SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #197 7s. 6d

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Sorcerer

Dance: II: The Dutch Milkmaid, as17720925

Event Comment: Receipts: #217 4s. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Pigmy Revels

Event Comment: Receipts: #189

Performances

Mainpiece Title: King Lear

Afterpiece Title: Harlequin Sorcerer

Event Comment: Receipts: #179 10s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Harlequin Sorcerer

Event Comment: Receipts: #189 16s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Pigmy Revels

Event Comment: Receipts: #150 18s. 6d

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Harlequin Sorcerer

Event Comment: Receipts: #172 4s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Pigmy Revels

Event Comment: Receipts: #162 8s

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Golden Pippin

Event Comment: Receipts: #170 9s

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Golden Pippin

Event Comment: Receipts: #184 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Wedding Ring

Event Comment: Receipts: #195 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Pigmy Revels

Event Comment: Receipts: #220 19s

Performances

Mainpiece Title: She Stoops To Conquor

Afterpiece Title: Daphne and Amintor

Event Comment: Receipts: #201 5s

Performances

Mainpiece Title: She Stoops To Conquor

Afterpiece Title: Harlequin Sorcerer

Event Comment: Receipts: #138 10s. 6d. Paid three days salary at #85 1s. 11d. per diem, #255 5s. 9d. [Paid the following items which occur regularly each Saturday pay day during the 37 weeks of the 1773-74 season: Lampmen #2 12s.; Billstickers #3 12s.; Handbills 8s.; Candlemen #3 18s.; Carpenter's Bills #8 14s. 6d.; Taylor's Bill #8 11s. 8d.; Mantua Maker's Bill #5 6s.; J. Stevens 18s; Mrs Abington's Cloaths #1; Mr Carver 11 days #11; Mr Royer 2 weeks #9; Mr J. French on act #8 8s.; Supernumeraries and Kettle Drummers #3 14s. (Treasurer's Book). N.B. This pay day was based on a three-day acting week. The average paid out for each of these items over the season, and the total for each computed on this average was as follows. [No further mention will be made of these items this season.] @ Average per week Total for season@Lampmen #3 2s. #113 14s.@Billstickers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenter's #5 10s. #203 10s.@Taylor's #10 2s. #373 14s.@Mantua Maker's #2 10s. #92 10s.@J. Stevens 18s. #33 6s.@Mrs Abington Cloaths #1 12s. 4d. #60@Carver at 1 per diem #189@Royer #4 10s. #166 10s.@Sups and Kettle Drum at #3 10s. per diem #661@Candlemen #7 14s. #277 4s.

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Pigmy Revels

Event Comment: Receipts: #176 6s. 6d. (Account Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Midas

Event Comment: Receipts: #151 10s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Upholsterer

Dance: II: Fingalian Dance, as17730929; Double Hornpipe, as17730929

Event Comment: Receipts: #207 1s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Midas

Event Comment: Receipts: #206 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: III: Fingalian Dance, as17730929; Double Hornpipe, as17730929; IV: The Irish Lilt-Aldridge, Miss Twist. [See17721028.

Event Comment: Receipts: #100 13s. 6d

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Sorcerer

Dance: II: The Merry Sailors-Aldridge. [See17721012.

Event Comment: Receipts: #168 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Elopement

Event Comment: Receipts: #182 14s. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: III: The Fingalian Dance, as17730929; Double Hornpipe, as17730929; IV: A Dance-Aldridge, Miss Capon

Event Comment: Receipts: #106 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Deuce is in Him

Event Comment: Receipts: #109 16s. 6d. (Account Book)

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Man and Wife

Dance: End: New Dance-Aldridge, Miss Capon. [See17731014 and 6. Feb.

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Event Comment: Receipts: #131 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Albumazar

Afterpiece Title: The Pigmy Revels

Dance: II: The Irish Fair, as17730918