SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones (playbill). Charges #64 15s. 6d. Balance to Legg #17 8s. 3d.; to Mrs Lampe and Mrs Jones together #17 8s. 3d. In addition Legg received #59 14s. from his tickets (Box 82; Pit 188; Gallery 110) and the two Actresses together received #55 9s. from tickets (Box 89; Pit 142; Gallery 119). Receipts: #99 12s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Orpheus and Eurydice

Ballet: II: The Wapping Landlady. Double Hornpipe, As17680416

Event Comment: Benefit for Garton (treasurer). Charges #66 15s. 6d. Deficit to Garton #9 11s. 6d. but covered by #107 19s. from tickets (Box 225; Pit 274; Gallery 106). Receipts: #57 4s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Amelia

Dance: III: The Provenzales, as17680301

Event Comment: Benefit for Wignell and Mrs Squibb. Mainpiece: Not acted this Season. Charges #16 10s. Deficit to Wignell and Mrs Squibb #22 10s. but covered by #98 4s. to Wignell from tickets (Box 89; Pit 378; Gallery 191) and #95 10s. to Mrs Squibb from her tickets (Box 172; Pit 242; Gallery 162). Receipts: #42 (Account Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Upholsterer

Ballet: End: The Wapping Landlady, Double Hornpipe,. As17680416

Event Comment: Benefit for Mr and Mrs DuBellamy. Charges #64 00s. Deficit to the DuBellamys #26 10s., covered by #60 6s. from tickets (Box 93; Pit 205; Gallery 63). Receipts: #37 18s. (Account Book)

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Imposter

Afterpiece Title: Thomasand Sally

Song: I: Angelic Fair, a new song-DuBellamy; IV: By Particular Desire, the Cantata of Cymon and Iphigenia-DuBellamy

Ballet: End: The Wapping Landlady. As17680416

Event Comment: Benefit for Bennet and Stede. Every Man in His Humour oblig'd to be deferr'd on account of indisposition of a principal performer. Tickets deliver'd for Every Man will be taken. Charges #64 10s. Deficit to Bennet and Stede #23 13s. covered by #45 17s. to Bennet from his tickets (Box 6; Pit 195; Gallery 151) and by #33 14s. to Stede from his tickets (Box 16; Pit 102; Gallery 144). Receipts: #40 17s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Royal Chace

Dance: IV: A Hornpipe-Miss Stede, 1st time (Scholar to Fishar)

Event Comment: Benefit for Dibdin. Charges #64 10s. Deficit to Dibdin #17 6d., but covered by #39 14s. in income from this tickets (Box 60; Pit 102; Gallery 94) (Account Book). [The total house was small, only #93 3s. 6d.] Receipts: #47 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Citizen

Dance: II: Hornpipe-Miss Pitt

Event Comment: Benefit for Holtom, Miss Besford, Curtat, and Mrs Naylor. Charges #64 10s. Deficit to beneficiaries #28 11s. 6d. or #7 2s. 10 1!2d. apiece, covered by the value of their tickets: Holtom #32 2s.; Miss Besford #28 1s.; Curtat #33 5s.; Mrs Naylor #24 5s. @Box Pit Gallery Value@Holtom 18 126 87 #32 2s.@Besford 43 58 86 #28 1s.@Curtat 42 89 94 #33 5s.@Naylor 24 71 76 #24 5s.@Money #35 18s. 6d.@Total Value of House #153 11s. 6d.@ Receiv'd of Condell in full for fruit rent this season #20 (Account Book). Receipts: #35 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Upholsterer

Ballet: End of Opera: The Wapping Landlady. As17680416

Event Comment: Benefit for Rose, Sherrard and others. Tickets deliver'd by Robson, Dixon, Wooley, Roberts, Fransdorf, Doe, Reed, Ellis and Pilfold will be taken. @Tickets Box Pit Gallery Value 1!2 Value@Rose 20 31 25 #12 3s. #6 1s. 6d.@Sharratt 6 6 11 #3 10s. #1 15s.@Robson 1 49 52 #12 16s. #6 8s.@Dixon 4 39 33 #10 3s. #5 1s. 6d.@Wooley 3 38 64 #12 17s. #6 8s. 6d.@Roberts 13 53 42 #15 8s. #7 14s.@Fransdorf 33 33 #8 5s. #4 2s. 6d.@Doe 1 13 49 #7 2s. #3 11s.@Reed 10 13 37 #8 3s. #4 1s. 6d.@Ellis 6 33 #4 4s. #2 2s@Pilfold 25 128 17 #27 3s. #13 11s. 6d.@Total #121 14s. #60 17s. (Account Book).@ [See note to 27 May.]@ Rec'd of Gardner for his deficiency 6th inst. #13 3s. 6d.@ Rec'd of Miss Besford her deficiency 25th inst. #7 2s. 10 1!2d.@ Rec'd of Holtom for his deficiency 25th inst. #7 2s. 10 1!2d.@ Rec'd of Mrs Trott her 1!2 value of tickets 27th #2 16s.@ Rec'd of Miss Maddan her 1!2 value of tickets 27th #5 19s.@ Rec'd of Arnd Fishar his 1!2 value of tickets 27th #1 9s.@ Rec'd of Parsons his 1!2 value of tickets 27th #19.@ Rec'd of Morris his deficiency the 3rd inst. #2 10s. 9d. (Account Book).@ Receipts: #35 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Comic Dance, as17680527

Event Comment: Benefit for Mr Sarjant and Son (book and box-keeper). Tickets deliver'd for the 16th will be taken. Charges #81 15s. 6d. Deficit to Sarjant #57 4s. covered by #167 2s. from tickets (Box 450; Pit 272; Gallery 138) (Account Book). Rec'd the 1!2 value of tickets for 28th inst. from Doe, Reed, Robson, Rose, Pilfold, Roberts, Dixon, and Wooley (Account Book). Receipts: #57 4s. (Account Book)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Orpheus and Eurydice

Dance: II: The Highland Reel, as17680307

Event Comment: Benefit for Redman, Casey, Dumai and Bates. Charges #64 12s. Deficit to beneficaries #25 10s. 6d. covered by individual incomes from tickets: Casey #14 4s. (Box 18; Pit 34; Gallery 46); Redman #25 6s. (Box 5; Pit 77; Gallery 125); Dumay #56 12s. (Box 106; Pit 182; Gallery 103); Bates #17 10s. (Pit 48; Gallery 103) (Account Book). Receiv'd of Fransdorf 1!2 value of his tickets 28th inst....#4 2s. 6d. Receipts: #39 1s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Duke and no Duke

Dance: II: By Particular Desire, a Minuet-Dumai, a Young Lady his scholar; End: The Highland Reel, as17680307

Event Comment: Benefit for Condell, Potter and Eddis (playbill). [Account Book lists only Condell and Potter.] Charges #81 10s. Deficit to Condell and Potter #49 10s. 6d. covered by #97 10s. to Condell from tickets (Box 248; Pit 194; Gallery 64) and #73 14s. to Potter from Tickets (Box 159; Pit 157; Gallery 104). Paid Richard Richardson for the Purchase of the Fee Farm of three Houses on the West Side of Bow St. subject to 40s. a year payable to the Duke of Bedford...#1800. Receipts: #31 19s. 6d. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Royal Chace

Dance: II: The Merry Sailors, as17671009

Event Comment: Benefit for Greene and Ansell (box-keepers). Tickets deliver'd for 25 May will be taken. Charges #81 10s. Deficit to Greene and Ansell #56 6s. 6d. covered by #129 14s. to Green from tickets (Box 414; Pit 148; Gallery 40) and #98 15s. to Ansell from his tickets (Box 281; Pit 174; Gallery 24). Total House of #253 12s. 6d. that night. Rec'd of Sarjant for his deficiency 30 May...#24 11s. 6d. Rec'd of Ellis for his 1!2 value of tickets 28 May...#2 2s. Receipts: #25 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Thomasand Sally

Dance: End: The Merry Sailors, as17671009

Event Comment: By Special License from the Lord Chamberlain, For One Night Only. Benefit for Lee. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. Both pieces By Particular Desire. Present, the King of Denmark. Receipts: #244 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Damon and Phillida

Event Comment: Both pieces By Particular Desire. Present, The King of Denmark. Receipts: #244 7s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Orpheus and Eurydice with the Metamorphoses of Harlequin

Dance: III: [See17671009.] The Merry Sailors-Aldridge

Event Comment: The Doors (by Particular Desire, for this night only) will be opened at Half an Hour after Five, and the Play to begin exactly at Seven o'clock. Receipts: #238 13s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Coronation

Event Comment: Afterpiece: With the Two Additional Scenes. [See 26 Oct. 1767.] Receipts: #126 19s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Royal Chace or Harlequin Skeleton

Dance: A Dance-incidental to the Opera; II: Hornpipe-Mas. Blurton (apprentice to Fishar)

Event Comment: Mainpiece: Not acted these two years. [See 9 May 1767.] Receipts: #74 12s. 6d. (Account Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Thomasand Sally

Dance: End: The Merry Sailors, as17680920

Event Comment: Mainpiece: By Particular Desire. The Doors By Particular Desire will be opened at Five. The Play to begin exactly at Half an Hour after Six. Played for the King of Denmark. [The anecodote is recorded by Genest, V, 237, that the king fell asleep. Annoyed, Mrs Yates, playing Alicia, drew near his Box and with violent exertion of voice cried out in her part "O Thou False Lord!" The King aroused declared he would not be married to a woman with such a voice for the world. The London Evening Post, however, for 10 Oct. states, "Mrs Yates had the greatest honour done her, after playing Jane Shore, by the King of Denmark going to her and thanking her for the pleasure she had given him." (Winston MS 10).] Receipts: #157 9s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Dance: End: The Irish Lilt, as17680930

Event Comment: Mainpiece: By Desire. Receipts: #129 8s. 6d. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Royal Chace

Dance: II: The Dutch Milkmaid, as17680928

Event Comment: Mainpiece: Not Acted these 2 years. [See 8 Nov. 1766.] Receipts: #116 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Apprentice

Dance: End: The Tartars-Fishar, Sga Manesiere. [See17680505.

Event Comment: Doors will be open'd at 5 o'clock. Play to begin exactly at six o'clock. Powell after the play advised the Audience they had been applied to make 5 o'clock the hour to admit the company and that the Doors in the future would not be opened till that hour (London Evening Post, 7 Oct.). Receipts: #102 19s. (Account Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Orpheus and Eurydice

Event Comment: TThe Distrest Mother oblig'd to be deferr'd because of Indisposition of Mrs Yates. Receipts: #74 1s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Citizen

Dance: II: A Comic Dance-Arnauld, Miss Capon

Event Comment: PPowell's 2nd appearance as Ford. N.B. The Characters dress'd in the HABITS of the TIME. Receipts: #127 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Royal Chace

Event Comment: [The Interlude (by Isaac Bickerstaffe; Music by Arnold) in Honor of His Danish Majesty. It concludes with a Large Coronet of Flowers and a Garland Dance. Done apparently to speed the departing guest and cement good public relations.] Receipts: #120 19s. 6d. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Orpheus and Eurydice

Event Comment: Doors open at 6. Play to Begin exactly at 7. Books of the Interlude to be had at the theatre. Paid for a license for The Royal Garland #1 1s. (Account Book). Receipts: #173 17s. 6d. (Account Book)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Devil to Pay