SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "B Booth"/1) | (@(roleclean,performerclean) "B Booth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1964 matches on Performance Comments, 697 matches on Event Comments, 412 matches on Author, 299 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: At Yeates Sr and Yeates Jr Booth

Performances

Mainpiece Title: Fryar Bacon, Fryar Bungy, And Miles Their Man

Entertainment: The Artificial View of the World-

Event Comment: Benefit Charles, the Merry Trumpeter of Oxford. At Lee's Great Booth on the Bowling Green. ...and tis well if it takes If not, the Trumpet breaks; And they that are my Friends, that come to see my Play, If it happens to rain, shall have a Coach to carry 'em away

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Dance: HHarlequin and a Countryman-; Countryman-Charles

Event Comment: See Daily Courant, 25 Dec; for a letter discussing the decline of the drama, and see a letter from Hill to Booth on current theatrical affairs, in Hill, Works, I, 181-84

Performances

Event Comment: For a discussion of theatrical problems, see a letter from Hill to Booth, in Hill, Works, I, 176-78

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Cephalus and Procris

Event Comment: Benefit Boman and Rogers. [Barton Booth died on this day.

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Devil to Pay

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: See Daily Advertiser, 23 June, for a poem: On the Death of Barton Booth, Esq.

Performances

Event Comment: At Lee-Harper-Petit Booth in Tottenham Court. 10 a.m. to 10 p.m. To begin 4 Aug

Performances

Mainpiece Title: Bateman; Or, The Unhappy Marriage: With The Comical Humours Of Sparrow, Pumpking, And Spicer Going To The Wars; Also A Diverting Scene Of The Mid-wife And Gossips At The Labour

Afterpiece Title: The Harlot's Progress

Event Comment: At Fielding-Hippisley Booth, in the George-Inn-Yard. Mainpiece: A Dramatic Entertainment. Afterpiece: A Ballad Opera. Done from the French of Moliere. Intermix'd With Variety of Songs set to old Ballad Tunes, and Country Dances. 1 to 11 p.m

Performances

Mainpiece Title: Love And Jealousy; Or, The Downfall Of Alexander The Great

Afterpiece Title: A Cure for Covetousness; or, The Cheats of Scapin

Dance: FFooting Dance-LeBrun, Mrs Ogden; Fisher Tench, Mlle D'Lorme

Event Comment: At the Noted Yeates' Senior and Junior? Booth, the Upper End of Cow-Lane. A new Ballad Opera

Performances

Mainpiece Title: The Harlot's Progress; With The Comical Humours Of The Yorkshire Waggoner

Event Comment: At Aston-Paget Booth, at the Horns-Inn in Pye-Corner. An entire New, Comick, Satyrical and Instructive Droll Opera. Noon to 10 p.m. N.B. Those that don't Laugh, Pay Nothing

Performances

Mainpiece Title: The Patriot Merchant (the Lover Of His Country); Or, The Cheats Of The Times

Entertainment: 1.1. A Mock Song in Praise of Tea and Bread and Butter-; 2. The Servants' Revel-; 3. Ursula the Cook Maid's Rapture-; 4. Newgate and Tyburn-

Event Comment: At Cibber-Griffin-Bullock-Hallam Booth by Hosier-Lane. Whereas it has been reported that [the Proprietors] intend to raise the Prices of their Seats...they intend to take only the Common Prices usually paid in the Fair, viz. Boxes Half a Crown. Pit Eighteen pence. First Gallery One Shilling. Upper Gallery Six pence

Performances

Mainpiece Title: Tamerlane The Great; With The Fall Of Bajazet, Emperor Of The Turks

Afterpiece Title: The Miser

Afterpiece Title: The Ridotto Al' Fresco

Event Comment: At Lee-Harper Booth, over against the Hospital Gate. Mainpiece: a Celebrated Droll. Afterpiece: A new Pantomime Opera. The Book of the Droll is printed by G. Lee, Bluemaid Alley, Southwark. 10 a.m. to 10 p.m

Performances

Mainpiece Title: Jeptha's Rash Vow; Or, The Virgin Sacrifi'd; With The Comical Humours Of Captain Bluster And His Man Diddimo

Afterpiece Title: The Fall of Phaeton

Event Comment: At Miller-Mills-Oates Booth, over against the Hospital Gate

Performances

Mainpiece Title: Jane Shore; With The Comical And Diverting Humours Of Sir Anthony Noodle And His Man Weazle

Afterpiece Title: The Gardens of Venus; or, The Truimphs of Love

Dance: I: La Brone and La Blonde-Vallois and Mlle Vallois; II: Hornpipe-Jones Sr, Jones Jr

Event Comment: At Fielding-Hippisley Booth. Daily Post, 4 Sept.: We hear...that there have been such frequent Calls for Copies of that favourite Duetto of Sweet If You Love Me Smiling Turn. (sung by Salway and Mrs Pritchard) that they have been provided printed Copies of it be given Gratis daily at their Booth...and that further to entertain...Hippisley, at the End of the last Time of Acting every Night, will divert the Audience with his Comic Scene call'd the Drunken Man, as will also Mons LeBrun with his Drunken Peasant

Performances

Event Comment: At Lee-Harper Booth. [Mrs Lee's--Daily Advertiser]. 10 a.m. to 10 p.m

Performances

Mainpiece Title: Bateman

Afterpiece Title: The Harlot's Progress

Event Comment: At Lee-Harper Booth [apparently a separate one]. 10 a.m. to 10 p.m

Performances

Mainpiece Title: Jephtha's Rash Vow

Afterpiece Title: The Fall of Phaeton

Event Comment: At Yeates (Senior and Junior) Booth

Performances

Mainpiece Title: The Harlot's Progress: With The Diverting Humours Of The Yorkshire Waggoner

Event Comment: At Lee-Harper Booth [apparently a separate one]. 10 a.m. to 10 p.m

Performances

Mainpiece Title: Jephtha's Rash Vow

Afterpiece Title: The Fall of Phaeton

Event Comment: Universal Spectator, 22 Sept.: We hear Mrs Booth . . . resolves to leave the Stage, having sold her Share in the Patent to Mr Giffard, the Master of [GF]

Performances

Mainpiece Title:

Event Comment: Benefit Charles, the Merry Trumpeter of Oxford. At Mrs Lee's Booth on the Bowling Green

Performances

Mainpiece Title: Oroonoko

Event Comment: At Lee-Harper Booth. [Mrs Lee's-Daily Advertiser]. 10 a.m. to 10 p.m

Performances

Mainpiece Title: Bateman

Afterpiece Title: The Harlot's Progress

Event Comment: At Yeates Senior and Junior Booth

Performances

Mainpiece Title: The Harlot's Progress; With The Diverting Humours Of The Yorkshire Waggoner

Event Comment: At the Desire of several Ladies of Quality. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne. The Scenes, Machines and Habits all new

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Afterpiece Title: Dido and Aeneas

Dance: Les ombres des Amants Fideles by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett