SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye Pit to see Barry"/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye Pit to see Barry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4327 matches on Event Comments, 3001 matches on Performance Comments, 405 matches on Performance Title, 2 matches on Author, and 0 matches on Roles/Actors.
Event Comment: 3rd piece [1st time; MF 2, by George Brewer]: The Musick by Dr Arnold. Books of the Songs to be had at the Theatre. Morning Herald; 6 July 1796: This Day is published Bannian Day (1s.). Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice, at the Theatre. [On this evening the following performers appeared both at dl and at the hay: Suett, Caulfield, Trueman, R. Palmer, Burton, Miss Leak, Miss Heard

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Liar

Afterpiece Title: Bannian Day

Event Comment: Account-Book: Tickets delivered by Mrs Hall (b[ox-keeper]), Warwhick, Robson (p[it door-keeper]), W. Ansell, W. Linton, West, Purkins, Standen, Ashwin, Hill, Morris will be admitted. Receipts: #334 0s. 6d. (35.18.0; 3.13.0; tickets: 294.9.6)

Performances

Mainpiece Title: The Travellers In Switzerland

Afterpiece Title: Two Strings to Your Bow

Song: End: The Little Farthing Rushlight-Young Standen

Event Comment: No Money to be returned. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Places for the Boxes to be had of Brandon (only) at the office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 27 Nov.]. Receipts: #270 18s. (267.8; 3.10)

Performances

Mainpiece Title: King Henry The Fourth, First Part

Afterpiece Title: The Farm House

Event Comment: A Serious Opera (1st time [in London; 1st performed at Rome, 1766]); the music partly by Sarti and partly [i.e. with additions] by Paisiello. 2nd ballet: With entire new scenes by Degotti and executed by himself and Marinari. "The dresses [in this ballet] are said to be after designs from David; the costume is correct, perhaps, but it may be a little softened without injury to the effect. The contrast of colours is in some of them too harsh...The scenery is in a new stile. It has been our taste to assist the perspective by contracting the stage to a point. This was but a clumsy method, as the illusion was rarely complete, and it gave the idea of littleness. In this instance the stage is thrown open on every side, and the perspective is managed as every painter is obliged to manage it, on the broad surface, but still with the mechanic aids which scenery affords. The effect was enchanting" (Morning Chronicle, 30 Nov.). The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Subscribers are most earnestly entreated to observe that, on account of the abuses frequently practised in their names, it has become absolutely necessary to adopt the former rule for Subscribers themselves to produce their Tickets at the doors as they pass into the Theatre. The Upper Boxes to be lett by the night, at one Guinea each for four persons. The way to them through the Gallery Staircase

Performances

Mainpiece Title: Ipermestra

Performance Comment: [Principal Characters by Rovedino, Viganoni, Braghetti, DeGiovanni, Mme Banti, Sga Pastorelli. Cast from libretto (E. Jackson [1797]): Danao-Rovedino; Linceo-Viganoni; Plistene-Braghetti; Adrasto-DeGiovanni; Ipermestra-Mme Banti; Elpinice-Sga Pastorelli.
Cast
Role: Elpinice Actor: Sga Pastorelli.

Dance: End I: Divertisement, composed by Gallet [with music by Bossi] L'Offrande a Terpsichore-Didelot, Mme Rose, Laborie (1st appearance in this country since 1790 [recte 1792]), Mme Hilligsberg, Mlle J. Hilligsberg, Mme Laborie

Ballet: End Opera: a new Grand, Heroic, Pastoral Ballet, composed by Gallet [with music by Bossi] Ariadne et Bacchus. Bacchus-Laborie; Ariadne-Mme Laborie; Silenus-Blake; Cupid-Master Menage; Followers of Bacchus-Mme Hilligsberg, Mlle J. Hilligsberg, Didelot, Mme Rose. [And see dl, 9 May 1798.

Performance Comment: Bacchus-Laborie; Ariadne-Mme Laborie; Silenus-Blake; Cupid-Master Menage; Followers of Bacchus-Mme Hilligsberg, Mlle J. Hilligsberg, Didelot, Mme Rose. [And see dl, 9 May 1798.]And see dl, 9 May 1798.]
Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: In course: solo on the violin, of his own composition-Barthelemon

Event Comment: Benefit for the Voluntary Contribution now open at the Bank, for the Defence of our Country. Boxes 10s. 6d. Pit 5s. Gallery 2s. Upper Gallery 1s. Tickets to be had and Places to be taken of Brandon, at the Stage-Door in Hart-street. Tickets also to be had at the Bar of Lloyd's Coffee-House. [Prologue by William Boscawen (Monthly Mirror, Mar. 1798, p. 178. Author of Address unknown.] "A subscription was set on foot behind the scenes," to which most of the performers contributed #10 apiece (Monthly Mirror, ibid). Account-Book, 12 May: Paid into the Bank of England in aid of the Voluntary Contribution #394 15s. Receipts: #518 8s. (280.9; 12.2; tickets: 225.17) [the difference of #123 13s. appears to have been the house charge]

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

Event Comment: Composed by G. F. Handel. Among the Instrumental Performers: C. Ashley, Sarjant, Wm. Parke, Boyce, R. Ashley, Bridgtower, Pinto, Parkinson, Lavenu. the Flacks, Taylor, Mackintosh, Wm. Ware, Dresler, Francis, Gwilliam, Nicks, the Munros, Archer, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Betts, Cobham, Jackson, Wood, Coyle, Cornish, Jones, Purney, Leffler, Woodham, Piele, the Cantelos, Skillern, &c. Organ-J. Ashley. Double Drums (used at Westminster-Abbey)-Jenkinson. The Chorusses will be numerous and complete; the whole under the direction of Ashley. The Doors to be opened at 6:00. To begin at 7:00 precisely [same throughout oratorio season]. Books of the Performance (with the Imprimatur of E. Macleish) to be had at the Theatre, price 6d. Places for the Boxes to be had of Brandon, at the Stage-Door in Hart-street. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Event Comment: Account-Book: Tickets delivered by Coats, Jackson, Townsend, Plinne, Baddock, Rye, Thompson (G[allery]), Curten, Bent, Wilkins, Warwhick, Robson (Pit), Wid. Anselmo, Wid. Linton, Purkins, Wid. Morris, Lester, Williamson, Clarke, Bishop will be admitted. Receipts: #343 2s. (13.16; 2.14; tickets: 326.12)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Botheration

Dance: Between mainpiece and afterpiece: a Hornpipe-Jackson

Song: End: The Irish Newsman-Clarke; In afterpiece: Mr O'Blarney's Description of London, as17980508

Event Comment: Benefit for Twaits, Ives, Hallam, Brown & Mrs Brooks. Pit 2s. Gallery 1s. Back Seats 6d. The Doors to be opened at 6:00. To begin at 7:00. The above Performers, with the utmost Deference and Respect, inform the Ladies and Gentlemen of Greenwich, they have selected those Entertainments which they flatter themselves will meet their Approbation; being compelled to answer their Engagements in another Town, they jointly solicit their Patronage on this occasion, the honour of which will ever be remembered with the most lively effusions of gratitude

Performances

Mainpiece Title: Douglas; Or, The Noble Shepherd

Afterpiece Title: Sylvester Daggerwood; or, A Trial for a London Engagement

Afterpiece Title: The Waterman

Song: Between acts: Twaits, Master Seabrook

Event Comment: Benefit for the Four Youngest Orphans of the late Mr Palmer [see dl, 18 June]. As it is presumed that the well-known liberality of the Publick will be strongly excited on the present occasion, the Proprietor of the [Haymarket] Theatre has requested the use of the Opera-House for this Evening, that the largest number of persons who wish to patronize the undertaking may be accomodated with places. The Proprietor of the Opera-House has, with the utmost readiness, granted the request. Tickets to be had of the Miss Palmers, at Dixon's, Upholsterer, the corner of Bedford-Court, Bedford-Street, Covent-Garden; of Messrs Ransom, Morland and Co., Bankers, Pall-Mall; of Jewell, No. 26, Suffolk-Street, Charing-Cross, of whom, and of Rice, at the Box-Office, Places for the Boxes may be taken. Boxes 5s. Pit 3s. Gallery 2s. "[His brother] R. Palmer attempted to deliver an address at the end of the play, but he was so much overpowered that he...left the address unrecited, and [his] part in the farce was given up to another performer" (Monthly Mirror, Aug. 1798, p. 117, which also records that the receipts were approximately #700)

Performances

Mainpiece Title: At King's The Heir At Law

Cast
Role: Dick Dowlas Actor: Barrymore

Afterpiece Title: The Children in the Wood

Cast
Role: Sir Rowland Actor: Barrymore
Event Comment: [Mrs H. Johnston's 1st appearance as Ophelia was at the hay, 3 Sept. 1798.] Afterpiece: 5th Time i.e. in continuation of the reckoning for the previous season]. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Places for the Boxes to be had of Brandon(only) at the Office in Hart-Street. The Doors to be opened at 5:30. To begin at 6:30 [see 19 Nov.]. No Money to be returned. Receipts: #242 5s. 6d. (240.17.6; 1.8.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Botheration; or, A Ten Years Blunder

Song: In V: a Dirge, set to music by Shield. Vocal Parts-Mrs Martyr, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Miss Wheatley, Linton, Street, Gray, Lee, Platt, Dyke, Curties; Incidental to afterpiece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, The Monument, St. Paul's, Wigs and Crops, Debating Clubs, Boarding Schools, Squares, Inns, Gardens, Fields, Soldiers, Sailors, and Volunteers)-Johnstone

Performance Comment: Vocal Parts-Mrs Martyr, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Miss Wheatley, Linton, Street, Gray, Lee, Platt, Dyke, Curties; Incidental to afterpiece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, The Monument, St. Paul's, Wigs and Crops, Debating Clubs, Boarding Schools, Squares, Inns, Gardens, Fields, Soldiers, Sailors, and Volunteers)-Johnstone.
Event Comment: A new Serious Opera; the music by Sarti. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 29 Dec.]. Pit 10s. 6d. Gallery 5s

Performances

Mainpiece Title: Medonte

Performance Comment: [Principal Characters by Benelli, Rovedino, Viganoni, Mme Banti. Cast from libretto (Da Ponte [1798]: Medonte-Benelli; Evandro-Rovedino; Arsace-Viganoni; Talete-DeGiovanni; Selene-Mme Banti; Zelinda-Sga Pastorelli.
Cast
Role: Zelinda Actor: Sga Pastorelli.

Dance: End I: Peggy's Love-Didelot, Laborie, Mme Rose, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; End Opera: Ariadne et Bacchus- [Performers not listed]

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Choral Fund, instituted for the Relief of their decayed Members, Widows and Orphans, under the Patronage of his Royal Highness the Duke of Clarence. The Band and Chorus will be select, and the Young Gentlemen of the Westminster Choir will assist. A New Organ, built by Lincoln, will be opened on this occasion. Boxes #S. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Ines De Castro

Cast
Role: La Regina Actor: Sga Pastorelli.

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

Event Comment: Mainpiece: A New Oratorio, in Two Parts, the only one composed in this Country nearly these 30 years. Afterpiece: An Ode, in One Part. The Band will wholly consist of Professors of the first eminence, and the Chorusses will be numerously supported by the best Performers in London, assisted by the young Gentlemen of his Majesty's Chapels, and of Westminster Abbey. The music entirely new, composed by Thomas? Busby, who will take the Piano Forte. Boxes 7s. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Grove: [Busby] worked at a setting of Pope's 'Messiah' for some years, and it was produced in 1799 with considerable success as 'The Prophecy.

Performances

Mainpiece Title: The Prophecy

Afterpiece Title: Ocean

Event Comment: [Prologue to Douglas by John Home.] Tickets to be had of Frimbley at the Old Crown. Pit 2s. Doors to open at 6:00; to begin at 7:00. Nights of playing: Monday, Wednesday & Friday

Performances

Mainpiece Title: Douglas; Or, The Noble Shepherd

Afterpiece Title: The Poor Soldier

Song: Between the Acts: Watkinson, Master Crisp, Hayden

Entertainment: Monologues A Prologue and Epilogue-a Gentleman

Event Comment: Boxes 2s. Pit 1s. Gallyry 6d. The Doors to be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: The Agreeable Surprise

Song: End: a favourite duet-Mr and Mrs Humphreys; and a comic song-Twaits

Event Comment: Benefit for Hill, Rees and Miss Sims. Morning Chronicle, 6 June: Tickets to be had of Hill, No. 24, Bow-street, opposite the Pit Door. [Others not listed.] 2nd piece [1st time: M. INT 1]. Receipts: #287 7s. (50.17.6; 4.0.6; tickets: 232.9.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Brilliants

Performance Comment: Imitations-Rees; When the seaman quits the shore-Hill; The Tight Little Islands-Townsend; Flow thou regal purple stream-Burrows (1st appearance); A new Hunting Song-Hill; a Debating Catch-Simmons, Linton, Street.

Afterpiece Title: Comus

Performance Comment: Comus-Holman; Principal Bacchanal-Hill; Bacchanals-Townsend, Linton, Street, Thomas, Oddwell; 1st Spirit-Thompson; Brothers-Farley, Claremont; 2nd Spirit (with a song)-Miss Sims; The Lady-Miss Chapman; Principal Bacchant-Mrs Chapman; Bacchants-Ms Wheatley, Ms Follett, Ms Castelle, Ms Leserve, Ms Norton; Sabrina=-Mrs Atkins; Pastoral Nymph-Mrs Atkins; Sweet Echo-Mrs Atkins; accompanied on the oboe-W. Parke; Euphrosyne-Mrs Martyr.

Dance: In II 3rd piece: a Dance-Naiads

Song: In: Maria; or, The Beggar Girl-Mrs Atkins; Young William-Incledon; a new song, The Negro Boy (written by Rees, and composed by Attwood)-Miss Sims (in character)

Event Comment: [Account-Book: Tickets delivered by Wells, Thompson (stage door keeper), Thomas, Clarke, Robson (pit door keeper), Ansell, Little, Bagley, Noble, Bonsor, Walls (constable), Townsend, Linton, Morris, Klanert, Ward, Coombs will be admitted.] Receipts: #329 16s. (18.3.0; 2.13.6; tickets: 308.19.6)

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: A Divertisement

Dance: Afterpiece: Minuet de la Cour and Gavot-Klanert, Mrs Watts

Event Comment: 2nd piece [1st time; D 3, by Henry Neuman, based on Der Opfertod, by August Friedrich Ferdinand von Kotzebue. Text (R. Phillips, 1799) assigns no parts]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. The Theatre, since the last Season, has been newly Decorated. [Beginning with 19 June the playbill: Printed by T. Woodfall, Drury Lane; on 4 Sept.: No. 104, Drury Lane.] Morning Chronicle, 27 June 1799: This Day is published Family Distress (2s.). Gentleman's Magazine, May 1800, pp. 406-8, prints a letter from "J. B." in which strong exception is taken to Kotzebue in general, and this play in particular. "Theatrical entertainments have an extensive influence upon the manners of Society. When well regulated, and the pieces for representation well selected both as to matter and manner, they may be esteemed friendly to morality, and improvers of public taste. But what shall we say when both these ends are disregarded; when moral virtue is banished from the scene, and purity of taste is destroyed by affected language and pantomimical decorations? Improvements in almost every art and science have been within a few years, rapid and important. But that is not the case with the stage; nor can it be, while Kotzebue and his friends usurp the venerable boards of Shakespeare." The writer then, in sarcastic terms, outlines the plot of Family Distress. [Pope and Miss Chapman were both from cg.

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: Family Distress

Afterpiece Title: The Village Lawyer

Event Comment: [Address by Thomas John Dibdin (T. J. Dibdin, Reminiscences, 1, 256).] Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Dec.]. Places for the Boxes to be taken of Brandon at the Box office in Hart-street. No Money to be returned. [On playbill of 6 May 1800: Printed by E. Macleish, 2, Bow-street, Covent-Garden.] Receipts: #290 3s. 6d. (279.12.0; 10.11.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Rosina

Entertainment: Monologue Preceding: New Occasional Address-Pope

Event Comment: By Authority of the Lord Chamberlain. Benefit for Mrs Hunter, late of Covent-Garden Theatre. [Epilogue by Miles Peter Andrews.] Tickets to be had of Mrs Hunter, No. 12, Leicester-street, Leicester-square; and of Rice at the Theatre, where Places for the Boxes may be taken. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Fortune's Frolick

Event Comment: Mainpiece: 32nd Night [i.e, in continuation of the reckoning for the previous season]. The Scenery, Dresses and Decorations entirely New. The Musick, Airs and Chorusses incidental to the Piece composed by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood, Demaria, Banks, Blackmore, &c. The Machinery, Decorations and Dresses under the Direction of Johnston, and executed by him, Underwood and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book lists the attendance as follows:@1st Account Spectators Receipts@Boxes Pit 1st Gallery Upper Gallery@1162 348!12@706 123!11@583 58!6@312 15!12@Total 2763 546!1@2nd Account Spectators Receipts@300 45!0@13 1!6@23 1!3@14 0!7@Total 350 47!16@. Total of spectators 3113. Receipts: #595 5s. (546.1; 47.16; 1.8)

Performances

Mainpiece Title: Pizarro

Performance Comment: Ataliba-Powell; Rolla-Kemble; Alonzo-C. Kemble; Pizarro-Barrymore; Almagro-Caulfield; Gonzalo-Wentworth; Davilla-Trueman; Gomez-Surmont; Valverde-Palmer; Las Casas-Aickin; Orozembo-Dowton; Blind Man-Cory; Centinel-Holland; Orano-Archer; Attendant-Maddocks; Boy-Master Chatterley; Soldiers-Fisher, Evans, Webb, Chippendale; Cora (1st time)-Miss Biggs; Elvira-Mrs Siddons.
Cast
Role: Pizarro Actor: Barrymore
Role: Gonzalo Actor: Wentworth

Afterpiece Title: The Lying Valet

Cast
Role: Beau Trippit Actor: Fisher

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Danby, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Leak, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Saunders, Ms Gawdry, Ms Benson, Ms Coates

Performance Comment: , Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Leak, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Saunders, Ms Gawdry, Ms Benson, Ms Coates.
Event Comment: p Comic Opera; the music by Paisiello. 2nd ballet: Originally composed by D'Auberval, and brought out with new Episodes and Dances by D'Egville [with music by Bossi], The Doors to be opened at 6:15. To begin at 7:15 [same throughout opera season]. Single tickets for the night, for pit or gallery, to be had at the office of the Theatre. [Sga Bolla was from the opera, Milan. Sga Clara's name is not in the playbill, but "The second comic opera singer, Sga Clara, was also new...There is much sweetness and delicacy in her voice, and perhaps it may be owing to her evident timidity that it did not seem to possess strength and compass in proportion" (Monthly Visitor, Jan. 1800, p. 71). Deshayes was from the Opera, Madrid.

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

Event Comment: By Command of Their Majesties. [On this night an unsuccessful attempt was made to assassinate the King. As he entered his box he was shot at by James Hadfield, who was in the pit. The royal family remained in the theatre throughout the performance, during which God save the King was sung on four different occasions. Hadfield was subsequently adjudged insane. See Gentleman's Magazine, May 1800, pp. 478-80.] Receipts: #438 13s. 6d. (345.15.6; 87.9.0; 5.9.0)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Cast
Role: Don Philip Actor: Barrymore
Role: Trappanti Actor: Bannister Jun.

Afterpiece Title: The Humourist

Cast
Role: Sir Anthony Halfwit Actor: Suett
Role: Dabble Actor: Bannister Jun.