Event Comment: MMrs Cibber taken ill Miss Haughton did Alicia. Printed Notice deliver'd at the Doors (Cross). Receipts: #150 (Cross)

Event Comment: Afterpiece: An Arabian Night's Entertainment in two parts. Receipts: #150 (Cross)

Event Comment: Afterpiece went off better (Cross). Receipts: #180 (Cross)

Event Comment: The New Entertainment [Proteus] is deferr'd in order to give some respite to [the performers]. Receipts: #180 (Cross)

Event Comment: Mainpiece: By Particular Desire. The greatest crowd I ever saw since the Delevals play'd. This (tis said) was Mr Garrick's Benefit (Cross). Receipts: #220 (Cross)

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Event Comment: Benefit for Mr Mossop. Tickets at his lodgings at Newton's Warehouse in Tavistock St., opposite Charles St., Covent Garden, and at Stage Door. Receipts: #224 (Cross)

Event Comment: Benefit for Mrs Cibber (Cross). Tickets delivered for the 11th will be taken (playbill). Receipts: #280 (Cross)

Event Comment: Benefit for Mr Ross. Afterpiece: By Particular Desire. Tickets of Ross at his House, corner of Bow St., Covent Garden, and at Stage Door. Receipts: #150 (Cross)

Event Comment: Benefit for Mr Raftor and Miss Young (Cross). [Miss Young is referred to as "The Queen of the Fairies " on the Huntington advance Bill.] Tickets to be had of Miss Young, at Mr Driscol's, Peruke Maker, in Broad Court, Bow Street Covent Garden, and at Stage Door. There will be no building on the Stage. Receipts: #80 (Cross)

Event Comment: Benefit for Berrisford, Parr, Broad, and Palmer. Tickets deliver'd out by Mr Costin will be taken. Receipts: #190 (Cross)

Event Comment: MMr Garrick made a Speech and so Ended the Season (Cross). Books of the Masque sold at the Theatre. Receipts: #200 (Cross)

Event Comment: DDrury Lane Theatre open'd Sat: Sept 13th. The House new Gilt, Painted & ornamented wth Festoons &c. Mr Mossop left us. Mr Wilder discharg'd. Mrs Mills is gone to end her Days in Wales, wth an Allowance of #20 per An: from the Managers (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money returned after the Curtain is up. No Persons to be admitted behind the Scenes. Places for Boxes to be had of Mr Varney at the Stage Door. [Notice customarily repeated and will not be further noted.] Receipts: #109 (Cross)

Event Comment: Mainpiece: Written by Shakespear. Receipts: #80 (Cross)

Event Comment: MMr Murphy from Covent Garden did Osmyn. Indiff-tho' great applause (Cross). Receipts: #150 (Cross)

Event Comment: This night (Sat. 27th) Mr Vernon, was hiss'd off: in the part of Palemon in ye Chaplet-the anger of the Audience proceeded from this-towards the end of last Season he married Miss Potier at the Savoy, without friends consent, & afterwards was drawn in to inform against Mr Grieston, the Parson, who was immediately seiz'd & thrown into Newgate; where he was remov'd to ye King's bench on account of his Sickness. where he now lies for his Tryal. He publish'd his Case, & beg'd the Charity of the Town to keep his Family from starving (Cross). Receipts: #140 (Cross)

Event Comment: Mainpiece: Written by Addison. At the Particular Desire of Several Persons of Quality. Afterpiece: By Desire. Receipts: #100 (Cross)

Event Comment: Written by Shakespear. Receipts: #180 (Cross)

Event Comment: Went off pretty well (Cross). Comedy reviv'd. Not acted these 30 years. Characters new Dress'd. Receipts: #170 (Cross)

Event Comment: Mainpiece: By Henry Jones never acted there. Receipts: #100 (Cross)

Event Comment: The play of Merope will be reviv'd on Tuesday next, at Drury Lane, in which Mr Holland, who play'd the part of Oroonoko, will appear in the character of Eumenes. The Opera of the Fairies (By Desire) will be performed there someday next week. Receipts: #160 (Cross)

Event Comment: MMr Holland did Eumenes-Great Applause ($Cross). Afterpiece: By Desire. Receipts: #160 (Cross)

Event Comment: [Mainpiece] Much dislik'd & Hiss'd, Imperfect, &c. (Cross). Receipts: #110 (Cross)

Event Comment: LLittle Pietro & Miss Noverre, from France now perform, with a figure of Children & meet with great Applause-were encor'd the first Night-(Cross). Mainpiece: Written by Shakespear. Receipts: #180 (Cross)

Event Comment: Afterpiece: By Desire. Receipts: #120 (Cross)