SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Antoine de Feriol comte de Pont de Veyle"/1) | (@(roleclean,performerclean) "Antoine de Feriol comte de Pont de Veyle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 994 matches on Performance Title, 432 matches on Performance Comments, 168 matches on Author, 168 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Quaker

Dance: End of Act I of mainpiece Hornpipe, as17820314End of Act III The Devonshire Minuet, as17810915, but added: Duprez

Song: In Act v of mainpiece song, as17820411

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Englishman in Paris

Song: In Act v of mainpiece song by Miss Field

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Too Civil by Half

Dance: End of Act I of mainpiece, as17820917; End of mainpiece, as17821005

Song: As17820928

Performances

Mainpiece Title: The Son-in-law

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I The Pastimes of Terpsycore, as17831227; End of Opera an entirely new Anacreontic Ballet (1st time), composed by D'Auberval, Le Reveil du Bonheur, by Slingsby, Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet, and Cupid-Miss De Camp. The Music of both dances by Barthelemon

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: A Medley

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End of Act I of mainpiece The Sportsmen's Return, as17840916

Song: In Act V of mainpiece a song by Miss Field. [This was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Spanish Rivals

Song: In Act II of mainpiece a song by Miss Stageldoir

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Spanish Rivals

Performances

Mainpiece Title: Il Pittore Parigino

Dance: As17850122 throughout

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Waterman

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Projects

Dance: End of Act I of mainpiece The Lucky Return, as17860105

Song: In Act V of mainpiece a song by Mrs Forster

Performances

Mainpiece Title: The Peruvian

Afterpiece Title: The Country Wife

Performances

Mainpiece Title: Armida

Dance: End of Act I Les Amans Surpris (not performed these 4 years [not since 30 June 1781]) by Vestris, Rochfort (1st appearance in England), Fabiani, Mlle Mozon, Mlle Baccelli; End of Opera Ninette a la Cour (not performed these 4 years [not since 3 July 1781]) by Vestris, Rochfort, Fabiani, Mlle Mozon, Mlle Baccelli. In the course of the ballet The Minuet de la Cour, with a favourite Gavotte, by Fabiani and Mlle Carolina, and a Pas de Deux of a particular Invention (the music newly composed by Mortellari) by Mlle Baccelli and Vestris

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Tit for Tat

Afterpiece Title: Harlequin Teague

Dance: As17860904

Performances

Mainpiece Title: Rule A Wife And Have A Wife [1st 3 Acts Only]

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Maid of Bath

Dance: As17870425

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End I: a New Dance, as17871026

Song: V: song-Mrs Forster

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Lying Valet

Dance: End I: As17880916

Song: In V: song-Mrs Forster

Event Comment: Mainpiece [1st time; D 4, by Elizabeth Inchbald, adapted from Zelie; ou, L'Ingenue, by Stephanie Felicite Ducrest de Saint Aubin, Comtesse de Genlis. Beginning with 6 Dec. this was reduced to an afterpiece of 3 acts. Epilogue by Miles Peter Andrews (see text)]. Public Advertiser, 12 Dec. 1788: This Day is published The Child of Nature (price not listed). Afterpiece: Reduced [from 5] into 3 acts. Receipts: #150 15s 6d. (139.10.0; 11.5.6),

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: A Bold Stroke for a Wife

Dance: As17880924

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Devil to Pay; or, The Wives Metamorphosed

Dance: As17881113

Song: As17881002