SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mahon. Tickets deliver'd for Lionel and Clarissa, an Opera and Master Harris will be taken. Charges: 1!2 House charge plus 1!2 Receipts: #62 18s. 3d. Deficit to Mahon #1 6s. 9d. covered by #37 15s. from tickets (Box 77; Pit 66; Gallery 86). Mas. Harris Disposed of #40 19s. worth of tickets (Box 97; Pit 68; Gallery 65) from which he receiv'd 1!2 value. Receipts: #61 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Upholsterer

Dance: III: Hornpipe-Mas. Harris; End: The Lamplighters, as17681101

Event Comment: Benefit for Wroughton. [Listed as Rotten in the Account Book.] Rec'd from tickets only #5 11s. (Box 12; Pit 17). Charges: 1!2 House charge, plus 1!2 value of tickets, plus half receipts amounted to #66 1s. 6d. and left the actor with an uncovered deficit of #5 19s. (Account Book), which he paid up on 20 May. Receipts; #60 3s. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Harlequin Skeleton

Event Comment: CCymbeline cannot be performed on account of Indisposition of Mrs Yates. Tickets delivered by Stoppelaer and Mas. Harris, will be taken. Charges: half house-charges, plus half-value of tickets #89 15s., minus half value of receipts left a deficit to Stoppelaer of #54 8s., covered by income from Tickets of #105 19s. (Box 144; Pit 335; Gallery 197). [Harris seems to have had no charges and to have cleared #38 12s. from tickets (Box 97; Pit 51; Gallery 67). William Gard and Singleton performed as usual in Harlequin's Jubilee and received customary pay. See 15 Feb.] (Account Book.) Receipts: #70 14s

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequins Jubilee

Dance: II: The Dutch Dance, as17691111

Event Comment: Tickets deliver'd by Saunders will be taken. Half House charge, plus half extras and half value of tickets came to #63 9s. 6d. [This minus half the receipts left a deficit to Saunders of #37 11s. 9d., just covered by] income from tickets #53 17s. (Box 89; Pit 158; Gallery 79); William Gard and Singleton rec'd usual pay [see 15 Feb.] (Account Book). Receipts: #51 14s. Half value of tickets received from Ellis, Stephenson, Bushell and Francis

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequins Jubilee

Event Comment: Paid Mr Kirk for copper tickets as per bill #5 5s. (Account Book). [These copper checks (illustrated in W. J. Lawrence, Old Theatre Days and Ways, London, 1935, p. 86) were supposedly given, by the box office keeper, to each person who entered the boxes. They were there dropped into a slit box by those who paid the money gatherer between the acts, or were returned to the box office by the holder if he left before the third act. The system was devised to check the receipts from the money gatherers against the number of copper tickets issued. Collusion between the Box office keeper and the gatherer could occur, but was checked by a third office, the numberer who counted heads, from his central position, as the gatherers went their rounds.] Receipts: #222 1s. (Account Book)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Midas

Event Comment: Paid Printer's Bill #9 6s. Receipts: #9 6s. Receipts: #175 8s. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Witches

Event Comment: Benefit for Miss Stede, Mrs Heard, Mrs Willems, Abbott and Furkins. Tickets deliver'd by Wilkinson, Wooley, Pilfold, T. Ansell, Mrs Hitchcock, Widow Trott, Sherrat, Bassin, Whatley, Doe and Mrs Paddick will be taken. Charges o. [House received in addition to the ready receipts half the value of each beneficiary's tickets.] @Tickets Box Pit Gallery Value Half Value@Miss Stede 28 57 61 #21 13s. #10 16s. 6d.@Mrs Heard 19 34 .. #9 17s. #4 18s. 6d.@Mrs Williams .. 24 21 #5 14s. #2 17s.@Mr Abbott 18 95 75 #26 5s. #13 2s. 6d.@Furkins 22 37 26 #13 13s. #6 16s. 6d.@Wilkinson 28 27 20 #13 1s. #6 10s. 6d.@Wooley 9 42 79 #16 9s. #8 4s. 6d.@Pilfold 37 227 74 50 14s. #25 7s.@T. Ansell 9 66 64 #18 11s. #9 5s. 6d.@Mrs Hitchcock 27 15 45 #13 10s. #6 15s.@Widow Trott 24 4 8 #7 8s. #3 14s.@Sharratt 1 12 19 #3 19s. #1 19s. 6d.@Bassan .. .. .. .. ..@Whatley 5 18 57 #9 13s. #4 16s. 6d.@Doe 2 22 44 #8 4s. #4 2s.@Mrs Paddick 1 14 14 #3 15s. #1 17s. 6d.@Total 230 694 607 #222 6s. #111 3s.@ Receipts: #19 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Intriguing Chambermaid

Dance: I: A Dance-incident to the piece; II: A Minuet-Dumay, Mrs Heard; End of Opera: Hornpipe-Miss Stede

Event Comment: Benefit for Mrs Hartle, Francis, Walters, Mas. Blurton, Symonds. Tickets deliver'd for the Inconstant will be taken. Tickets deliver'd by Longley, Mas. Jones, Singleton, Shuter, Norbury, Roberts, Frenzdorf, Miller, Stephenson, Read, Robson, Walker, Clarridge, Perry Sr; and Bassan will be taken. [Hours received half value of tickets plus the ready receipt money.] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle 5 31 43 #10 4s. #5 2s.@Francis 2 26 25 #6 18s. #3 9s.@Patterson 5 79 71 #20 4s. #10 2s.@Blurton - 15 28 #5 1s. #2 10s. 6d.@Symonds 19 45 42 #15 14s. #7 17s.@Longley 18 112 53 #26 12s. #13 6s.@Jones - 2 11 #1 8s. 14s.@Singleton - 8 14 #2 12s. #1 6s.@Shuter - 52 8 #8 12s. #5 14s. 6d.@Norbury 9 26 53 #11 9s. #5 14s. 6d.@Roberts 9 125 59 #26 18s. #13 9s.@Frensdorf - 42 31 #9 8s. #4 14s.@Miller 5 62 56 #16 3s. #8 1s. 6d.@Stephenson 16 61 52 #18 7s. #9 3s. 6d.@Read - 15 45 #6 15s. #3 7s. 6d.@Robson 3 101 32 #19 2s. #9 11s.@Walker - 17 68 #9 7s. #4 13s. 6d.@Claridge 5 36 35 #10 3s. #5 1s. 6d.@Perry 3 30 81 #13 7s. #6 13s. 6d.@Bassan 1 12 21 #4 3s. #2 1s. 6d.@Total 100 897 828 #242 7s. #121 3s. 6d.@ Paid Lee for a quantity of velvet #21 (Account Book). Receipts: #12 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Dance: III: Hornpipe-Mas. Blurton; End: The Provenzale-Mas. Blurton, Miss Besford [see17700928]

Event Comment: Gave the Porters at the several Inns of Court their Christmas Box, #3 11s. 6d. Paid Colman for the clear receipts of his night for alterations &c. the 11th inst. #254 15s. 6d. (Account Book). Receipts: #213 8s. 6d

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Monologue: Before: New Occasional Prelude. As 27 Oct. 1772

Event Comment: Author's Night. Charges #64 10S. Profit to author #47 16s. (Account Book). [Yet according to note in Account Book for 11 March 1773 the managers gave Mr O'Hara the clear receipts of this night: #112 6s.] Receipts: #112 6s

Performances

Mainpiece Title: The Golden Pippin

Afterpiece Title: Man and Wife

Dance: As17730208; End II Comedy: The Dutch Milkmaid, as17720925

Event Comment: Afterpiece: By Particular Desire. Paid Mr O'Hara the clear receipt of his night for the Golden Pippin the 9th Feb. last #112 6s. Paid Cooper (printer) #38 12s. (Account Book). Receipts: #177 15s. 6d

Performances

Mainpiece Title: Alzuma

Afterpiece Title: The Golden Pippin

Event Comment: Benefit for Miss Stede, Hollingsworth and Master Jones. Tickets deliver'd by Abbot, Wilkinson, Mrs Woolley, Pilford, T. Ansell, Mrs Hitchcock, Widow Trott, Sherrat, Whately, Doe, Mrs Paddick, Claridge, and Curteen will be taken. [No charges. House took half value of tickets plus ready receipts of #20 10s.] Receipts: #20 10s. (Account Book). @Tickets Box Pit Gallery Value Half Value@Miss Stede 29 47 42 #18 10s. #9 5s.@Hollingsworth 3 6 17 #3 7s. #1 13s. 6d.@Mrs Jones - - - - -@Abbott 17 71 79 #22 16s. #11 8s.@Wilkinson 27 34 1 #11 19s. #5 19s. 6d.@Mrs Woolley 12 44 56 #15 4s. #7 12s.@Pilfold 36 249 93 #55 13s. #27 16s. 6d.@Ansell 11 58 60 #17 9s. #8 14s. 6d.@Mrs Hitchcock 37 44 24 #18 5s. #9 2s. 6d.@Mrs Trott 17 3 6 #5 6s. #2 13s.@Sharratt - 21 15 #4 13s. #2 6s. 6d.@Whatley - 9 35 #4 17s. #2 8s. 6d.@Doe 2 27 41 #8 13s. #4 6s. 6d.@Mrs Paddick 5 14 18 #5 3s. #2 11s. 6d.@Claridge 7 27 29 #8 14s. #4 7s.@Curteen 30 28 60 #17 14s. #8 17s.@Total 233 682 576 #218 3s. #109 1s. 6d.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Daphne and Amintor

Dance: End: A Hornpipe[, in the character of a Sailor (for first time)-Miss Stede. [See17650510.

Event Comment: For the Author of Sethona 3rd night (Treasurer's Book). ["This play may be properly styled a faggot of utter improbabilities, connected by a band of the strongest Northern fustian. Overawed by Scottish influence, Mr Garrick prevailed on himself to receive it. But though his theatre was apparently full several times during its nine nights' run, it brought so little cash into the treasury, that he would not have lamented its earlier condemnation. It expired on his premises, but hardly left enough behind it to defray expenses of its funeral."--Biographia Dramatica. A glance at the box receipts from the Treasurer's Book hardly bears out the Biographia Dramatica statement as to its financial failure.] Paid half years Poor's rate for St Martin's to Xmas last #32 8s. (Treasurer's Book). [The author's profit was reduced by #10 10s. on 26 March when it was found he had not been charged for use of a new farce.] Receipts: #194 19s. Charges: #73 10s. Profit to Author: #121 9s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Event Comment: Benefit for Miss Stede and T. Ansell. Mainpiece: By Particular Desire. Tickets deliver'd by Pilfold, Sherratt, Wilkinson, Mrs Hitchcock, Widow Emery, Widow Trott, Claridge and Doe will be taken as well as those delivered for Rule a Wife. Receipts: #39 15s. 6d. (Account Book). [No charges. House received the ready money receipts plus half-value of the tickets delivered]: @Tickets Box Pit Gallery Value Half Value@Miss Stede 21 41 53 #16 14s. #8 7s.@Ansell 10 61 47 #16 7s. #8 3s. 6d.@Pilfold 43 284 74 #60 15s. #30 7s. 6d.@Sharratt .. 14 10 #3 2s. #1 11s.@Wilkinson 34 55 12 #17 19s. #8 19s. 6d.@Mrs Hitchcock 24 50 23 #14 6s. #7 3s.@Mrs Emery 15 84 100 #26 7s. #13 3s. 6d.@Mrs Trott 18 4 5 #5 12s. #2 16s.@Claridge 12 66 52 #18 2s. #9 1s.@Doe .. 36 54 #10 16s. #5 8s.@Total 177 685 430 #190 #95@

Performances

Mainpiece Title: King Henry Iv Part I

Afterpiece Title: The Padlock

Dance: III: A Minuet (1st time)-Blurton, Miss Stede; End: A Hornpipe, in the character of a sailor-Miss Stede. [See17730522.

Event Comment: By Particular Desire. Benefit for Symonds, Norbury, Francis. Tickets deliver'd by Perry, Roberts, Wooley, Stevenson, Singleton, Shuter, Miller, Walker, and Real as well as those deliver'd for The Recruiting Officer will be Taken. [No charges. House rec'd the ready money receipts plus half-value of the tickets deliver'd:] @Tickets Box Pit Gallery Value Half Value@Symonds 27 50 107 #27 16s. #13 18s.@Norbury 23 33 31 #13 14s. #6 17s.@Francis 13 36 17 #9 8s. #4 14s.@Perry 4 14 25 #6 3s. #3 1s. 6d.@Roberts 9 80 191 #38 18s. #19 9s.@Wooley 3 24 3 #3 12s. #1 16s.@Stephenson 14 107 64 #23 16s. #11 18s.@Singleton 3 48 10 #7 1s. #3 10s. 6d.@Shuter 11 39 86 #19 11s. #9 15s. 6d.@Miller 8 74 49 #16 #8@Walker .. 95 19 #12 7s. #6 3s. 6d.@Read 7 65 21 #11 8s. #5 14s.@Total 122 665 618 #189 14s. #94 13s.@ Paid Symonds for performing 5 nights in The Fair to 13 Nov. last 5s., and for 25 nights in The Sylphs to the 4th of April #1 5s. Receipts: #57 15s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Mother Shipton

Event Comment: A new short Introductory Piece before a play [The Meeting of the Company]. This new Prelude call'd The Meeting of the Company or Bayes' Art of Acting by D. G. Esq--it is full of fine Satyr & an Excellent Lesson to all performers, it was receiv'd with very great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in the wording. The salaries this season were #94 7s. 8d. per day; #566 6s. per week. Kemble's note as to total receipts is short by 8 pence.] Prices: Box 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Unfavorable review of Meeting of the Company in The Westminster Magazine (Sept., p. 472). The actor Aickin referred to this season is J. Aickin. Francis Aickin left dl before the beginning of this season. He was dismissed by Garrick in May. See Booden, Private Correspondence of David Garrick, I, 651-55.] Paid Renters #8; Advanced Mr Watson (box office keeper) #10; Ditto to Mr Mortimer (box office keeper) #15 (Treasurer's Book). [The funds to the box office keepers was operating cash which was returned 29 May 1775. Payment to Renters was same for each acting night until the eighty-eighth night (9 Jan. 1775) when it dropped to #4 nightly, since half of the stock holders (the Old Renters) were paid up by that time. The remaining 100 nights of the season plus 11 Oratorio nights yielded #448 to the Renters. No further mention of this item of expense will be made this season.] Total to Renters #1,152. Receipts: #212 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair-Atkins, Mrs Sutton

Event Comment: After this night the Theatrical Candidates will be laid aside on account of other performances. Mr Jefferson hiss'd in Mirabel-not perfect (+Hopkins Diary). [Treasurer's Book suggests (erroneously) mainpiece as The Clandestine Marriage.] Paid Tallow chandler's second bill #34 16s. 9d.; Mr Hatsell for Theatrical Fund Benefit balance 25 May last #293 4s. 2d., plus 5 month's Interest at 3, #3 13s. 2d., #296 17s. 4d.; Remainder of Mr Garrick's salary for last season paid to Mr Hatsell #235 13s. 2d.; Valcour on note by order #10 10s.; Tabor and pipe 9 nights #4 14s. 6d. Rec'd Mr Garrick's draft on Mr Wallis #532 10s. 6d.; Stopages #13 14s. 6d. Receipts: #159 9s. 6d. (Treasurer's Book).*c1775 10 27 dl After this night the Theatrical Candidates will be laid aside on account of other performances. Mr Jefferson hiss'd in Mirabel-not perfect (+Hopkins Diary). [Treasurer's Book suggests (erroneously) mainpiece as The Clandestine Marriage.] Paid Tallow chandler's second bill #34 16s. 9d.; Mr Hatsell for Theatrical Fund Benefit balance 25 May last #293 4s. 2d., plus 5 month's Interest at 3, #3 13s. 2d., #296 17s. 4d.; Remainder of Mr Garrick's salary for last season paid to Mr Hatsell #235 13s. 2d.; Valcour on note by order #10 10s.; Tabor and pipe 9 nights #4 14s. 6d. Rec'd Mr Garrick's draft on Mr Wallis #532 10s. 6d.; Stopages #13 14s. 6d. Receipts: #159 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Event Comment: Benefit for Mrs Yates. Mainpiece: By Particular Desire. Part of pit laid into boxes. Send servants at 4 o'clock. Tickets delivered for Cyrus (for this night) will be taken. [The Epilogue is Larpent MS 408. N.B. The Treasurer's Account Book for this year differs from those of the preceding five in not recording the income from tickets delivered out for benefit nights. See Comment, 23 Sept. 1775. The box receipts for benefit performances during this season, therefore, are not an accurate reflection of the popularity of a play.] Paid Mr Stainer for Music #2 4s. 9d. Receipts: #147 19s. 6d. Charges: #68 10s. Profits to Mrs Yates: #79 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Medea

Afterpiece Title: The Deserter

Dance: End: The Grand Garland Dance-, as17760302 but Sga _Pacini

Event Comment: Benefit for the Author [of mainpiece]. Receipts Pd to Allen Fielding of the Temple [the author's son]. Receipts: #141 4s. 6d. (119.0.0; 22.2.0; 0.2.6; tickets: none listed) [charge: #105)

Performances

Mainpiece Title: The Fathers

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Douglas

Afterpiece Title: Miss in her Teens

Music: As17800602

Event Comment: Benefit for [W.] Bates and Mahon. Afterpiece: With an exact Representation of the Irish Giant [who had recently been exhibited in London: Charles Byrne, 1761-83], and a Leap through a Cask on Fire. Receipts: #132 5s. Receipts: #132 5s. (none listed; tickets: 132/5) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Song: End of Act iv of mainpiece Tally Ho!, as17830516

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Imogen was at Bath, 15 Apr. 1779]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Public Advertiser, 13 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "The exact receipts of Mrs Siddons's house on Monday were #332 [actually #335 5s., excluding the 2nd account and after-money], which, with bank notes for side-boxes, and gold tickets through all the boxes, raise the total to about #650 or #700. This benefit is clear of the nightly charges of the house" (Morning Chronicle, 1 Feb.). Receipts. #344 17s. 6d. (161.10.0; 9.11.6; 0.1.0; tickets: 173.15.0) (charge: free)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: II: a Masquerade Scene-; with Dancing-Ferrere, Menage, Miss Stageldoir; End III: La Soiree Provencalle, as17870113

Song: II: Singing-Miss Romanzini [The Dancing was included, as here assigned, in all subsequent performances]

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia Or Theodore king Of Corsica At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Account-Book, 14 Mar.: Paid Bate Dudley, Author, #341 8s. [i.e. the receipts of his three benefits, after deducting the house charges]. Receipts: #227 11s. (222.11; 5.0; tickets: none listed)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Two Strings to Your Bow