SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Arthur"/1) | (@(roleclean,performerclean) "Arthur")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2701 matches on Roles/Actors, 1321 matches on Author, 624 matches on Performance Comments, 148 matches on Performance Title, and 88 matches on Event Comments.

Performances

Mainpiece Title: The Doctor Last In His Chariot

Afterpiece Title: The Captive

Cast
Role: Fatima Actor: Mrs Arthur

Dance: As17690515

Performances

Mainpiece Title: The Doctor Last In His Chariot

Afterpiece Title: The Captive

Cast
Role: Fatima Actor: Mrs Arthur

Dance: As17690515

Performances

Mainpiece Title: The Doctor Last In His Chariot

Afterpiece Title: The Captive

Dance: As17690515

Performances

Mainpiece Title: The Doctor Last In His Chariot

Afterpiece Title: The Captive

Dance: As17690515

Performances

Mainpiece Title: The Doctor Last In His Chariot

Afterpiece Title: The Captive

Dance: As17690515

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Vintner Trick'd

Dance: As17690515

Performances

Mainpiece Title: The Doctor Last In His Chariot

Afterpiece Title: The Captive

Dance: As17690515

Performances

Mainpiece Title: The Doctor Last In His Chariot

Afterpiece Title: The Author

Dance: As17690814

Performances

Mainpiece Title: The Doctor Last In His Chariot

Afterpiece Title: The Ephesian Matron

Song: As17690825

Dance: As17690814

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Padlock

Dance: As17690515

Performances

Mainpiece Title: For Performances At dl And cg, 16 And 18 September, See Season Of 1769--1770, P

Afterpiece Title: [The Padlock

Dance: [As17690515

Performances

Mainpiece Title: King John

Afterpiece Title: The Genii

Performances

Mainpiece Title: King John

Afterpiece Title: The Note of Hand; or, Trip to Newmarket

Performances

Mainpiece Title: King John

Afterpiece Title: The Note of Hand

Performances

Mainpiece Title: King John

Cast
Role: Prince Arthur Actor: a Young Lady

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Life and Death of Tom Thumb the Great

Cast
Role: King Arthur Actor: Comerford

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Life and Death of Tom Thumb the Great

Cast
Role: King Arthur Actor: Comerford

Dance: End: The Wapping Landlady; or, Jack in Distress-; [with a Hornpipe [in character,-a Lady from London [unidentified]

Song: As17760925

Entertainment: Imitations. As17760930 Monologue. Teague's Ramble to London. Captain O'Blunder-Broderick

Performances

Mainpiece Title: King John

Cast
Role: Prince Arthur Actor: Miss Field

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Kensington Gardens

Cast
Role: King Arthur Actor: Wilson

Afterpiece Title: Ripe Fruit

Cast
Role: King Arthur Actor: Wilson

Afterpiece Title: Tom Thumb

Cast
Role: King Arthur Actor: Wilson

Song: In 2nd piece: As17810822; End of 3rd piece: Moderation and Alteration, as17810817

Performances

Mainpiece Title: King John

Cast
Role: Prince Arthur Actor: Miss Field

Afterpiece Title: Comus

Performances

Mainpiece Title: Comus

Cast
Role: Lord Arthur D'Aimurle Actor: Lewis

Afterpiece Title: Artaxerxes

Afterpiece Title: The Doldrum

Song: In 1st piece: Sweet Echo (1st time)-Mme Mara; accompanied on the hautboy-W. Parke; End I 1st piece: Mad Bess (in character)-Mme Mara (1st time); In 2nd piece: a new song [High rolling seas that bear afar]-Mme Mara [written for the Occasion, and set to music by Herself

Performances

Mainpiece Title: Life's Vagaries

Cast
Role: Lord Arthur D'Aimurle Actor: Lewis

Afterpiece Title: The Poor Sailor

Dance: As17951002

Song: End: The [Little] Farthing Rushlight-Young Standen

Monologue: After Singing: A Pantomimic Interlude in which the Dying and Skeleton Scene, with the Escape of Harlequin through a Hogshead of Fire. Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Scaramouch-Abbot; Doctor-Rees; Colombine-A Young Lady [unidentified]

Event Comment: Benefit for Barry. Tickets deliver'd for King Arthur will be taken. Part of Pit laid into Boxes. Ladies send servants by 4 o'clock. Paid Supers, Kettle Drum, & practices to King Arthur #2 16s.; Printer's Bill #8 12s. (Treasurer's Book). Mary Martin to J. M. Rebow, 6 April (MS correspondence in Washington State University Library): There has not been any mention of Barry's Benefit in ye Papers till to Day when it is advertis'd for ye 23rd of this Month, & ye Play. After...ye Constant Couple, which I imagine is no very desirable thing to see so late in ye Season, therefore pray tell me if I must send ye Tickets back directly, or may keep them till you are in Town again, which I hope you certainly will be before that time; I find we are not ye only unfortunates that Mr Johnson disappoints of Places, for that it is his Constant Practice not to let a single Place, till all his Five Guinea Chaps are serv'd even if you are at ye Play House, & apply ye Instant ye Play is given out, for which reason Mr Garrick has desir'd Gentlemen will Write to him upon such Occasions, & it is now very commonly done. Receipts: #264 11s. 6d. Charges: #67. Profits to Barry: #197 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lottery

Dance: End: Comic Dance, as17720326

Event Comment: [As mainpiece the playbill announces the 8th night of King Arthur and as afterpiece the 8th night of The Divorce, but they were not acted. The substitute plays are listed in the Account-Book. King Arthur, "The Eight Night," was next acted on 11 Dec; The Divorce, "The 8th Night," on 17 Dec] Account-Book, 1 Dec.: Paid Billstickers, Change of Play, 1s. 6d. Receipts: #118 4s. (82/17; 34/12; 0/15)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: End of mainpiece The Devonshire Minuet, as17810915

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr