Event Comment: Benefit for Raftor, G: Burton & Boucher (Cross). Mainpiece: Not acted these four years. [Boucher-Sub-treasurer.] Receipts: #140 (Cross)

Event Comment: By particular desire. Receipts: #110 (Cross)

Event Comment: Benefit for Varney (Housekeeper). Mainpiece: Written by Shakespear. Sir Hugh-Receipts: #210 ($Cross">Clough; Rugby-$Marr; Bardolph-$Johnson (Public Advertiser). Receipts: #210 ($Cross)

Event Comment: SShuter having engag'd with Mr Rich Garrick in Bayes said you are a good Actor & I am sorry you have left me-a Clap (Cross). Both plays put up for last time of performing this season. Full prices throughout performance. No money returned after curtain is up. Tis hoped no gentlemen will take it ill that they cannot possibly be admitted behind the scenes or into the orchestra, the Entertainment depending chiefly upon the Machinery and Music. Receipts: #180 (Cross)

Event Comment: Towards a fund for ye Support of a publick Charity-(ye Lock Hospl.). King Lear & Duke & no Duke given out for Wed., 23 & bills put up, but not play'd on account of Mr Havard's illness, at 12 at noon, bills were dispers'd saying--the Play of King Lear, design'd for to Night is oblig'd to be defer'd on Account of Mr Havard's sudden illness. N.B--It was a very hot day (Cross). Tickets to be had at the following Coffee Houses: The St James, in St James's St.; The Mount, in Grosvenor St.; George's the upper end of the Haymarket; the Bedford and Tom's in Covent Garden; Garraway's in Cornhill; and at the Stage Door of the Theatre. Tickets deliver'd out for 16 April will be taken. [Cross lists no Receipts.

Event Comment: For Mrs Horton (a Gift Day). So ended ye Season. [185th performance.] Receipts: #120 (Cross)

Event Comment: To begin exactly at 6:00 o'clock. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage door. [Repeated throughout the season.] Ye Naturalizing Bill having made some Noise against the Jews, some people call'd out for ye Merchant of Venice, & a Letter was thrown upon ye Stage desiring that play instead of the Opera, but we took no Notice of it, some little hissing but it dy'd away (Cross). [Sometime in the calendar year 1753, Lacy and Garrick drew up a mortgage on the Drury Lane property for #10,000, to be amortized to James Clutterbuck over a period of twenty-one years at the rate of #4 per acting night, and permission to grant free seats in any part of the theatre (except the stage, scenes and orchestra) to forty persons. These latter to be named and seats assigned ten days prior to the opening of any season. This thirteen-page document, which describes accurately the bounds of the 13,134 square feet of land on which the ten buildings comprising Drury Lane Theatre stood, contains protective clauses for Clutterbuck, to the effect that Garrick and Lacy will exhibit nowhere else in London without the #4 nightly payment and for Garrick and Lacy, to the effect that arrears in payment could be collected solely from Drury Lane property, and not from the individual incomes of the mortgagees. It was not signed, so apprently was not executed. (See Havard, Collection of Documents dealing with affairs of Drury Lane, No 2, fMS, Thr 12.)] Receipts: #150 (Cross)

Event Comment: [Favorable comment on Mossop's Acting appeared in Grays Inn Journal for 29 Sept.] Receipts: #120 (Cross)

Event Comment: SScapin hiss'd (Cross). Receipts: #170 (Cross)

Event Comment: MMrs Cibber did Monimia great app: (Cross). Receipts: #210 (Cross)

Event Comment: Mainpiece: As written by Shakespeare. Receipts: #60 (Cross)

Event Comment: SScapin hiss'd (Cross). [Mainpiece advertised in full as containing]: The Death of the Duke of Buckinghamv; the Tryal and Divorce of Queen Catherinev, the Death of Cardinal Wolseyv; the Christening of the Princess Elizabethv; and many other Historical Passages. Receipts: #120 (Cross)

Event Comment: MMrs Cowper did Sylvia, for her first appearance here (she came from Bath, Richmond &c.)-Toll. Afterpiece as originally perform'd (Cross) [i.e., without the burlesque scenes of The Fair (see 6 Nov. 1752).] This piece [Harlequin Ranger] was now acted as originally written. It is surprising that Mr Garrick should be the first to introduce Pantomime Entertainments (this season) especially as his own universal talents are seconded by a good company of performers. We suppose he does it to gratify the taste of the town; but such Smithfield exhibitions should certainly be banish'd from all regular theatres; and as Mr Woodward is an excellent comedian, it would be more eligible in him if he chuses to wear the motley dress any more to appear in the character of a speaking Harlequin, after the manner of the Italian Comedy; and indeed it is not a little surprising that nothing of this kind has yet been admitted upon our stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct. 1753.). Receipts: #120 (Cross)

Event Comment: The Characters of the play will be new-dressed. Receipts: #120 (Cross)

Event Comment: [None to be admitted behind scenes. No money returned after curtain is drawn up.] Receipts: #80 (Cross)

Event Comment: MMr Foote play'd Buck & Miss Macklin Lucinda, --went off tol: ye Girl was lik'd-she sung in ye Character Aly Croky--fine, --& danc'd a Minuet--well (Cross). [Foote was engaged as an actor for a certain number of nights and made his 1st appearance on this evening-he spoke a Prologue written by Garrick which was encored every night Genest, IV, 380). The Prologue was printed in the Public Advertiser on 29 Oct. suggesting the many sources of laughter on stage as they appealed to various parts of the House, pointing fun at Foote, and closing with his mock, humble statement: @"Many my passions are, tho' one my view@They all concenter--in the pleasing you.'@ It also contained information about a specialty performer on the Cello, Monsieur Cervetti, and his reception by the upper galleries: @"...In like extremes your laughing humour shows@Have ye not roar'd from Pit to upper Rows@And all the jest was, What? a Fiddler's nose..."@ The person here meant is M Cervetti, who has been a standing joke with the upper gallery for a long time past, on account of the length of his nose: but as I am inform'd, that no feature of his Mind is out of proportion, unless it be that his good qualities are extraordinary, I take this opportunity to mention that it is cruel to render him uneasy in the Business, in which he is eminent, and by which he must gain his livlihood." See identical comment in Gray's Inn Journal, 27 Oct. A puff for Miss Macklin appeared in Gray's Inn Journal, 20 Oct.] Receipts: #190 [Cross)

Event Comment: Mainpiece: Not acted these 8 years. [See 28 Jan. 1746.] Receipts: #190 (Cross)

Event Comment: [Performance of mainpiece highly praised in Gray's Inn Journal 3 Nov. It is no wonder that in some scenes the Emotions of the Audien ce run so extremely high, as they were acted upon by the two best Tragedians in the world." Garrick and Mossop. Also praises Foote's Fondlewife in previous performances of the Old Batchelor.] Receipts: #170 (Cross)

Event Comment: fterpiece] hiss'd a little (Cross). Receipts: #160 [Cross)

Event Comment: Dancing by Mon: LeFevre & Mlle Prudhomme, 2 French children-Danc'd Well & Well Appl: (Cross). Receipts: #80 (Cross)

Event Comment: Foote Sir Courtly. Foote very indiff-so all ye play (Cross). Receipts: #120 (Cross)

Event Comment: By His Majesty's Command. King only (Cross). Receipts: #220 (Cross)

Event Comment: Afterpiece: An Arabian Night's Entertainment in Two Parts With Proper Decorations. Receipts: #100 (Cross)

Event Comment: Mainpiece: By desire. Receipts: #150 (Cross)

Event Comment: Benefit for Mr Macklin, to which he spoke a farewell Prologue hinting at his new scheme (a Coffee house now fitting up in the Piazza) Mrs Mack, Miss & He play'd (Cross). [Macklin discharged last June from Covent Garden, one night given him at Drury Lane when he took leave; Poor I toss'd up...King Henry 7, 1764 (Winston MS 8). Gray's Inn Journal noted this performance by the bequeathing to the stage of Miss Macklin who should succeed in genteel comedy.] Receipts: #220 (Cross)