainment: As17691010

Event Comment: Both Pieces by Command of Their Majesties (playbill). Gave Yeomen of Guards #2 2s. (Account Book). Receipts: #226 12s

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Rape of Proserpine

Dance: III: A New Dance call'd The Whim-Aldridge, Sga Manesiere. [See17690427]

Event Comment: Mainpiece: By Desire. Paid Younger for a License for the Brothers #22s. (Account Book). Receipts: #127 11s

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Rape of Proserpine

Event Comment: Mainpiece: Not Acted these 12 Years. [See 27 Dec. 1759.] Receipts: #139 11s. 6d

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Rape of Proserpine

Event Comment: Mainpiece: A New Comedy [by Richard Cumberland] never performed. [Genest, V, 282, reports that Garrick was in the House this night and was agreeably surprised at the complimentary reference to him in the Epilogue: Who but has seen the celebrated strife Where Reynolds calls the Canvass into life: And, 'twixt the Tragic, and the Comic Muse, Courted of both, and dubious where to chuse, Th'immortal Actor stands?' A long retelling of the plot appeared in the Freeholder's Magazine for Dec., concluding: This comedy was received with great applause by the Audience. It is said to be written by Mr Cumberland, who has already oblig'd the Public with a musical piece, called the Summer's Tale. The Performers, particularly Mr Smith, Mr Woodward, Mr Yates, Mrs Green, Mrs Bulkley, and Mrs Yates, did great justice to their characters. The Prologue was spoken by Mr Smith, and the Epilogue, which alluded to the celebrated picture of Sir Joshua Reynolds, where Comedy and Tragedy are contending for Mr Garrick, by Mrs Yates." Receipts: #215 18s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Contrivances

Event Comment: Paid Younger for writing parts #8 14s. 4d. (Account Book). Receipts: #169 14s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Thomasand Sally

Afterpiece Title: The Authors Night

Performance Comment: Charges #64 10s. Balance to Author #108 10s. 6d. (Account Book). Receipts: #173 6s.
Event Comment: For the creditors of the late Miss Elliot (Genest, V, 282). Receipts: #188 10s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Englishman in Paris

Dance: End: The Tartars-Fishar, Sga Manesiere. [See17680416.

Event Comment: The Author's Night. Charges #64 5s. Balance to Author #64 4s. 6d. (Account Book). Receipts: #128 9s. 6d

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Upholsterer

Dance: End: The Merry Sailors, as17691018

Event Comment: Afterpiece: By Desire. Receipts: #196 14s. 6d

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Midas

Event Comment: Afterpiece: (With Alterations) perform'd but once. Books of the Entertainment to be had at the theatre. Receipts: #171 8s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Spanish Lady

Event Comment: Author's Night [for Mainpiece]. Charges #64 9s. Balance to Author #92 6s. 6d. Paid Mrs Lessingham on acct #100 (Account Book). Receipts: #156 15s. 6d

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Spanish Lady

Dance: End: The Whim, as17691123

Event Comment: Both pieces By Command of Their Majesties. Gave Yeomen of Guards #2 2s. (Account Book). Receipts: #208 6s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Spanish Lady

Dance: III: A Dance-Mas. Burton, Miss Besford; End: The Whim, as17691123

Event Comment: Mainpiece: An English Opera [from Rolt's The Royal Shepherd]. Never perform'd there. The Music selected from the best composers, and adapted by Tenducci. Books of Opera to be had at theatre. [Argument from Edition of 1769: Among the most celebrated actions ascribed to Alexander the Great, may be well ranked that of delivering the Kingdom of Sidon from the tyrant Strato; and instead of taking the dominion himself, restoring the crown to the next lawful heir, who, ignorant of his pretensions to it, lived as a shepherd in the country near Sidon, of which a more particular account may be found in Quintus Curtius, Book IV, Chap. 10. The superstructure of the fable raised on this historical foundation, will be seen in the course of the drama." The Plot sketched out in a review in the Freeholder's Magazine, Dec.] Receipts: #137 14s

Performances

Mainpiece Title: Amintas

Afterpiece Title: The Englishman in Paris

Dance: I: A New Pastoral Dance-Fishar, Sga Manesiere

Event Comment: Paid Mr Barkinyoung for a Dutch Stove #7 7s. (Account Book). Receipts: #146 4s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Spanish Lady

Dance: End: The Merry Sailors, as17691018

Event Comment: Benefit for the Theatrical Fund instituted by the performers of this theatre. Charges #67 19s. Balance to Fund #126 6d. (Account Book). Receipts: #187 19s. 6d

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Event Comment: Benefit for City of London Lying-In Hospital in Aldersgate Street. Charges #85 5s. Balance to Hospital 8s. 6d. plus income from tickets #142 3s. (Box 402; Pit 203; Gallery 112). Paid Dunstall balance for Theatrical Fund #120 6d. (Account Book). [The Occasional Prologue is Larpent MS 303, ending in anti-Mandevillian fashion; Private virtue leads to Public good."] . Receipts: #85 13s. 6d

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Musical Lady

Dance: End: The Whim, as17691123

Event Comment: Mainpiece; Performed but once. Afterpiece: By Desire. Paid Cumberland balances for author's nights 5th, 8th, 12th Insts. #265 1s. 6d. (Account Book). Receipts: #132 10s

Performances

Mainpiece Title: Amintas

Afterpiece Title: Harlequin Skeleton

Dance: I: A New Pastoral Dance, as17691215

Event Comment: Benefit for New General Lying In Hospital in Store St., Tottenham Court Road. Charges #85 10s. Balance to Hospital #10 17s. 6d., plus income from tickets #116 15s. (Box 377, Pit 150). Paid Tenducci for his performance in Amintas the 21st Inst. #30 (Account Book). [Shuter's Occasional Epilogue is Larpent MS 303.] Receipts: #96 7s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Thomasand Sally

Dance: IV: The Lamplighters, as17691005

Event Comment: TThe Twin Rivals oblig'd to be deferr'd on account of Indisposition of a principal performer. Receipts: #161 6s

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Rape of Proserpine

Event Comment: Mainpiece: Not acted these 3 years. [See 27 Nov. 1765. Hogan noted the following additions from the 1770 edn.: Mortimer-Lewes; Glendower-Morris; Prince John-Miss Cockayne; Northumberland-Redman; Gadshill-P. Smith; Peto-Wild.] Receipts: #149 17s. 6d

Performances

Mainpiece Title: King Henry Iv Part I With The Humours Of Falstaff

Afterpiece Title: The Rape of Proserpine

Dance: II: The Merry Sailors, as17691018

Event Comment: Paid Mrs Morris for walking 3 nights in the Coronation and 12 nights in the Pageant #3 15s. (Account Book). Receipts: #180 10s

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17691229. Receipts: #198 6d.
Event Comment: Paid Younger for license for the Court of Alexander #2 2s. Gave King's Footmen #2 2s.; Chairmen #2 2s.; Queen's Footmen #2 2s. & Chairmen #2 2s. (Account Book). Receipts: #210 12s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Court of Alexander