SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Doors open at 5. Play to begin exactly at 6. Rec'd from the King of Denmark #40. Receipts: #142 18s. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Upholsterer

Event Comment: Both pieces By Command of their Majesties. Servants are desired to be at the theatre to keep places by 4 o'clock. Receipts: #209 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Thomasand Sally

Dance: End: The Irish Lilt, as17680930; End I [of Farce]: The Merry Sailors, as17680920

Event Comment: The Program By Desire. Receipts: #175 11s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Coronation

Event Comment: Mainpiece: Not acted these 3 years. [See 1 May 1765.] Books of the opera to be had at the Theatre. Receipts: #213 (Account Book)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Miller of Mansfield

Dance: I: A Comic Dance, as17681007; II: New Grand Ballet, The Tartars, as17681004

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: Never Acted There. Receipts: #164 10s. 6d. (Account Book)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Oxonian in Town

Dance: End: The Merry Sailors, as17680920

Event Comment: The Tragedy of Tamerlane intended for this day and Saturday cannot be acted, on account of the Indisposition of a principal performer. Receipts: #157 12s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Event Comment: Mainpiece: By Particular Desire. [Theatrical Monitor No 7, printed a list of 84 actors, actresses, and dancers belonging to the company, who signed a Petition to the Town in favor of Colman. See Harvard Library ed. of Memoirs of Macklin, II, part 2, p. 14.] Receipts: #115 15s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Midas

Event Comment: Afterpiece: By Particular Desire. Receipts: #199 16s. 6d. (Account Book)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Harlequin Dr Faustus

Dance: II: The Garland, as17681028

Event Comment: Mainpiece: By Particular Desire. Receipts: #190 19s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Event Comment: Mainpiece: By Particular Desire. Receipts: #178 16s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Midas

Event Comment: A celebrated performer of Covent Garden, being very successful Last Season, has within a few weeks, distributed among the poor #400 in a little village where he resides near London (Lloyd's Evening Post, 14 Nov.). Rec'd of Condell on Account of Fruit Rent #20. Receipts: #138 6s. (Account Book)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Harlequin Dr Faustus

Event Comment: TThe Way to Keep Him oblig'd to be deferr'd because of Indisposition of a principal performer. Receipts: #164 10s. (Account Book)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Midas

Dance: III: The Lamplighters, as17681101

Event Comment: Mainpiece: By Particular Desire. Receipts: #145 13s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Lamplighters, as17681101

Event Comment: MMiss Morris was a pupil of Mr Colman's--She was very much approved by the public in the character of Juliet. On the sixth night of her appearance on the stage she was taken ill, and died before the end of this season. See the Bill for her Benefit (Hopkins MS Notes). Afterpiece: Not acted these 6 years. [See 19 May 1762.] [The Occasional Prologue, by Colman, is Larpent MS 288, which introduces Miss Morris as Juliet, and stresses the qualms and fears of a new performer.] Receipts: #227 19s. 6d. (Account Book). Lloyd's Evening Post, 28-30 Nov.: Sir: The managers of both theatres have of late, in order to put a stop to the Public complaint against a dearth of actors, given trials to several stage candidates that seemed to have any promising requisite. Such experiments have not proved fruitless. The most brilliant and interesting of which was the young lady's appearance on Covent Garden Theatre last night, in the character of Juliet. So great was her terror, on presenting herself for the first time before a crowded audience, that, deprived of all her powers, she fell down on the stage in a swoon. The first act in consequence, was all terror on her side, all compassion and anxiety on that of the audience. But having had time between the first and second Acts to recover from her panic, she shone forth in the Balcony Scene the most pleasing promise of a young tragic actress that has been seen for half a century past, and continued so throughout. Her person is genteel, her tone of voice insinuating, variable, and melodious; her recitation is just and sensible; very affecting in the pathetic parts; condescending, free, and polite are the familiar speeches with the Nurse. She is happily devoid of all stage whine, and tragedy Cant. The manner she has been rudimented in does great honour to her instructors, who have so judiciously prevented the so excellent actor of this verily a Shakespeare's Juliet, from being sophisticated by the studied tricks, and false ornamenting of mistaken modern and degenerate art

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Damon and Phillida

Event Comment: Sixth appearance on any stage for the Young Gentlewoman playing Juliet. Receipts: #125 16s. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Dragon of Wantly

Event Comment: Mainpiece: A New Tragedy [by John Hoole] never perform'd. Paid Younger for a license for Cyrus & the New Occasional Prologue, #3 3s. (Account Book). [Account of the plot of the mainpiece, but without observational comment appeared in Lloyd's Evening Post, 2-5 Dec.] Receipts: #229 4s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Country Wife

Event Comment: Third Day. For the Author. Charges #64 12s. (including extra Kettle drum, Side drum, and candles). Balance to author #107, who also had 121 Box Tickets from which he receiv'd #30 5s. Total value of the House that night #201 17s. Receipts: #171 12s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Upholsterer

Event Comment: Paid Simpson extra salary #21 (Account Book). Receipts: #174 2s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Paid Mr Abbott for cleaning the Garland, etc. 3s. 6d. (Account Book). Receipts: #168 10s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Dr Faustus

Dance: II: A Dance call'd The Reel-Aldridge, Miss Valois, Sga Manesiere. [See17680307.

Event Comment: Author's 2nd Night. House Charges #64 12s. Balance due author #94 3s. plus income from 89 Box tickets #22 15s. (Account Book). Receipts: #158 15s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Thomasand Sally

Event Comment: Paid Younger a Bill for writing Parts #6 14s. 6d. (Account Book). Receipts: #75 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: Not performed these 2 years. [see 21 May 1767.] Paid Younger for a license for Tom Jones #2 2s. (Account Book). Receipts: #132 16s. (Account Book)

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Midas

Event Comment: Benfit towards the increase of a Fund (Established by the Performers of this Theatre) for the support of such actors, and their families, who from Age or Infirmities, shall be oblig'd to quit the stage. Charges #65 7s. 6d. [including candles, extra kettle drum, side drum, organ and tabor & pipe]. Balance due Fund #101 17s. 6d. plus a special income of #17 13s. from 64 Box tickets (Account Book). Receipts: #167 5s. (Account Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Oxonian in Town

Event Comment: Paid Mr Hoole for the balance of his 3 nights of Cyrus #315 15s. 6d. (Account Book). Receipts: #178 14s. 6d. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Musical Lady

Dance: End: The Reel, as17681212